ART Tube MP/C Single Channel Microphone/Instrument Tube Preamp
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Combination preamp and compressor right at home on your studio desk.
The Tube MP/C (Preamplifier/Compressor) from ART is an ideal combination-recording tool, with a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction, housed in a convenient desktop chassis. Used as a mic/line preamp or as a DI (direct) box, the Tube MP/C is designed to work seamlessly with any recording, sound-reinforcement, or electronic instrument setup. ART's Tube MP/C circuitry is a hybrid design utilizing advanced, solid-state and tube technology.
The preamplifier's active balanced solid state input provides extremely low noise and excellent common mode rejection. The 1/4" high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier's second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20dB of gain.
The compression circuit features a VCA-less design and utilizes optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance.
Features
- Tube-based mic/line preamplifier with up to 80dB of gain
- Hand-selected 12AX7a tube
- Optical (VCA-less) compressor circuitry = transparent dynamics control
- 1/4" unbalanced inputs and outputs
- XLR balanced inputs and outputs
- Transformer isolated XLR output
- Selectable output range for Line/Instrument interface levels
- LED meters for Tube Warmth, Gain Reduction and Output level
- +48V phantom power
- Phase reversal switch
- Selectable release time settings
- > 90dB dynamic range
Order this multi-purpose recording tool today.
Tube MP/C Single Channel Microphone/Instrument Tube Preamp Specifications:
- CMMR: > 60dB @ max gain
- Equivalent Input Noise: -128dBu typical ("A" wtd., Shorted XLR balanced input, gain @ max)
- Frequency Response: 30 Hz - 60 kHz +/- 1dB balanced output, 20Hz - 60kHz +/- 1dB 1/4" output
- Input Impedance: 1mOhms 1/4" input, 5kOhms XLR input
- Input/Output Connections
- Input: XLR balanced or 1/4" balanced.
- Output: 1/4" unbalanced XLR balanced, transformer isolated.
- Maximum Gain: +80dB (balanced in-out, +64dB (unbalanced input, balanced output)
- Maximum Input Level: unbalanced (Inst): +15dBu, balancd (mic): +10dBu
- Maximum Output Level”: +19dBu (Line mode)
- Output Impedance: XLR: <600 Ohms, 1/4": <300 Ohms
- Low Cut Filter: -3 dB @ 70 Hz, 6dB/Octave
- Phantom Power: Switch selectable, +48Volts DC, filtered, current limited
- Chassis Type: All aluminum black anodized with integral rubber sides
- Power Requirements: 9VAC @ 1000mA (external)
- Attack Time: <1 ms (limit), 20 ms (comp.)
- Release Time: 150ms (fast), 20ms - 3s Program dependant (Auto)
- Total Harmonic Distortion: <0.1% @ max gain
- Tube Type: Hand selected 12AX7a
- Compressor Slope: 2:1 (Comp.) / 11:1 (Limit)
- Dimensions: 1.75"H x 5.9" W x 6.5"D (44.5mm x 150mm x 165mm)
- Weight: 2.9 lb. (1.32kg)
- Notes: 0dBu = 0.775Vrms
- Weight includes power supply and packaging
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Review Snapshot®
by PowerReviews(based on 1 review)
Ratings Distribution
Reviews
Reviewed by 1 customer
Displaying review 1
Pros
- Clear Sound
- Professional Functions
- Versatile
Cons
Best Uses
- Amateur Recording
- Home Studio
- Performances
Comments about ART Tube MP/C Single Channel Microphone/Instrument Tube Preamp:
I wanted to get something to warm up and smooth out my vocal signal through a Shure KSM27 for recording. I found that the mic just sounded a bit dry by itself. I decided to try out a tube driven mic preamp to see what kind of difference it would make. My budget was around $100 so I went with the ART Tube MP/C after seeing decent reviews for their preamps in that price range. The bypassable compression circuit seemed like a bonus as well.
The intended effect of the tube gain on my vocals is definitely there. The tone just cuts into the mix much more effectively and has a nice warmth. The gain control ranges from clean and subtle to fully overdriven, giving you that "telephone" sort of sound often heard in blues-rock. I also ran some instrumental stuff through it (drum & bass loops, guitars, etc.) and really appreciated the added punch and clarity it provided when ran directly into my Tascam digital 4-track.
I was pleasantly surprised by the live application of the unit as well. I run a Shure Beta 58 through it on the way to the board, essentially replacing the mixer's preamp with the ART Tube. The tube gain provides a warmer, more responsive vocal tone and the compressor is great for limiting the signal when I get loud.
Design and construction are good as well, especially in this price range. The level knobs are "dented" and stop at determined spots as you turn them, a nice feature for keeping track of your settings. LED meters for gain, compression, and output level work great for seeing what your signal is doing. The chassis is metal and the connected elements all seem sturdily mounted and of high quality.
Make no mistake, this is definitely in the entry level category of preamps and compressors. You will find far better tone and capabilities as you move up in price range (which quickly gets into the thousands). However, for a cheap and portable unit that provides basic tube gain and compression, I doubt you'll find better.
Displaying review 1
