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MF MD HG Restock Sale 10-27-14

Two Notes Audio Engineering Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal  

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Overview
  • Input stage specifically designed to accept pedal-level signals
  • Speaker & miking simulation powered by Torpedo technology (32 slots, and over 45 cabs available)
  • 96 kHz / 32-bit float signal processing
Description & Specs
  • MSRP:
    $725.00
  • Your Savings:
    - $176.00
  • Your Price:
    $54900

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Two Notes Audio Engineering

The very first stompbox-style Impulse-Response Loader!

The Torpedo C.A.B. is a high-end cabinet simulator in a stompbox format. It is not a loadbox, but it does include all the great features of the Torpedo Live, together with an input stage specifically tailored to accept pedal-level signals.

The Torpedo C.A.B. features 2 user-assignable footswitches. Assignable functions include Preset selection, Bypass, Mute, EQ On/Off and more. Musicians equipped with MIDI rigs will be able to remote-control the Torpedo C.A.B. via MIDI.

Two Notes knows you love those little effects stompboxes and they definitely want you to use them with the Torpedo C.A.B. Place it at the end of your effect chain and all need to carry your amp will be gone. Plug it into the PA and you will be ready to go with a great sound.

Power amp simulation
Four tube types: EL84, EL34, 6L6, KT88
Two different circuit topologies: classe A / single ended, classe AB / push pull
Two different modes: pentode, triode
Settings: Volume, Presence, Depth, Pentode / Triode switch

Available guitar cab models
2Notes CSG: Two Notes Custom 1×12″ ElectroVoice® EVM12L
Alichino: Cornford® Harlequin 1×12” OB Celestion® Vintage 30 UK
Angl VintC: Engl® 4×12″ Celestion® V30
Bayou: Jenkins® Sound Lab 2×12” OB Eminence® Patriot Swamp Thang
BDeLuxe: Fender® Blues Deluxe 1×12″
Blonde 63: Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″
Brit 65C: Marshall® 1965A 4×10″ Celestion® G10L-35 closed back
Brit 65O: Marshall® 1965A 4×10″ Celestion® G10L-35 open back
Brit Std: Marshall® JCM900 2×12″ Celestion® G12T
Brit VintC: Marshall® Slash Signature 4×12″ Celestion® V30 closed back
Brit VintO: Marshall® Slash Signature 4×12″ Celestion® V30 open back
Calif C90: Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow)
Calif StdC: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 closed back
Calif StdO: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® open back
Can Abyss: Supro® Clone 1×12” OB Eminence® Patriot Cannabis Rex Hemp Cone
Eddie: Peavey® 5150 2×12″ Sheffield 1200
Feline: Bad Cat® 2×12” OB Celestion® Bad Cat® Proprietary
Ferret: Suhr® Badger 2×12” OB Warehouse® Veteran30
Forest: Elmwood® 2×12″ Celestion® V30
Free Rock: VHT® Deliverance 4×12″ Eminence® P50E
Free Rock2: VHT® Deliverance 2×12″ Eminence® P50E
Green Tri: Hughes&Kettner® Triamp 4×12″ Celestion® Greenback
Jazz 120: Vintage Roland® JC120 2×12″
JubilGreen: Marshall® 2550 2×12″ Celestion® Greenback
JubilV30: Marshall® 2550 2×12″ Celestion® V30
Kerozen: Diezel® 4×12″ Celestion® V30
Monarch: Tone King® Galaxy 2×12” OB Tone King® 33′ Custom Designed
Prime A: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic G12H30 side)
Prime B: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic Blue side)
R2D2: Musicman® 112 RD 1×12” Electro-Voice® EVM12L
RackHero: Custom Audio Amplification® 4×12” CB Alien Transformer® 20W Greenback clones
Silver77: Vintage Fender® Twin Reverb® 2×12″ orange JBL®
SilverJen: Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K
StrongBack: VHT® Fat Bottom 4×12″ Eminence® P50E
The One: Brunetti® Neo1512 1×15″ + 1×12″
Twill 15: Clark® Tweed Replica 1×15” OB Jensen® 1959
Vibro Utah: Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker
Vibro V30: Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30
Voice 30: Original Vox® AC30 JMI 2×12″ Celestion® “Silver Bell”
Voice 65: 1965 Vox® 2×12″
VoiceModrn: Vox® V212H, 2×12″ Celestion® Alnico Blue
Watt FanC: Hiwatt® 2×12″ Fane closed back
Watt FanO: Hiwatt® 2×12″ Fane open back
XTCab: Bogner® 4×12″ Celestion® V30

