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Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar  Honey Burst

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The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a c...Click To Read More About This Product

Available 04-06-2017

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OVERVIEW

Advanced wiring gives this one an expanded palette of powerful sounds.

The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series.

The Les Paul Studio Deluxe II '60s Electric Guitar raises the bar with the cutting-yet-rich tone of a 490R humbucking pickup in the neck position and a BurstBucker Pro humbucking pickup in the bridge position, which are mounted on a carved maple top with a mahogany back. Both pickups offer coil splitting for single-coil sounds and a boost circuit via push/push switching in the volume controls. œStraight Split coil-splitting offers pure single coil tone and differs from LP Standards and Studios that have a œSuper Tap coil-tap, which still has a small amount of humbucking. The boost circuit has a user-adjustable 10-dB boost for added power and frequency range for solos, single-note picking and dirty chording (depending on amp settings) and features true bypass that disengages the boost completely, ensuring pure passive Les Paul tone.

The hardware is finished in chrome including Grover tuners and Gibson's pioneering tune-o-matic bridge and stopbar tailpiece. The Les Paul Studio Deluxe is dependable and affordable ” and is built without any compromises. The Gibson Les Paul comes with a hardshell case.

FEATURES
  • A user-adjustable 10-dB boost for added power and frequency range for solos, single-note picking and dirty chording (depending on amp settings)
  • '60s-style neck shape
  • True bypass: disengaging boost completely removes active circuit, ensuring pure passive Les Paul tone
  • 490R humbucking pickup in the neck position and a BurstBucker Pro humbucking pickup in the bridge position
  • Easy-to-use push/push pots engage coil-splits and boost circuit
  • œStraight Split coil-splitting offers pure single coil tone
  • Grover tuners, satin-finished back and sides
  • Includes hardshell case

Don't settle for less. Order your Les today.

SPECIFICATIONS

Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar

  • Body
    Body style: Les Paul carved top
    Top species: Maple top
    Back species: Mahogany
    Scale length: 24-3/4"
    Neck
    Neck wood: Mahogany
    Neck joint: Set
    Neck profile: '60s
    Nut: Corian
    Nut width: Standard Gibson: 1.695" ±.050"
    Headstock inlay: Gibson logo
    Silkscreen: Gibson logo + Les Paul model
    Truss rod: Gibson adjustable truss rod
    Truss rod cover: Bell-shaped cover, stamped "Deluxe"
    Fingerboard
    Fingerboard species: Rosewood
    Fingerboard radius: 12"
    Inlays: Figured acrylic trapezoid
    Frets: 22
    Hardware
    Plating finish: Chrome
    Tailpiece: Gibson stopbar
    Bridge: Gibson Tune-O-Matic
    Tuners: Grover
    Electronics
    Neck pickup: 490R
    Bridge pickup: Burstbucker Pro
    Controls: 2 volume with boost circuit via push/push switching, 2 tone with coil-splitting, 3-way toggle
    Control knobs: Black speed
    Control pocket cover: Black molded
    Special features: Quick-connect control pocket assembly
    Case
    Type: Gibson hardshell
    Case interior: White
    Case exterior: Black
    Silkscreen: Gibson USA logo
Reviews
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Review Snapshot

by PowerReviews
GibsonLes Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar
 
4.3

(based on 19 reviews)

Ratings Distribution

  • 5 Stars

     

    (12)

  • 4 Stars

     

    (5)

  • 3 Stars

     

    (0)

  • 2 Stars

     

    (0)

  • 1 Stars

     

    (2)

95%

of respondents would recommend this to a friend.

Pros

  • Fun to play (15)
  • Good feel (14)
  • Good pick up (14)
  • Good tone (14)
  • Solid electronics (13)

Cons

No Cons

Best Uses

  • Jamming (14)
  • Practicing (12)
  • Recording (9)
  • Rock concerts (7)
  • Small venues (7)
    • Reviewer Profile:
    • Experienced (14), Professional musician (4)

Most Liked Positive Review

 

Incredibly versatile...love it

This is a unique animal, as of the time of writing this you still won't find any info about it on Gibson's own site. This is a real mystery because unlike most of the...Read complete review

This is a unique animal, as of the time of writing this you still won't find any info about it on Gibson's own site. This is a real mystery because unlike most of the various Les Paul models Gibson makes, this one fills a niche that almost no other guitar they make can fill. They are really missing an opportunity to market something special.

