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Product 423550

Marshall JMD50 and MA412 Half Stack   

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This amp and half stack lets you unleash that pure rock sound with raw Marshall power. Add the Marshall JMD50 50W digital guitar amp head and MA412 g...Click To Read More About This Product

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A roaring Marshall half stack for a terrific price.

This amp and half stack lets you unleash that pure rock sound with raw Marshall power. Add the Marshall JMD50 50W digital guitar amp head and MA412 guitar speaker cabinet to your rig, all for a great price.

Marshall JMD50 50W Digital Guitar Amplifier Head
This Marshall half stack provides you with the JMD50 50W amp head that guarantees a balanced mixture of classic all-tube power and studio-quality effects. The Marshall amplifier head uses this technology to create a vast library of tone styles firmly rooted in the foundations of Marshall amplifiers. The Marshall JMD50 amp head provides interpretations of unmistakable classic sounds and a variety of combinations. These are delivered in 16 easy-to-access topologies, replicated from component level information for a truly natural and interactive playing experience.

After working closely with the digital experts from Softube, Marshall created a digital and tube amplifier that offers a multitude of tones, allowing the guitarist to experience and experiment with a variety of preamplifier topologies from Marshall's history, all in combination with the power and warmth of a traditional EL34 based power amp stage.

The Marshall JMD50 amp head contains a compilation of tones created by Marshall over the last 45 years, from a vintage plexi, to a JCM 800, all the way through to a high gain JVM. For instance, have you ever wondered what a 1974 preamp would sound like through a monster 50W tube stage with a hint of reverb for ambience? The Marshall amplifier lets you do that. Do you want to try a Guv'nor pedal through the power of a Marshall 50/50 power amp and a hi-fi style delay? JMD50 amp head lets you do that too. What makes the Marshall JMD50 so adaptable and versatile, is that it is completely programmable, allowing you to store your sounds and then access them again with ease.

Instead of trying to mimic the overall sound of an amplifier by simply creating a copy of the tone that is generated, the JMD50 takes into account every nuance of a pre-amp. Not only recreating the tone accurately, but also how the Marshall amp reacts when you make adjustments to the equalization.

The familiar front panel is extensive in features and easy to navigate. Selecting the preamp sound you want is as simple as choosing one of the 16 sounds from the rotary pre-amp control. This section has been divided into four separate groupings for ease; Clean, Crunch, OD, and Lead. From there, all you have to do is set up your EQ section and choose and adjust which of the high-quality effects you desire. Storing this sound is just a case of holding down one of the four channel buttons on the amp or saving to the foot controller, storing everything from the EQ to the parameter of chosen effect. So now you're able to go from a classic low-wattage tube sound with a hint of reverb, to a traditional high-gain '80s lead sound with delay for solos, to a scooped-out metal sound, incorporating chorus with the press of a button.

The effects section of the Marshall JMD50 amp head gives access to a host of popular effects, all of which have been tailored specifically to give the best possible response in the JMD50. Not only are the effects redesigned, they are also fully adjustable to be as subtle or extreme as you wish. The effects are divided into three separate stages, Modulation, Delay and also an independent Reverb.

With the included footswitch, the Marshall JMD50 amplifier head can work to its full ability. The foot controller enables the player to store four sounds across seven banks, giving the option of storing 28 sounds and the ability to access any of them at any given time. When sounds are stored in the foot controller or the amplifier it recalls everything apart from the master volume and the Presence. MIDI switching capabilities also allow the user to control the amplifier remotely, and add the possibilities of up to 128 configurations. Effects loops allow the player to add in any personalization they require, and the balanced line out contains the best Marshall speaker cabinet simulations for recording a multitude of tones directly.

Marshall MA Series MA412 Guitar Speaker Cabinet
The Marshall MA412 guitar speaker cab was specially designed to complement the unmistakable Marshall tone of the Marshall MA Series of affordable all-tube amp heads. Loaded with four 12" Eminence AX-75 speakers and priced for the working musician.

FEATURES
Marshall JMD50 50W Digital Guitar Amp Head:
  • Power rating: 50W
  • Preamp: Digital Natural Harmonic Technology
  • Poweramp tubes: 2 x EL34
  • Preamp topologies: 16
  • Modulation effects: Chorus, Phaser, Flanger, Tremolo
  • Delay effects: Hi-Fi Analogue, Tape, Multi
  • Tap tempo control
  • Reverb: Independent custom voiced
  • Midi Control: Midi in, Midi Thru
  • Stompware controller: supplied
  • Emulated line out: XLR
  • Headphone out: 1/4" jack
  • Line in: 1/4" jack
  • Preamp: 1/4" jack
  • Effects loop: Serial / Parallel -10dBV / +4dB with mix control
  • Speaker output: 1x16 , 1x8 , 2x 16
  • Developed in the UK, manufactured in China
Marshall MA Series MA412 Guitar Speaker Cabinet:
  • Perfect complement to MA Series heads
  • 4 - 12" Eminence AX-75 speakers/cabinet

The digital and tube combination and roaring power. Order this amazing Marshall half stack today.

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MarshallJMD50 and MA412 Half Stack
 
1.0

(based on 1 review)

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(2 of 3 customers found this review helpful)

 
1.0

JMD50 and MA412 Half Stack

By Timothy Westlund

from Lansing, Mi

Comments about Marshall JMD50 and MA412 Half Stack:

The JMD1 50 watt 1/2 stack. What a great amp and easy to use! It only took me a few minutes to dial in the sounds that I need and programming the unit is as simple as programming the radio stations on the radio in your car, literally it's that easy. You just dial in your tone such as you like and press and hold the channel you want to assign it to on the front of the unit for one second and there you go.

Having been in a local cover band for more than 22 years, I found that I could easily find all the tones that I needed (and a zillion more...) and there are enough channels available with the supplied footswitch so that I didn't even need to dive in to all of the possible assignments this unit offers.

This amp will easily suit your needs no matter what style of music you're playing, it's all there. And if you're after that Marshall balls to the wall tube sound, it's all there too. I'd been using an EVH 5150 for about the last 15 years and was constantly struggling with the fact that the 5150 was designed to be played at Eddie Van Halen arena volumes. Since we play mid-sized to smaller clubs, the 5150 was always too loud or not loud enough. I could never find a happy medium. That's why I decided to go with the 50 watt version of this Marshall. I wanted to be able to open it up enough so that I could get the desired amount of feedback when needed while still having a reasonable stage volume. After playing this, I don't see any reason why most persons would ever even need the 100 watt version. The 50 watt head will easily make your ears bleed if that's what you want! I've used it live for 3 gigs now, and I couldn't be happier.

I'm giving this 1/2 stack a 9, only because nothing's a 10. The only problem I've had with it is that the footswitch works best when you have shoes on. While rehearsing in socks or barefooted, I've sometimes had to hit the switch a number of times. With shoes on, there's no problem.

If you're on the fence about buying this unit, worry not. It will absolutely do just about everything you need done but the dishes...

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