Bass cabinets
2Notes CSB: Two Notes Custom 1×15″
Alu XL: Hartke® XL 4×10″
AZ Ben: SWR® Big Ben 1×18″
AZ Work: SWR® WorkingMan 4×10″
Calif Low: Mesa/Boogie® 2×10″
Fridge: Ampeg® 8×10″
Heaven Bot: David Eden® 1×15″
Heaven Top: David Eden® 4×10″
Marco: Markbass® 2×10″
New York: Markbass® 4×6″
Rea One: AER® Cab One 2×10″
Voice V125: Vox® V125 2×12″
WGrandBlvd: Ampeg® B15N 1×15” CB Jensen® C15N, Vintage Ceramic

8 studio microphones
Ribbon 121, based on Royer® R121
Ribbon 160, based on Beyerdynamic® M160N
Dynamic 57, based on Shure® SM57
Dynamic Bass52, based on Shure® Beta 52
Dynamic 421, based on Sennheiser® MD421
Dynamic Bass20, based on Electrovoice® RE20
Condenser 87, based on Neumann® U87
Condenser Knightfall, based on Blue® Dragonfly

Features
  • Input stage specifically designed to accept pedal-level signals
  • Speaker & miking simulation powered by Torpedo technology (32 slots, and over 45 cabs available)
  • 96 kHz / 32-bit float signal processing
  • 3rd-party IR compatible (512 available slots)
  • Included 5-band EQ with guitar and bass modes

Get your hands on one today!

 

Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal Specifications:

  • Dimensions (W x H x D): 7" x 2.2" x 5"
  • Weight: 1.7lb.
Customer Reviews
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Review Snapshot®

by PowerReviews
Two Notes Audio EngineeringTorpedo C.A.B. Digital Speaker Cabinet Simulator Pedal
 
5.0

(based on 1 review)

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Reviewed by 1 customer

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(4 of 4 customers found this review helpful)

 
5.0

Worth every penny.

By EEK

from Brooklyn NY

About Me Professional Musician

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Pros

  • Compact Design
  • Excellent Sound Quality
  • Responsive
  • Versatile

Cons

    Best Uses

    • Amateur Recording
    • Events
    • Home Studio
    • Performances
    • Professional Recording

    Comments about Two Notes Audio Engineering Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal:

    I use a BOSS GT100 and can't stand the COSM cabinet sims, it's always been the 1 weakness of the GT series IMO. I live in NYC - lugging amps around via public transit isn't always the most fun thing to do and I refuse to rely on unreliable backline amps. I have been looking for a pedal like this for years. Yeah, it's pricey but it blows everything else out of the water. If you can't get a good direct sound out of this thing you've got a serious problem.

    Seems really well built and super easy to tweak on the fly. Unlike most pedals you'll probably find something immediately usable within the factory presets. The only downside is figuring out how to add the extra cabs - there's not too much documentation on it (or any, rather) and it's a little counterintuitive - but once you get past that you're gold.

    My band is an instrumental trio and the guitar is the main focus of the music. I'm very picky when it comes to my guitar tone and this is the first box to come along and make me want to chance playing direct at a gig. This into the effects loop of my GT100 (placed after the GT's preamp) is where it's at for me. I can use all of my existing GT100 presets I use with my real amps (Tech 21 PW60) without having to retweak my GT patches. A little adjusting of the global EQ depending on the sound of the room we're playing and I'm good to go. If you've got the funds and are on the market for a pedal like this, get it. You won't be disappointed.

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