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Roger Linn Design LinnStrument 128  (Open Box)
Ships Internationally
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Product# J50158
OVERVIEW

Radical new controller.

Rather than the simple on/off switches of a standard MIDI keyboard, the LinnStrument's RGB-backlit note pads sense each finger's subtle movements in five ways, enabling musical performance expression rivaling that of fine acoustic instruments.

The five types of touch sensing are as follows:

Strike Velocity
Pressure (Z axis)
Left-Right (X axis)
Front-Back (Y axis)
Release Velocity

Some LinnStrument Philosophy

The piano's note arrangement is great for turning a sound on and off, but its uneven pitch intervals and rear-positioned black keys make it ill-suited for performing natural pitch bends and slides, an important element of expressive performance. And the piano keyboard isn't isomorphic; for each chord or scale, you must learn 12 different fingerings, one for each of the 12 musical keys.

Stringed instruments don't have any of these problems because the physics of a string require the semitones to be uniformly spaced and positioned. LinnStrument's notes are arranged as on any stringed instrument. Each row is a series of consecutive semitones, and you can tune the rows like a guitar, violin or however you wish.

By default they are tuned in musical fourths (five semitones), like a bass guitar with 8 strings. This note arrangement is called the 4ths String Layout and is fast becoming a new standard for expressive musical control, used in Ableton Push, Roli Blocks, a variety of iPad apps and more.

To make it easy to find the right notes, the naturals (C, D, E, F, G, A and B) are lit, with all the C note pads lit in a different color and having a Braille-size bump for tactile feedback. Alternatively, you can light any scale and in any of 10 colors.

About LinnStrument's Smart MIDI
Works with every MIDI synth, and even better with new MPE synths. LinnStrument sends standard MIDI messages over its USB or MIDI output jacks, and is configured by default to work out-of-the-box with every MIDI sound generator in existence, with the advantages over a MIDI keyboard of performed vibrato, note-to-note pitch slides, full pressure sensing from lightest to heaviest touch, and forward/backward movement sensing.

For fully independent 3D control of all simultaneously touches, you'll need a synth that's compatible with MPE (Multidimensional Polyphonic Expression), a new industry-wide MIDI standard that uses a separate MIDI channel for each touch. It's already supported in a long list of major software instruments. We even include free sounds files for Apple's MainStage and Logic, plus a free license for Bitwig 8-Track, all of which support MPE in their built-in synths.

New Step Sequencer
Use LinnStrument's RGB note pads as a powerful 2-track step sequencer with per-note velocity/duration/bend/y-axis values, any time signature, independent track step sizes and loop lengths, scales/drums/notes views, reverse play, live play while sequence plays, swing timing and more.

Expressive Swing Arpeggiator
LinnStrument's built-in Arpeggiator responds to all dimensions of movement for entirely new ways of beat-synced play. The Replay All mode creates chordal rhythms merely by varying chord pressure, and makes LinnStrument the world's only MPE beatbox.

Split Keyboard / Strum / CC Faders
You can split the keyboard to play two different sounds, and adjust the split point as you like. You can use one split to strum notes fingered on the other split as like a guitar. Or use either split as eight horizontal Control Change Faders to adjust 8 sound parameters in real time as you play.

Low Row
The lowest row of note pads can be reassigned to act as a Sustain Pedal, a Modulation or Bend strip, to momentarily enable the Arpeggiator (sliding your thumb to vary its rate), to restrike a fingered chord, or even as a 3D control strip, modulating three parameters at once.


FEATURES
  • Polyphonic step sequencer
  • Split Keyboard Mode with unique MIDI settings for each split
  • Volume Button displays horizontal light bar on screen for easy volume adjustment
  • Preset Button displays MIDI Program Change number on screen (1-128) for easy selection by sliding your finger across surface
  • Two Programmable Panel Switches
  • CC Faders Mode permits either split to act as 8 horizontal light bars to control CC 1-8
  • Arpeggiator
  • Strum Mode: "strumming" the rows of the right split plays any notes held in the left split
  • Low Row Mode: the lowest row may be used as a continuous MIDI control strip, sustain bar, arpeggiator on/off or other functions

Play on a table like a keyboard, or use the included guitar strap pins to play it standing up like a guitar.

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by PowerReviews
Roger Linn DesignLinnStrument 128
 
5.0

(based on 2 reviews)

Ratings Distribution

  • 5 Stars

     

    (2)

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Reviewed by 2 customers

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5.0

8 string synth

By rulg

from De Soto, WT

About Me Experienced

Pros

  • Easy To Use
  • Functional
  • Good Quality
  • responsive
  • tactile

Cons

    Best Uses

      Comments about Roger Linn Design LinnStrument 128:

      almost as much usable range as a 61 key controller when you consider the potential there of up to an octave lost to key changes, ( depending, and also depending ) on a standard keyboard controller...and less than half the size...the solid build still has it as one of the lightest controllers for it's capability also.

      i don't have much space in my studio, and my studio has to pack up need be....i couldn't ask for a better MIDI controller, i thought my finger drumming might suffer for the smaller pads, but totally not the case with the repeated kit layout that most DAWs default to....i had a 16 pad controller, and a 24 key controller, and i ditched them both...i have more space on my desk; and i don't think i will ever have to stop a track , back up , and drop in on it after transposing ever again..

      (0 of 1 customers found this review helpful)

       
      5.0

      Amazing controller!

      By Jon

      from Princeville, Hawaii

      Comments about Roger Linn Design LinnStrument 128:

      Hard to believe!

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