- Product J04614
Taylor 914e Grand Auditorium ES2 Acoustic-Electric Guitar
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Part of the upper echelon of Taylor's rosewood models, the 914e features Taylor’s popular “Cindy” inlay, Indian rosewood binding, red purfling accent...Read More
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Part of the upper echelon of Taylor's rosewood models, the 914e features Taylor’s popular “Cindy” inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among the three classes of Taylor's rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication.
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.
The 914e features one of the most popular and traditional guitar woods of all time, rosewood, which takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.
If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”.
CV Bracing with Relief Rout
The 914e's CV bracing incorporates the relief rout and additional refinements, including subtle contouring differences in the scalloping. In general, guitars with CV bracing sound fuller and fatter without giving up articulation. They are also slightly louder. Taylor's patented relief rout is a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin — it “loosens up” the edges of the top, generating extra flexibility without sacrificing structural integrity. The result is increased bass and volume with a balanced tone.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s proprietary behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Versatile body shape with high-quality Taylor electronics, special binding, purfling accents, and more features sure to impress.
- Shape: Grand Auditorium
- Number of Strings: 6
- Back/Side Wood: Indian Rosewood
- Scale length: 25-1/2"
- Top Wood: Sitka Spruce
- Body Length: 20"
- Electronics: Expression System 2
- Body Width: 16"
- Cutaway: None
- Body Depth: 4-5/8"
- Nut and Saddle: Bone
- Neck Width: 1-3/4"
- Neck/Heel: Tropical Mahogany
- Bracing: CV Bracing with Relief Rout
- Fretboard Wood: Ebony
- Fretboard Inlay: Cindy
- Headstock Overlay: Ebony
- Binding: Indian Rosewood
- Bridge Inlay: Cindy
- Bridge Pins: Ebony with Abalone Dots
- Tuners: Gotoh
- Truss Rod Cover: Ebony
- Back/Side Finish: Gloss
- Top Finish: Gloss
- Neck Finish: Satin
- Pickguard: None
- Number of Frets: 2 0
- Armrest Binding: None
- Back Config: 2-piece No Wedge
- Backstrap Wood: None
- Backstrap Finish: None
- Brand of Strings: Elixir Phosphor Bronze HD Light
- Buttons: Gold
- Edge Trim: Abalone
- Fingerboard Ext: Abalone
- Fretboard Binding: Indian Rosewood
- Heel Cap Binding: Indian Rosewood
- Heel length: 3-1/2"
- Peghead Finish: Gloss
- Peghead Inlay: Cindy
- Peghead Binding: Indian Rosewood
- Peghead Logo: Taylor Mother of Pearl
- Peghead Type: Standard
- Rosette Mat.: Abalone
- Rosette Size: Single Ring 900 Series Bound
- Stain/Sunburst: None
- Type of Neck Joint: Scarf
- Wedge: None
- Case: Taylor Deluxe Hardshell Brown
Trust your tone to Taylor with this special guitar. Order today!