- Product J52036
Taylor Koa Series K66ce Grand Symphony 12-String Acoustic-Electric Guitar
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Words fail to adequately convey what the appearance of Taylor’s Hawaiian koa guitars, especially those featuring an all-koa body. In this instrument,...Click To Read More About This Product
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Well-known for its beauty and warm sound, this all-koa guitar is breathtaking.
Words fail to adequately convey what the appearance of Taylor’s Hawaiian koa guitars, especially those featuring an all-koa body. In this instrument, Taylor celebrates that beauty with an all-wood appointment scheme that features fluid Island Vine fretboard inlay in blackwood and maple, along with rosewood binding and maple top trim. A hand- sprayed shaded edgeburst enhances the koa’s rich blend of color, figure and grain structure, adding a tasteful vintage aura. The best part: With time and extended play, a koa guitar’s voice will only grow sweeter and warmer, especially in the midrange.
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. It is
perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. It's also one reason why the soundboard bracing architecture is important - it helps orchestrate the movement of the top and the voice of the instrument. The back and sides help flavor the overall sound. Koa is a fairly dense tropical hardwood with a strong midrange focus similar to mahogany, with a bit of extra top-end brightness and chime. The more koa is played and has a chance to open up - especially when the back and sides are also solid koa - it promises to grow warmer and sweeter, especially in the midrange. Other features include maple top edge trim, ebony binding, blackwood/maple "Island Vine" fingerboard inlay, and peghead inlay.
Taylor's ES2 delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
- Body type: Grand Concert
- Cutaway: Single cutaway
- Top wood: Solid Hawaiian Koa
- Back & sides: Solid Hawaiian Koa
- Bracing pattern: Standard III with Relief Rout
- Body finish: Gloss
- Orientation: Right handed
- Neck shape: Standard Taylor Profile
- Nut width: 1.75 in. (44.45 mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 24.875 in.
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine African Ebony
- Tuning machines: Gold
- Bridge: Genuine African Ebony
- Saddle & nut: Bone
- Number of strings: 6-string
- Case: Hardshell case
- Country of origin: United States
Its tone and appearance are nonpareil. Order one someday.