Marshall MG2FX 2W Guitar Combo Amp  

A nice little amp. To go between the effects is just a tiny bit cumbersome but it is not difficult. Don't use that as an excuse not to purchase this nice Marshall. A fine addition to my amp collection.

Well built. And doesn't feel cheap.

Actually the sale that was going made it a tremendous value.

I'm miking this little guy up with a Rick 360/12 for a recording. So I am a happy camper. Thanks Marshall!

I got a great price on this little amp  at Musician's friend's stupid deal of the day. When miked it sounds great clean and the various stages of gain also add many different textures of sound to work with. Wonderful practice amp and doesn't sound too bad for home recording. I am pleased with the purchase. I would not have bought it if it wasn't offered as a stupid deal of the day. I have purchased several items this way and have always been satisfied. Thanks Musician's friend.

Well built and nice looking.

Can't beat the stupid deal of the day price.

While not a fantastic little amp it serves it's purpose and sounds good for it's size and price point.

Only an OK amp.  Sounds can get very muddy.  Flanger does not sound right.

Looks to be well built.

You're better off buying a Vox Mini3.  It's cheaper, sounds better, and, hey hey, one more watt of power.

There are much better minis out there.

this little amp is great for private practice or trying new effects without pulling out a huge pedal board. easy to use.

Kind of over the top happy with this amplifier.   I use it live on stage!!!   Read the manual it has all the basics of the new breed of modeling amplifiers....different gain stages and multiple digital effects.

Seems okay, we'll see how it holds up gigging!

I bought 2 of them on sale!!  I should have bought 6!!!

I play in a 3 piece rock, blues, southern rock, band.  Due to inury,  I have downsized my stage gear and have resorted to using very small amplifiers mic'd or run direct via Behringer UltraG DI (AMAZING little creature).  With a Morely ABY switch,  I set one amp clean and the other on crunch 1 with the gain maxed out.  I use sm57s on both of them with a carpet barrier around them to stop the bleed through.  When I don't mic them, I use the headphone out to the DI with the 4x12 setting, then to the board.  I have also run them directly from the headphone out to the board.....no problems whatsoever.

Many of you readers will think I am crazy.......  One thing I have learned over the years is that the pristine tone you get at home with all the vintage and boutique amplifiers (I have them all.... Fender, Supro, Ampeg amp from the 60s when I started playing  and LOUSY Boogies) is lost on stage in a live setting........at least at the clubs I play at these days.....too cramped, ceilings low etc etc etc.  I used the good stuff for recording and now I gig with these little Marshalls and Roland Cube XL amps.  Seriously!   I gig these two little amps and everyone that is a musician comes over to me between sets and wants to know what my rig is.  I show them and they don't believe it.  Keep in mind that Classic rock and southern rock doesn't use high gain.  That maybe why this works so well...think Hendrix, SRV, Trower, Johnny WInter etc.  Take Care and try it for yourself.