To start with you have to understand how this guitar differs from other Studios and Standards, as there are a number of upgrades. I have cobbled this info together by pulling together various specs from all over, plus what is obvious on the guitar...crazy that Gibson aren't making this stuff more visible!

--It has upgraded Grover tuners, instead of the vintage greenleaf Kluson-style tuners. These feel much smoother than the Kluson style.

--It has a AA maple cap whereas normal Studios do not. I've had several Studios to compare against in the past few weeks, including Wine Red ones just like mine, and this grain is a higher grade.

--Obviously, the zebra coil pickups, and without the humbucking covers.

--It has a 490R in the neck like almost every Studio but it has a BurstBucker Pro in the Bridge position, instead of a 498T. Some see this as an upgrade, others might not, but the point is the BurstBucker Pro doesn't come on normal Standards.

--It has a rosewood fretboard like this year's Standards, not baked maple or grenadillo.

--It has coil taps like recent other Studios but they are not the same kind. The coil taps on current Studios and Standards do not toggle to a true single coil, there is still some humbucking going on. The coil taps in these (called "straight split" taps by Gibson, as compared to the "super tap" taps in normal Studios/Standards) toggle to a true single coil, and having recorded with both kinds toggled on and off I can tell you they sound completely different, it's not just marketing hype. In particular when the bridge pickup is tapped it really is a very strat/tele type of sound, it's great.

--Also unlike the other tap mechanisms in other Studios/Standards, this straight split tap uses true bypass switching so that when it is disengaged it truly is invisible to the signal path.

--Unlike almost any Studio/Standard, the neck tone knob is also a toggle...it toggles a boost circuit of up to 10 dB. This boost circuit is powered by a 9V battery in a slot on the back of the guitar. If you pop out the battery you will see a small slot head screw which allows you to adjust the amount of boost. By default they come set at about 7 dB. It could be used to boost your signal for soloing/choruses but I set mine so that when I toggle to single coil mode and then pop the boost, the output level is the same as when I'm in normal humbucking mode, boost off (because the single coil output is lower than the humbucker).

--The engineering of the coil tap knob is improved...the coil taps before now had to be physically popped up and then popped back down. Once they were popped up it was easy to pop them back down by hitting them with your hand, but to engage them you had to physically pop them up with your fingers. The coil tap knobs are spring loaded meaning you hit them once to engage and hit them again to disengage, no need to pop them up with your fingers to engage them.

--The truss rod cover is a two piece black/white truss rod cover and it is blank...doesn't say Studio on it.

--Gloss nitro sides and back, not a satin finish on the sides and back like some Studios.

--This one has a 60's neck profile. There is also a Deluxe II with a 50's neck profile so make sure you get the one you want.

As you can see this guitar has a significant set of upgrades. Oddly enough, the MSRP is lower than for a normal Studio, which I really don't get, because this guitar is better in every respect and even has some features you can't get in a Standard, much less a Studio. This is why it's such a mystery why Gibson is being so coy with it...for example there is no documentation whatsoever about the technical specifics of how the coil tapping system is different, or how to adjust the gain on the boost circuit. I only figured it out by opening up the battery compartment and locating the adjustment screw myself.

Sound wise, it is incredible...if you're after a Les Paul sound, of course. But that's the great thing about this guitar...with the improved coil splitting functionality, you really can dial in an incredibly diverse set of sounds, and the boost circuit just makes it that much better. You can do so many different types of things with this guitar that I just can't imagine using anything else, now that I've gotten the hang of it and dialed in some sounds specific to the pickup and coil tapping combinations I like. Fit and finish on mine is superb, setup was perfect out of the box, and the flamed maple cap is gorgeous, noticeably better than the Studio I had before (which was also in Wine Red).

Anyway it annoys me so much that the info about this guitar is spread all over the web, and Gibson doesn't seem interested to clarify it themselves, so I thought I'd do it for them. It's an incredible guitar.

VS

Most Liked Negative Review

 

What's the hype all about?

Where do I start?

Okay...the Pros - The finish and flame top are gorgeous.

The Cons -

1. You pay over a grand...Read complete review

Where do I start?

