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Product 182467

Behringer Feedback Destroyer Pro DSP 1124P   

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The 2-channel, digital Behringer DSP 1124P Feedback Destroyer Pro automatically and intelligently searches out and destroys up to 12 frequencies per ...Click To Read More About This Product

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OVERVIEW

24-bit high-speed DSP and parametric EQ.

The 2-channel, digital Behringer DSP 1124P Feedback Destroyer Pro automatically and intelligently searches out and destroys up to 12 frequencies per channel. 24 fully programmable parametric filters can be set manually or via MIDI. Set-and-forget default setting enables immediate and super-easy performance. A single-shot mode automatically searches and destroys feedback, then locks the filter until you reset it. Auto mode continuously monitors the mix and resets the filters automatically. Servo-balanced inputs and outputs on gold-plated XLR and 1/4" TRS connectors assure high signal integrity. Accurate 8-segment LEDs simplify level setting. The Behringer DSP 1124P Feedback Destroyer Pro also gives you future-proof software-upgradable architecture.

FEATURES
  • Ultrahigh performance 2-channel digital Feedback Destroyer/parametric EQ powered by a 24-bit high-speed DSP
  • 24-bit A/D and D/A converters with 64/128 times oversampling for ultrahigh headroom and resolution
  • Automatically and intelligently searches out and destroys up to 12 frequencies per channel
  • Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
  • Single-shot mode automatically searches out and destroys feedback and locks the filter until you reset it manually
  • Auto mode continuously monitors the mix, resetting programmed filters automatically
  • Manual mode allows for setting up to 2 x 12 fully parametric filters including frequency, bandwidth, and gain
  • Single-shot modes are assignable to each filter
  • Free design software allows for total remote control via PC
  • 2 digital processing engines give you independent or coupled functions on left and right channels
  • Servo-balanced inputs and outputs on gold-plated XLR and 1/4" TRS connectors
  • Internal 24-bit processing with professional 46kHz sampling rate
  • Full MIDI capability and user preset memories to store programs for instant recall
  • Accurate 8-segment LED level meters
  • Future-proof software-upgradable architecture
  • High-quality components and exceptionally rugged construction ensure long life and durability
  • Internal power supply
Reviews
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Review Snapshot

by PowerReviews
BehringerFeedback Destroyer Pro DSP 1124P
 
3.7

(based on 35 reviews)

Ratings Distribution

  • 5 Stars

     

    (15)

  • 4 Stars

     

    (8)

  • 3 Stars

     

    (3)

  • 2 Stars

     

    (3)

  • 1 Stars

     

    (6)

Most Liked Positive Review

 

Best for the money

I just ordered another one of these. After 3 yrs of almost constant use, my old one gave up the ghost on ch 1. I'll gladly fork again. Used as a two...Read complete review

I just ordered another one of these. After 3 yrs of almost constant use, my old one gave up the ghost on ch 1. I'll gladly fork again. Used as a two mix, front of stage and drum riser, monitor processor, Set up all SI single shots, ring out the mix, take a look at what hz come up. If you have multiple locks on a given hz, set up a PA parametric for that one. Repeat. After a few passes, if your monitors and mics are matched and not being asked to do the impossible, you'll have the real problem hz's whacked. Set up the remainder of the filters as SI's to catch random weirdness. Save the program. Now, when you come back to that stage, your good to go, all things being equal (which can happen......). Powering down does not wipe out SI locks if you save the program.The coolest thing about these are that once you have them wired your monitors will sound amazing, as the Q width is very narrow. Having used graphic EQ's in a previously life, there is no comparison. And club owners genuinely appreciate not having to listen to you ringing out the monitors over and over and over again. Use the time for rehearsal instead.Dave ReynoldsGrey Wolf Band, Mobile, ALCoyotemoon Sound, Coden, AL

VS

Most Liked Negative Review

 

Not Worth It For Most Applications

We purchased a pair of these for our venue, one for the FOH mix and one for the monitor mix. We didn't really have feedback problems, but the owner thought it would be...Read complete review

We purchased a pair of these for our venue, one for the FOH mix and one for the monitor mix. We didn't really have feedback problems, but the owner thought it would be a good idea to be safe. I have since removed both of them from their respective mixes. They were filtering out frequencies that I needed for my mix and in general killing the vocals. The end result was that I had to gain the monitors up so high that it CAUSED feedback.If you have a serious feedback problem, I could see using them. I could also see using this unit as an insert for one channel or if you only have one channel going at a time. But for most musical applications, particularly live sound, this thing causes more problems than it fixes.It's always better to use your ears and an EQ.

