DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface  

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DigiTech

The simplicity of a stompbox. The control of an effects switching system.

Get the best of both worlds with the DigiTech RP500 Guitar Multi Effects Pedal. The RP500 features a Pedalboard mode that allows you to turn on and off individual stompboxes and effects by pushing buttons 1-5. You get the expressiveness of stompboxes and you can change them from preset to preset. Next take the Amp/Cabinet Bypass button that defeats the internal amplifiers and cabinets leaving you with only stompboxes and effects and you have a switching machine. Save each combo in a preset for a uniquely switchable pedal setup found only in pro switching systems.

The RP500 Multi Effects Pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.

Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want—no longer will the lack of control stand in the way of your expression.

*Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.

Features

  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
  • Heavy-duty vacuum switches for program changes, effect on/off changes, bank up and down, tap tempo and tuner
  • Bright LEDs display program status and effect on/off
  • Large 8 character LED display for program name, bank name, and tuner
  • Large 2 character display for program number and tuning reference
  • Built-in expression pedal controls the RP500's internal wahs, volume, Whammy™, and other parameters
  • Includes PS0913B power supply

Get everything you need to rule stage or studio. Call or click today to order.

RP500 Guitar Multi-Effects Switching System & USB Recording Interface Specifications:

  • Stompboxes based on:
  • Compressor / Sustainers:
  • Boss® CS-2Compressor / Sustainer
  • DigiTech® Main Squeeze Compressor
  • MXR® Dynacomp™
  • Wah / Volume: Dunlop® Cry Baby Wah™
  • DigiTech® Full Range Wah
  • Vox® Clyde McCoy Wah™
  • Volume Pedal
  • Distortions & Overdrives:
  • SCREAMER (Based on an Ibanez® TS-9)
  • TS 808 (Based on an Ibanez TS-808 Tube Screamer)
  • SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
  • OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
  • DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
  • RODENT (Based on a Pro Co RAT™)
  • MX DISTORTION (Based on an MXR® Distortion +)
  • DS (Based on a Boss® DS-1™ Distortion)
  • GRUNGE (DigiTech® Grunge®)
  • ZONE (Based on a Boss MT-2 Metal Zone®)
  • DEATH METAL (DigiTech Death Metal™)
  • GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
  • 8TAVIA (Based on a Roger Mayer Octavia™)
  • FUZZLATOR (Based on a Demeter Fuzzulator)
  • CLASSIC FUZZ (Based on a DOD Classic Fuzz)
  • FUZZY FACE (Based on an Arbiter® Fuzz Face™)
  • BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
  • DigiTech Redline Overdrive
  • Amplifiers & Acoustics:
  • 57 CHAMP Based on a '57 Fender® Tweed Champ®
  • 57 DELUXE Based on a '57 Fender® Tweed Deluxe™
  • 59 BASSMAN Based on a '59 Fender® Tweed Bassman®
  • 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
  • 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
  • 65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb®
  • 65 JTM-45(Based on a '65 Marshall® JTM-45
  • 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
  • 68 JUMP PANEL Based on a '68 Marshall Jump Panel
  • 77 MASTER VOLUME Based on a '77 Marshall Master Volume
  • 83 JCM800 Based on an '83 Marshall JCM800
  • 93 JCM900 Based on a '93 Marshall JCM900
  • 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
  • 62 AC15 Based on a '62 Vox® AC15
  • 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
  • 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
  • 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
  • 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
  • 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
  • 96 MATCH HC-30 Based on a '96 Matchless™ HC30
  • 88 SLO-100 Based on an '88 Soldano SLO-100
  • Gibson® GA-40
  • Peavey® 5150® II
  • Roland JC-120
  • Sunn® 100S
  • Randall® HT-100
  • DIGITECH SOLO DigiTech® Solo
  • DIGITECH METAL DigiTech Metal
  • DIGITECH BRIGHT CLEAN DigiTech Bright Clean
  • DIGITECH CHUNK DigiTech Chunk
  • DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
  • DIGITECH CRUNCH DigiTech Crunch
  • DIGITECH BLUES DigiTech Blues
  • DIGITECH FUZZ DigiTech Fuzz
  • DIGITECH SPANK DigiTech Spank
  • DIGITECH HIGH GAIN DigiTech High Gain
  • DIGITECH MONSTER - Maxed out gain
  • DIGITECH "TWEEDFACE" — Tweed preamp w/Blackface power amp
  • DIGITECH "65 Blackface Bassman" — '65 Blackface preamp with Bassman power amp
  • DIGITECH STONERROCK — Thick, sludgy distorted amp tone
  • DIGITECH DARKMETAL — Responsive, tight metal tone
  • DIGITECH TRANSISTOR — Solid state transistor amp sound
  • DIGITECH BROWNSOUND — Hot rodded '80s stack tone
  • DIGITECH MOSH — Chunky metal tone with just the right amount of sizzle
  • 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
  • 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
  • DIRECT No amp model
  • DREADAUGHT ACOUSTIC
  • JUMBO ACOUSTIC
  • Cabinets:
  • CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
  • DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
  • DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
  • BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
  • BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
  • TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
  • BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
  • BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
  • BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
  • GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
  • FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
  • BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30's
  • VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30's
  • DIGITECH SOLO 4X12 4x12 DigiTech® Solo
  • DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
  • DIGITECH METAL 4X12 4x12 DigiTech Metal
  • DIGITECH ROCK 4X12 4x12 DigiTech Rock
  • DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
  • DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
  • DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
  • DIGITECH SPANK 4X12 4x12 DigiTech Spank
  • DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
  • DIRECT No cabinet model
  • FX Models:
  • Chorus Stompbox Models based on:
  • Boss® CE-2 Chorus
  • DigiTech Dual Chorus
  • DigiTech Multi-Chorus
  • TC Electronics® Chorus
  • DIGITECH GLISTENING Chorus
  • Flanger Models based on:
  • MXR® Flanger
  • DigiTech® Triggered Flanger
  • Electro Harmonix® Electric Mistress™
  • ADA® Flanger
  • Phaser Models based on:
  • MXR® Phase 100
  • DigiTech® Phaser
  • Electro Harmonix® Small Stone™
  • Pitch Models based on:
  • DigiTech® Whammy™
  • DigiTech® Pitch Shift
  • DigiTech® Detune
  • DigiTech® IPS
  • Boss® OC-2 Octaver™
  • Vibrato/Rotary Models based on:
  • DigiTech® Vibrato
  • DigiTech® Rotary
  • DigiTech® Vibro/Pan
  • Unicord UniVibe™
  • Tremolo Models based on:
  • DigiTech® Tremolo
  • DigiTech® Panner
  • Fender® Opto Tremolo™
  • Vox® Bias Tremolo
  • DIGITECH SCATTERTREM — Dual tremolo effect
  • Envelope/Special Models based on:
  • DOD® FX25 Envelope Filter
  • DigiTech® Auto Yah™
  • DigiTech® YaYa™
  • DigiTech® Synth Talk™
  • DigiTech® Step Filter
  • DigiTech® Sample & Hold
  • Delays:
  • Digital Delay
  • Analog Delay
  • Pong Delay
  • Modulated Delay
  • Tape Delay
  • Reverse Delay
  • DM Analog Delay - based on Boss® DM2 Analog Delay
  • Echo Plex - based on Maestro EP-1 Tube Echoplex
  • Reverbs based on:
  • Lexicon® Ambience
  • Lexicon® Hall
  • Lexicon® Room
  • Lexicon® Studio
  • EMT Plate - based on EMT® 240 Plate Reverb
  • Spring - based on Fender® Twin Reverb™
Write a Review Overall Rating Customer Reviews 90 See all 90 customer reviews...