Okay...the Pros - The finish and flame top are gorgeous.

The Cons -

1. You pay over a grand for a guitar that will not hold a tune. The nut isn't cut right..period. How does this get past quality?...I don't know. The string grooves are cut way too thin for the 10-46 gauge strings that it came with. The D,G & B strings pinch something terrible. Will never hold a tune after the first bend.

2. The nut is cut way too high. The E & A strings are .030" off the fret, so they always play sharp. I had to cut them down to .015"

3. Tuner knobs are cocked all over the place. Can't they put them on straight? Also, one knob has a crack in it....right from the factory.

I called gibson about all this...they tell me to bring it to GC to get it fixed...huh?

Bottom line: A 1400 buck guitar should play great right out of the box. I try to do the right thing and buy an American made product. I will never buy another Gibson. I've seen Agiles costing under 4 hundo come perfect right out of the box...from Korea.

Step it up Gibson..

Reviewed by 19 customers

Displaying reviews 1-10

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(36 of 36 customers found this review helpful)

 
5.0

Incredibly versatile...love it

By Ben Hanson

from Atlanta, GA USA

About Me Professional Musician

Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

This is a unique animal, as of the time of writing this you still won't find any info about it on Gibson's own site. This is a real mystery because unlike most of the various Les Paul models Gibson makes, this one fills a niche that almost no other guitar they make can fill. They are really missing an opportunity to market something special.

To start with you have to understand how this guitar differs from other Studios and Standards, as there are a number of upgrades. I have cobbled this info together by pulling together various specs from all over, plus what is obvious on the guitar...crazy that Gibson aren't making this stuff more visible!

--It has upgraded Grover tuners, instead of the vintage greenleaf Kluson-style tuners. These feel much smoother than the Kluson style.

--It has a AA maple cap whereas normal Studios do not. I've had several Studios to compare against in the past few weeks, including Wine Red ones just like mine, and this grain is a higher grade.

--Obviously, the zebra coil pickups, and without the humbucking covers.

--It has a 490R in the neck like almost every Studio but it has a BurstBucker Pro in the Bridge position, instead of a 498T. Some see this as an upgrade, others might not, but the point is the BurstBucker Pro doesn't come on normal Standards.

--It has a rosewood fretboard like this year's Standards, not baked maple or grenadillo.

--It has coil taps like recent other Studios but they are not the same kind. The coil taps on current Studios and Standards do not toggle to a true single coil, there is still some humbucking going on. The coil taps in these (called "straight split" taps by Gibson, as compared to the "super tap" taps in normal Studios/Standards) toggle to a true single coil, and having recorded with both kinds toggled on and off I can tell you they sound completely different, it's not just marketing hype. In particular when the bridge pickup is tapped it really is a very strat/tele type of sound, it's great.

--Also unlike the other tap mechanisms in other Studios/Standards, this straight split tap uses true bypass switching so that when it is disengaged it truly is invisible to the signal path.

--Unlike almost any Studio/Standard, the neck tone knob is also a toggle...it toggles a boost circuit of up to 10 dB. This boost circuit is powered by a 9V battery in a slot on the back of the guitar. If you pop out the battery you will see a small slot head screw which allows you to adjust the amount of boost. By default they come set at about 7 dB. It could be used to boost your signal for soloing/choruses but I set mine so that when I toggle to single coil mode and then pop the boost, the output level is the same as when I'm in normal humbucking mode, boost off (because the single coil output is lower than the humbucker).

--The engineering of the coil tap knob is improved...the coil taps before now had to be physically popped up and then popped back down. Once they were popped up it was easy to pop them back down by hitting them with your hand, but to engage them you had to physically pop them up with your fingers. The coil tap knobs are spring loaded meaning you hit them once to engage and hit them again to disengage, no need to pop them up with your fingers to engage them.

--The truss rod cover is a two piece black/white truss rod cover and it is blank...doesn't say Studio on it.

--Gloss nitro sides and back, not a satin finish on the sides and back like some Studios.

--This one has a 60's neck profile. There is also a Deluxe II with a 50's neck profile so make sure you get the one you want.