Reviewed by 35 customers

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(3 of 3 customers found this review helpful)

 
4.0

Best for the money

By Dave Reynolds

from Mobile AL

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

I just ordered another one of these. After 3 yrs of almost constant use, my old one gave up the ghost on ch 1. I'll gladly fork again. Used as a two mix, front of stage and drum riser, monitor processor, Set up all SI single shots, ring out the mix, take a look at what hz come up. If you have multiple locks on a given hz, set up a PA parametric for that one. Repeat. After a few passes, if your monitors and mics are matched and not being asked to do the impossible, you'll have the real problem hz's whacked. Set up the remainder of the filters as SI's to catch random weirdness. Save the program. Now, when you come back to that stage, your good to go, all things being equal (which can happen......). Powering down does not wipe out SI locks if you save the program.The coolest thing about these are that once you have them wired your monitors will sound amazing, as the Q width is very narrow. Having used graphic EQ's in a previously life, there is no comparison. And club owners genuinely appreciate not having to listen to you ringing out the monitors over and over and over again. Use the time for rehearsal instead.Dave ReynoldsGrey Wolf Band, Mobile, ALCoyotemoon Sound, Coden, AL

(3 of 3 customers found this review helpful)

 
1.0

Not Worth It For Most Applications

By Steve-sRmPZ

from Denver, CO

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

We purchased a pair of these for our venue, one for the FOH mix and one for the monitor mix. We didn't really have feedback problems, but the owner thought it would be a good idea to be safe. I have since removed both of them from their respective mixes. They were filtering out frequencies that I needed for my mix and in general killing the vocals. The end result was that I had to gain the monitors up so high that it CAUSED feedback.If you have a serious feedback problem, I could see using them. I could also see using this unit as an insert for one channel or if you only have one channel going at a time. But for most musical applications, particularly live sound, this thing causes more problems than it fixes.It's always better to use your ears and an EQ.

(2 of 2 customers found this review helpful)

 
4.0

Roadie

By Hettinger

from Louisville, KY

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

Used for pa with speaker presenting on a wireless lapel mike. Trying to run a pa in a small venue with kitchen noise in the background and a soft spoken presenter on a cheap rental lapel mike makes for horrible volumes. Used as insert on lapel mike with great success. Drasticly improved headroom and almost utterly destroyed feedback. I ran left output back into right input and took advantage of all channels. I had 20 setup to lock out and the balance in auto. Worked better than expected. Used in addition to EQ. I primed the left first, rewired to add right in in series and then primed right. Then set EQ.

(2 of 2 customers found this review helpful)

 
5.0

Loud monitors

By Crumb

from Belgium

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

I find the FBD a great tool if you take time to explore its possibilities. The quality of the manual can be discussed, but it contains the information needed. We do a lot a gigs in bars and small clubs and these are probably amongst the worst situations what feedback is concerned.The FDB has helped me a lot in getting the Monitor volume to a decent level (=very load) to enable 3 singers to sing in harmony (nect to heavy drums and loud bass)A few remarks:- Switching off the power removes the filters in Single Shot or auto mode. If you want to keep the settings, switch them to parametrisch and save. You can do this for different venues (12 different filter settings can be saved). Some consider it good practice to do this before the start of the gig. In that case be careful to verify that the Prameteric equalisers are not bypassed. The soft bypass does not affect the single shot or auto filters, only the parametrics (yes, been there....)- verify an important parameter: Namely the sensitivity of the FB detection. Therefore you need to push the gain button and the filter mode button simultaniously. I find 6 dB to be perfect.- Don't use the FBD in the mike inserts: you are affecting monitor AND FOH at the same time. You don't want your FOH sound to affected.- Also temperature affects feedback frequencies. Sometimes it is necessary to ring out the monitors during the break. - Use a graphic EQ for the FOH because it is more intuitive for changing soundcolour. Feedback should be of secondary importance for the FOH.