Very Impressed!!

| Review By: D. Stump | 3 months, 3 days ago

1 people out of 1 found this review helpful

Features:

I have to say that I am blown away at all the features on this thing! 100 factory presets along with 100 user presets, all tweakable to your liking, you can find the tone your after...I honestly believe it! After the update, you get a 20-second looper. There's also software to edit each of your presets on your computer. You can turn the amp/cabinet off and just go with effects or bypass the pedalboard completely and use your own effects pedals.

Quality:

Honestly, this thing is built tough! Love the feel and sound of stomping on the switches! Lol! Makes me feel like a pro! Lol!

Value:

To be honest, in my opinion, with as much as this thing can do, I believe the price is just right! 

Overall:

If you want an upgrade or a multi-effects pedal that is fluid combined with your own effects pedals, I recommend this one! I honestly believe you will not be disappointed!

Do you own the product?:
Yes
Have you used the product?:
Yes
Musical Experience:
15+ years
Style of music you play:
southern rock, contemporary Christian
Where you live:
Floresville, TX

Did you find this review helpful? yes no1113189

The very best multi-effect pedalboard in its price range

| Review By: Gilberto Bermudez | 4 months, 3 weeks ago

2 people out of 2 found this review helpful

Features:

It has EVERYTHING you'll need. Presets are very good in general. Some do require editing to make them better sounding, and this is easily done if you read the manual and learn to twitch the settings. The tuner is great. Remember to upgrade to version 2.0 of the firmware via USB and an internet conexion: this will give you a 20-second looper which works great too!

Quality:

This think is a tank. Yes: A TANK!

Value:

Great value for the price!

Overall:

Love my RP500!

Do you own the product?:
Yes
Have you used the product?:
Yes
Musical Experience:
30 years
Style of music you play:
Pop, Rock
Where you live:
Caracas, Venezuela

Did you find this review helpful? yes no1105522

LOVE IT!!!

| Review By: Twangin' Bob | 7 months, 2 weeks ago

4 people out of 4 found this review helpful

Features:

The tuner is excellent.

Playing in all modes sounds great - I have been playing mine in pedal board mode, straight to the mixing board lately, having the sound come back to me through a monitor.

 

I have been tweaking my pedals quite a bit too. The chorus effect, on most pre-sets, is way too crazy/deep, but can be easily modified to make a lush but subtle change to the sound. Also, the reverb choices are nice and editable too. I have been using "RODENT" distortion the past few weeks - it has great attack and nice crunch. The compressor is nice to use during solos.