As you can see this guitar has a significant set of upgrades. Oddly enough, the MSRP is lower than for a normal Studio, which I really don't get, because this guitar is better in every respect and even has some features you can't get in a Standard, much less a Studio. This is why it's such a mystery why Gibson is being so coy with it...for example there is no documentation whatsoever about the technical specifics of how the coil tapping system is different, or how to adjust the gain on the boost circuit. I only figured it out by opening up the battery compartment and locating the adjustment screw myself.

Sound wise, it is incredible...if you're after a Les Paul sound, of course. But that's the great thing about this guitar...with the improved coil splitting functionality, you really can dial in an incredibly diverse set of sounds, and the boost circuit just makes it that much better. You can do so many different types of things with this guitar that I just can't imagine using anything else, now that I've gotten the hang of it and dialed in some sounds specific to the pickup and coil tapping combinations I like. Fit and finish on mine is superb, setup was perfect out of the box, and the flamed maple cap is gorgeous, noticeably better than the Studio I had before (which was also in Wine Red).

Anyway it annoys me so much that the info about this guitar is spread all over the web, and Gibson doesn't seem interested to clarify it themselves, so I thought I'd do it for them. It's an incredible guitar.

(27 of 30 customers found this review helpful)

 
5.0

Amazing Les Paul!

By Elliott Mazur

from Kennett Square,PA

About Me Experienced

See all my reviews

Ask me a question

Pros

  • Fun To Play
  • Good Feel
  • Good Pick Up
  • Good Tone
  • Solid Electronics

Cons

    Best Uses

    • Jamming
    • Practicing
    • Recording
    • Rock Concerts

    Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

    This is a great Les Paul! I've been to many stores and have pllayed many Les Pauls. But from the moment I started playing this, I fell in love. This is a great les paul for a great price! The amazing thing is that this guitar has a built in boost system. When you pull up the back Tone knobs, it boosts your sound by at least 10 times. Say goodbye to the Tube Screamer, now you have this. Great Feel, Great Sound, and Great Looks! You can't ask for any more. It's all right here. GREAT GUITAR!!!!!!!!

    (8 of 8 customers found this review helpful)

     
    4.0

    Very, very good guitar and value

    By TJPenitencia

    from Idaho

    About Me Experienced

    See all my reviews

    Ask me a question

    Pros

    • Fun To Play
    • Good Feel
    • Good Pick Up
    • Good Tone
    • Versatile

    Cons

    • Minor Imperfections

    Best Uses

    • Jamming
    • Practicing
    • Recording

    Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

    Have owned my Wine Red version for four months now--my first Gibson since my Explorer in the mid-80's. This is a very versatile guitar that can make a decent player sound great. Liked the slender 60's neck MUCH better than the chunky 50's version, and the balance is excellent.

    Coil splitting provides a wide variety of tones. The split-mode offers a unique take on the single coil sound--think Telecaster over Stratocaster. My AmSt Strat can't sound like a LP, but the Studio Deluxe can play on the "twangy" end of the spectrum. The boost feature is a perfect mix with the split-coils because in single coil mode you lose a little volume. In humbucker mode the boost will not only increase volume, but also adds dirt--which can be amazing or annoying, depending on what you're looking for. The humbuckers are what you'd expect from a Les Paul--biting at the bridge, fat and mellow at the neck, and right in between with both mixed in. The real fun is when you start mixing either one in single-coil mode. Lots of tones.

    Speed knobs and electronics work perfectly with no crackling or noise. Tuners are solid and worry free (though locking tuners would be ideal).

    My ONLY complaint with this guitar would be very minor finish imperfections. The finish is slightly rough where there neck meets the body--I've seen this with various Gibson LPs. There was also a minor "chip" on the edge of the fretboard, around the fifth fret. I would have chalked this up to shop wear, but it looks like it came that way because it's finished like the rest of the neck. Neither of these things affected playability or sound, so they weren't a big deal to me, but if perfection is important to you, you'll want to be picky.

    Overall, a fantastic way to own a "professional-grade" Les Paul with coil-splitting capabilities at a decent price. This one's a keeper.

    (7 of 11 customers found this review helpful)

     
    1.0

    What's the hype all about?

    By El Diablo

    from CT

    About Me Experienced

    Pros

    • Beautiful Case
    • Nice finish

    Cons

    • Poor Quality Craftsmanship
    • Will Not Keep A Tune

    Best Uses

    • Jamming
    • Practicing
    • Small Venues

    Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

    Where do I start?