(1 of 1 customers found this review helpful)

 
4.0

Go with detection not suppression

By StratMan62

from Summerville, SC

See all my reviews

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

Although the unit worked as it was supposed I found that it sucked too much of the life out of the PA. I used it in my live PA set up only for the monitor mix and we play mostly rock with a pretty load stage volume. By the end of a set it had notched out so many frequency's I could barely hear the monitors. I had to reset it and let it start from scratch every set. I would recommend an EQ with feedback detection rather than suppression. I am much happier since I bought one (dual 31 band w.feedback detection). Now I can see which specific frequency is causing the problem and notch it accordingly. Where the destroyer would notch 8 -12 bands I typically only need to slightly notch 2 or 3. Go with detection not suppression.

(1 of 1 customers found this review helpful)

 
5.0

Works as advertised

By MIKEW

from North Carolina

See all my reviews

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

I bought this unit to cure a nagging monitor feedback problem. It does just what it's supposed to. I use the single shot mode and rarely look at the thing. We run sound from the stage with no soundtech so I look for equipment that doesn't need much oversight. Mission accomplished.

(1 of 1 customers found this review helpful)

 
5.0

Absolutely wonderful!

By Anonymous

from Undisclosed

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

This is the best piece of equipment even made. Since we do not have a dedicated sound person, we are running the sound ourselves during our shows, and things can get hairy in the middle of a song with feedback. I got my DSP1124P and plugged it in. I set it to the first preset and tested it, and to my amazement the feedback was cut in about 3 seconds. I have tested it with acoustic guitar feedback and it worked for me. I am extremely pleased with this product and the value is excellent. I highly recommend this product -- the people who bash this product are extremely picky sound people -- while I am picky myself, I found no feedback with slightly altered sound a lot better than ear-piercing feedback. Honestly, there isn't much of a difference between the altered sound and the original sound.

 
4.0

Great while it worked...

By Phat Cat Swinger

from Victorville, CA

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

It's been about two years now & around the holidays while we were doing our Christmas parties, it stopped working in the middle of our show & made the loudest static sound ever!Up until that point, we were able to make it work really well for us. We never had a problem with feedback (we only used it for our monitors.)We had it dialed in & it worked perfectly for my 5 horns, 1 guitar, 1 upright bass, 1 vocal & entire drumset. However, I'm guessing it stopped working because of the wearing down it got from useage on the road day after day.I would recommend this if it's gonna be in one place for a long time... But I would look for something a little stronger if you're looking to take something on the road.

 
5.0

It works well enough

By Uncooked Children

from A Capacitor

See all my reviews

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

I bought this thing after running into major feedback problems with our singer. His vocal effects box was making very low pitched noise. I went to pick one up and plugged it in. It simply worked. It stopped the noise while keeping the vocals sounding decent enough. The PA can get loud now, without feedback. If you use the single shot mode, it will kill the feedback frequency and lock it out. It also doubles as a parametric EQ which is cool in my mind. I don't find this unit hard to use. Know that if they are selling it for so little, its not going to be top of the line; but it still works.

 
2.0

not a good performer

By gman-LSexH

from Plano, TX

See all my reviews

Comments about Behringer Feedback Destroyer Pro DSP 1124P:

I purchased the Feedback Destroyer to handle feedback problems in our church floor monitors, primarily caused by acoustic guitar pickups. For some reason the unit just starts notching low end frequencies for no apparent reason. Often I would find several single shot filters on the same frequency each with a -6db reduction. The monitors were nowhere near a volume level that would have produced feedback. After a typical service, all of the single shot filters would be fired and held, and the auto filters would be cycling through notching what the system thought was feedback. I find this unit nearly useless and will be returning it. I don?t know what Behringer did different in this feedback detection circuit, but we also own an Ultra Curve Pro and the feedback detection in that unit seems to work just fine.

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