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Taylor SCCSM Steven Curtis Chapman Signature Model Acoustic-Electric Guitar
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Inspired by Steven's 714, the 2012 SCCSM Steven Curtis Chapman Signature Model Acoustic-Electric Guitar features Indian rosewood back and sides, a to...Click To Read More About This Product
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A mid-size guitar with signature details, Indian rosewood and Western Red cedar tonewoods, and Expression System electronics.
Inspired by Steven's 714, the 2012 SCCSM Steven Curtis Chapman Signature Model Acoustic-Electric Guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The inlay design is a recreation of a drawing that Chapman's daughter Maria made. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman.
Grand Auditorium (GA)
Body Width: 16" / Body Depth: 4-5/8" / Body Length: 20"
Taylor™s signature shape embodies the ultimate all purpose acoustic.
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker™s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA™s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be a bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won™t let you down.
Origin: East India
One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood™s vintage heritage has helped firmly establish its acoustic legacy. It™s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music ” certain strains of Americana, for example ” rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It™s very consistent, so players can usually rely on it to deliver.
Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with œdark hands. If you'e looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That™s why we spent several years developing the onboard acoustic pickup and preamp. Taylor™s ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor™s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside their acoustic guitars, which allowed Taylor to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
Shape: Grand Auditorium
Back/Side Wood: Indian Rosewood
Top Wood: Western Red Cedar
Neck/Heel: : Tropical Mahogany
Bracing: Forward Shifted Pattern with Relief Rout
Binding: Indian Rosewood
Fretboard Wood: Ebony
Fretboard Inlay: SCCSM "SEE" Inlay
Headstock Overlay: Indian Rosewood
Bridge Inlay: None
Bridge Pins: Ebony with Abalone Dots
Nut & Saddle: Tusq
Tuners: Taylor Gold
Truss Rod Cover: Indian Rosewood
Back/Side Finish: : Gloss
Top Finish: Gloss
Neck Finish: Satin
Includes Taylor hardshell case
Enjoy signature Taylor sound and playability. Order today.