    Okay...the Pros - The finish and flame top are gorgeous.

    The Cons -

    1. You pay over a grand for a guitar that will not hold a tune. The nut isn't cut right..period. How does this get past quality?...I don't know. The string grooves are cut way too thin for the 10-46 gauge strings that it came with. The D,G & B strings pinch something terrible. Will never hold a tune after the first bend.

    2. The nut is cut way too high. The E & A strings are .030" off the fret, so they always play sharp. I had to cut them down to .015"

    3. Tuner knobs are cocked all over the place. Can't they put them on straight? Also, one knob has a crack in it....right from the factory.

    I called gibson about all this...they tell me to bring it to GC to get it fixed...huh?

    Bottom line: A 1400 buck guitar should play great right out of the box. I try to do the right thing and buy an American made product. I will never buy another Gibson. I've seen Agiles costing under 4 hundo come perfect right out of the box...from Korea.

    Step it up Gibson..

    (7 of 8 customers found this review helpful)

     
    5.0

    D Y N O M I T E!

    By axeman

    from louisville, ky

    About Me Experienced

    Verified Buyer

    Pros

    • Fun To Play
    • Good Feel
    • Good Pick Up
    • Good Tone
    • Solid Electronics
    • T O N E

    Cons

    • 1 Knob Off Center

    Best Uses

    • Jamming
    • Practicing
    • Recording
    • Rock Concerts
    • School Bands
    • Small Venues

    Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

    after i tweeked the set up (truss adjustment, raised the neck pickup, lowered the bridge, ckecked intonation was ok... it was, and new strings), this guitar rocks!it's natural LP tones are warm, bright, and true. the push/push controls add so much versatility!! the boost takes a guitar who's controls only go to 10, and kicks it up to 11! the color is rich, grains are subtle, and the weight is the same as every other LP i've played. the only difference between this guitar, and a standard, is cosmetics... black: pickup binding, toggle, and control knobs. biggest difference, no contour binding.

    (7 of 7 customers found this review helpful)

     
    4.0

    Very good mid-level Les Paul

    By IronLung1986

    from Seattle, WA

    About Me Experienced

    See all my reviews

    Pros

    • Fun To Play
    • Good Feel
    • Good Pick Up
    • Good Tone
    • Solid Electronics

    Cons

    • Small Finish Flaws

    Best Uses

    • Jamming
    • Recording

    Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

    So I'm mainly a bass player but I like to relax and play guitar sometimes. This is my second Les Paul and I'm very happy with it so far. The action and playability are excellent, which is great since I play it mainly as a stress-reliever. I'm not interested in wrangling with heavy strings or meaty action in the pursuit of tonal goals, I just want it to be comfortable and sound nice, and this guitar definitely delivers. I like the neck pickup clean sound especially, which is how I play it 90% of the time. It's a very lovely sound, strong and defined without any harshness, and also responsive to nuance. Single coil mode is a nice option, although I rarely use it. I don't really like the boost feature because it just sounds too harsh to me and it kinda kills the dynamics. I would have to say that the fit and finish on this guitar are average since there are small flaws here and there. Nothing that affects the playing or I wouldn't have bought it. The flame top is pretty nice, and the grain of the mahogany back is excellent. Honeyburst is a good color for admiring wood I guess. Fretwork is fine, no complaints, inlays look great. For someone of my playing ability this guitar is quite a bit more than I deserve. It stays in tune very well.

    (6 of 6 customers found this review helpful)

     
    5.0

    Great guitar great price

    By LPlover

    from Hilton Head, SC

    About Me Professional Musician

    See all my reviews

    Ask me a question

    Pros

    • Fun To Play
    • Good Pick Up
    • Good Tone
    • Solid Electronics

    Cons

      Best Uses

        Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

        I have a '75 Les Paul Custom and a '77 Strat that I bought used many years ago and both are now worth 2-3k each. Both play great but my wife suggested I consider getting something for gigs that wasn't so valuable. (What a wonderful woman!) Having had a guitar stolen at a gig years ago and thinking about all the close calls and stuff that happens - kids running on stage at events after an invitation by the front, over served patrons at club gigs etc. etc. - I agreed. (Did I tell you I have a great wife!?)

