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High Fidelity HEAROSFrequency-balanced protection for your most valuable resource.By Mikey Lank
Occupational hazard And taking it on the ear drums is not like taking it on the chin; you don't see all the blood and swelling. The only way you know you've been injured is by the ringingwhich is a certain indication. For many, hearing loss takes the form of ever-louder ringing until you can't hear anything else. That ringing (known as tinnitus) is the result of hearing nerve cells being destroyed. You're born with a set number, and when they're destroyed they never come back. Never. For musicians, the constant exposure to high sound-pressure levels constitutes a very real and very permanent occupational hazard. If Brett Favre pulls a hamstring on the gridiron, chances are he'll be as good as new before next season. If you blow out your ears onstage, that's itthere won't be a next season. Unfortunately, I have to count myself among the many musicians I know who suffer from varying degrees of hearing loss. There's even a nonprofit organization called Hearing Education and Awareness for Rockers that counts such luminaries as Pete Townshend and Lars Ulrich among its supporters. It's a serious issue for tens of thousands of musicians like you and me.
The idea of shoving something in your ears to cut the volume level is hardly a novel one. When I was 17 and "practicing" with the band in a tiny room down in the bass player's basement, the volume level would begin to escalate immediately, each player cranking up to hear himself over everybody else. I would jam some toilet paper or whatever I had handy in my ears and sit down right next to my amp in order to hear myself at all. As I got older, I began to use more-advanced foam earplugs, but they basically ruined my listening experience by killing all the highs in the music. In order to attenuate the road noise in my car, I had learned to put in ear-plugs, turn up the stereo, and crank the treble all the way. This would provide a fairly natural tone in the car, but in a performance setting I obviously couldn't boost the treble without ruining the sound for the audience.
The solution Much of my musical inspiration comes from the quality of the tones I'm getting from my rig. Until HiFi HEAROS, I was losing that extra musical boost because the sparkling overtones and high harmonics were completely blocked out by my foam ear plugs. The HEAROS Ear Filters let through all that musical beauty without all that potentially damaging volume. They are easier to use than the foam plugs, they're more comfortable, and they last longerwith care you can get a year or more out of a single pair.
The cap and stem that extend out of the HiFi HEAROS form a folded horn and resonance structure that vibrates at the same 2.8kHz resonance as the human ear. When combined with the concha resonance of the ear canal at the end of the HiFi filter, the physics of the HiFi HEAROS result in an eardrum pressure frequency-balanced like that of a normal, open ear but with sound pressure reduced by 20 decibels. In other words, they're not as simple as they look. But the proof is in the puddingthey do what they're supposed to do. And they do it amazingly well.
Workingman's price In sum, HiFi HEAROS are an easy, comfortable, effective, affordable way for musicians at all levels to protect the one sense that grants access to our biggest buzz-music! I feel like I'm doing a public service by encouraging you in the strongest terms to order a pair of these amazing ear filters today.
Musician's Friend offers a price on HEAROS hi-fi Ear Filters that won't be beat by any of our competitorswe guarantee it! Also check out the complete line of HEAROS products including the HEAROS Reference for Drummers and HEAROS Reference for Musicians.
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