 

It took me a while to start tweaking the sound, but now I am confident to turn the knobs at will.

 

I do not know about the other available pedals, but I would recommend this one.

Quality:

STEEL!!!

Value:

Decent...

Overall:

LOVE IT!!!

Do you own the product?:
Yes
Have you used the product?:
Yes
Musical Experience:
ACTIVE
Style of music you play:
Christian
Where you live:
Cincinnati

Did you find this review helpful? yes no1096746

Very Good, Your Mileage May Vary

| Review By: Paul Malta | 7 months, 3 weeks ago

3 people out of 9 found this review helpful

Features:

No doubt this unit is packed with great features. Nice modeling, good stompbox selections and parameter tweaks both on board and with x-Edit s/w; gets a "4" IMO only because there are some limitations on the ordering of multiple effects.

Quality:

I've had this unit for 3 years. It's very solid and gig worthy, absolutely no complaints there. The metal switches can be stomped on like a traditional stompbox with no worries. I've played dozens of shows (mostly bars) with it and it can take a fair amount of abuse. Like anything electronic, don't pour a beer on it and expect it to pull through. But it can take it's fair share of normal "accidents" without getting shot. I do have one big complaint on quality - the headphone jack is very weak. This pedal is absolutely perfect for learning songs - plug in a MP3 player and headphones and you can jam away - so I use this feature a lot. The problem I've had is that after less than a year of owning the pedal I started hearing a delay in the phones with one channel cutting out. If I jiggled or repositioned the headphone plug it would "fix it" but wouldn't stay put. So I had the unit repaired under warranty (took several weeks) and it was good for another year and now it's starting again. In my book this is a serious flaw since using the headphone jack is a big reason I bought this - the ability to practice without driving the wife crazy.

Value:

Great value when you think about all the effects and stompboxes you can replace or not buy.

Overall:

Overall this a nice unit, it greatly simplifies my live setup while providing tonal flexibility and it's great for practicing at home. But like a Swiss Army Knife, there are some tools that are great and others that are weak. For example, IMO the wah-wah sound doesn't compare to my Morley, you just don't get the depth on any setting. Also, there are leveling problems between clean and distorted tones that are difficult to overcome - takes a lot of tweaking within the patch and still not as effective as switching on a traditional stompbox or amp channel switch (not enough boost for leads). As for the "mileage may vary" factor -  I've found that it can sound very different depending on the amp you use. In my experience it sounds best in front of a clean amp like a Fender DR. On my Fender DR it is surprisingly musical; the effects respond nicely to my playing and the distortions drive the amp beautifully, just like the traditional stomps did. So this is my main gig setup for the rock/pop/blues/funk covers I play. It does tend to color the tone once you add effects to the chain, not a lot but you might want to use the on board EQ to compensate, depending on your own taste. I don't use the on board EQ live because I prefer to EQ on my amp and not have to engineer EQ's for every patch combination I use. But on some amps, it can be dreadful, especially through the effects loop - like on my Soldano HR50 only the chorus and delays sound good; same with some Marshalls I've tried to use in the studio and I'm not thrilled with the tone runing the unit in front of those amps either. Probably a matter of extensive tweaking which doesn't appeal to me; I'd rather play than have to engineer settings for every possible setup I use. With the Fender DR - done and it's a nice simple gig rig. I have never used it live going directly through a PA or power amp using its amp modeling; I consider that my backup plan if my DR goes out. Recording with modeling directly into Logic or GB, it's directly compatible and sounds good although I prefer mic'ing an amp. I would definitely recommend this product but also advise that if you plan to use it live, test it out on your amp first while having it hooked up to x-Edit (easier to go through all the parameters). I am giving it a 4 because of the headphone jack issue.

Do you own the product?:
Yes
Have you used the product?:
Yes
Musical Experience:
Gigging Musician
Style of music you play:
Rock/Pop, Blues, Funk
Where you live:
Westchester, NY

Did you find this review helpful? yes no1096352

RP 500

| Review By: Tentop Rocker | 8 months, 4 weeks ago

5 people out of 5 found this review helpful

Features:

I use this unit as a stomp box pedal board only.  I have turned off the amp and cabinet models.

 

It is very versatile and has great sounding effects.  I don't compare them to the original stomp boxes.  I just find one with the sounds I like and store them.  I especially like the fact that each patch has separate effect controls.

I started off with an RP355 but I it has too many features (looper, learn a lick) that can be inadvertently turned on when you don't need them.  I sold the rp355 and purchased the rp500.  Much better control and effects.

Quality:

This unit is built well and seems to be versital.  I did extend the power supply wire because the original is a little too short.

Value:

I was lucky because I purchased my rp500  for a great price.

Overall:

Overall I would recommend this product.  I have owned separate stomp boxes and a few BOSS multi effects units and this is the most versatile and user friendly of them all. Just needs a longer power cable.

Do you own the product?:
Yes
Have you used the product?:
Yes
Musical Experience:
Semi Pro
Style of music you play:
CW, Classic/Southern Rock, Blues
Where you live:
Arizona

Did you find this review helpful? yes no1094571

See all 90 customer reviews...
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