        Was looking for something less expensive but after researching it I decided to jump up in price and get this. Never bought a guitar sight unseen before so I was a little unsure but I love this guitar. Spent more than I planned but it does everything I need sound wise.

        Playing mostly classic rock and R&B covers where I switch back and forth between the Strat and Les Paul depending on the song and band I'm playing with. With the coil taps I can get both sounds from the same guitar. I know people say it's not a true Fender sound but it's close enough and it works for me. As I keep experimenting with the coil taps and blending the pickups I think I'll be able to get even closer. Haven't used the boost control much yet but I'm sure I will over time.

        Had to tweak the intonation, set the pickup heights etc. like anyone that gets a new axe but now I have it right where I want it.

        And this guitar is beautiful! Got the heritage cherry burst and the flame is gorgeous. As for the neck I think my 75 Custom is a little thinner but this one is very nice for me. And it's lighter than my Custom which my back really appreciates. Also a very nice case.

        Great playing, great sounding, beautiful guitar at a reasonable price.

        (6 of 6 customers found this review helpful)

         
        5.0

        My go-to. guitar

        By McBoingboing

        from Fort Worth, TX

        About Me Experienced

        See all my reviews

        Pros

        • Fun To Play
        • Good Feel
        • Good Pick Up
        • Good Tone
        • Solid Electronics

        Cons

          Best Uses

          • Jamming
          • Practicing
          • Recording
          • Rock Concerts
          • Small Venues

          Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

          I have several guitars, and I play all of them fairly frequently. But after a few minutes of playing the others, I always come around to picking up my Studio Deluxe II. It's beautiful (mine is Wine Red), feels great in my hands, requires almost no effort to fret cleanly, and has a wonderful range of tones thanks to the Burstbucker Pro at the bridge, the 490R at the neck, coil splitting, and the active circuit. Intonation and action were perfect right out of the box. Fit and finish are top notch. This is truly a professional quality instrument with great features at an even better price. Rarely am I as happy with a purchase as I am with this.

          (6 of 6 customers found this review helpful)

           
          5.0

          Amazing Value

          By Billy6c

          from NJ

          About Me Professional Musician

          See all my reviews

          Ask me a question

          Verified Buyer

          Pros

          • Fun To Play
          • Good Feel
          • Good Pick Up
          • Good Tone
          • Solid Electronics

          Cons

            Best Uses

            • Jamming
            • Practicing
            • Recording
            • Rock Concerts
            • School Bands
            • Small Venues

            Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

            This axe is a real sleeper in the Gibson Les Paul line. With the true coil splits and the boost control, this is a guitar that can pretty much handle anything. Now, don't expect a Les Paul to sound like a Stratocaster in coil tap mode. But.... it does have a very good single coil sound. The boost feature is great. Saves me a pedal on my pedal board. Very few guitars come out of the box ready for me to play. All this guitar needed was a change of strings to Ernie Balls Regular Slinky and the tone is great. Lots of value in this axe. A bit lighter than my older Les Pauls, but still screams like any good Les Paul should. I feel this is a guitar you will keep. Beautiful rosewood fingerboard and action is great. Catch one of Musicians Friends 15% off sales and buddy...you have a real deal going.

            (6 of 9 customers found this review helpful)

             
            4.0

            I love this guitar...BUT

            By Happy and Sad

            from Canton, Ohio

            About Me Professional Musician

            Verified Buyer

            Pros

            • Fun To Play
            • Good Feel
            • Good Pick Up
            • Good Tone
            • Solid Electronics

            Cons

              Best Uses

              • Jamming
              • Practicing
              • Recording
              • Rock Concerts

              Comments about Gibson Les Paul Studio Deluxe II '60s Neck Flame Top Electric Guitar:

              the guitar looks great,plays great and the pickups go from fat Gibson tone to nice Telecaster twang! plus it says made in the USA !! My compalint is with Musicians Friend service. Bought my guitar Monday, on Tuesday got a flyer in the mail saying a 15% off promotion was gonna start. So I called Musicians Friend to get the 15% and was told there was nothing they could do. If I didn't like this guitar so much I would have sent it back(still might). I have bought a lot of gear from these guys over the past 20+ years, BUT this will be my last!!!!!!

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