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Behringer MULTICOM PRO-XL MDX4600 Processor  

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Behringer

This 4-channel compressor/limiter is a workhorse 4 times over!

The Behringer MULTICOM PRO-XL MDX4600 is a great rack unit for live music on the road. A high-pass filter in the sidechain keeps the sound full and bright. Integrated dynamic enhancer, and low-contour filter provide the utmost in signal enrichment. Interactive auto-compressor delivers extremely musical processing. Program-adaptive attack and release times provide precise sound. Also includes link function for channel pairs, separate displays for in/out level and gain, peak limiter, illuminated switches, and servo-balanced XLR and 1/4" I/O. Single rackspace.

Features

  • 4-channel compressor limiter
  • High-pass filter in the sidechain
  • Integrated dynamic enhancer
  • Low-contour filter
  • Interactive auto-compressor
  • Program-adaptive attack and release times
  • Link function for channel pairs
  • Separate displays for in/out level and gain
  • Peak limiter
  • Illuminated switches
  • Servo-balanced XLR and 1/4" I/O

It's a very small investment for a huge improvement in sound. Put it in the cart, you won't be disappointed!

 
Customer Reviews
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Review Snapshot®

by PowerReviews
BehringerMULTICOM PRO-XL MDX4600 Processor
 
3.7

(based on 22 reviews)

Ratings Distribution

  • 5 Stars

     

    (11)

  • 4 Stars

     

    (4)

  • 3 Stars

     

    (1)

  • 2 Stars

     

    (2)

  • 1 Stars

     

    (4)

Most Liked Positive Review

 

Good, Solid and Functional

In helping a friend build his PA system on a budget, I recommended this unit for the following reasons:First, it has a gate, which you need for drums and to help keep...Read complete review

In helping a friend build his PA system on a budget, I recommended this unit for the following reasons:First, it has a gate, which you need for drums and to help keep "secondary" sounds out of other mics, like vocal mics. It shuts down the signal below a certain threshold. Once you learn to understand how this works, it is great and is basically very quiet when it shuts down (no "door slamming" thump). We used one unit of two we bought on the toms of a kit and were able to make it work quite well.Second, you'll need compressors. There are four here. These do NOT have an "auto" function, but with a few minutes' practice and a good read of the manual, they work very well. Or you can have a knowledgable friend show you in two minutes how they are supposed to be used -- not overused.You set the threshold (which is 'how loud' before the signal is affected), then the release (how fast it will stop affecting the signal) and the output (to restore some of the "lost" gain back to original volume). Very basic compressor that is pretty quiet and doesn't overly affect the sound, unless you want it to. There is a peak limiter as well. This will help you protect your amps and speakers because you can put a "brick wall" that will keep signals over a certain strength from getting through -- it will "limit" the sound and squash it. Sometimes that is a cool effect in itself. Try it on a guitar with the peak set at around +3dbv.You can "couple" two channels together; channel one and two, for example -- channel one controls will control channel two when the channel two "couple w/ch 1" switch is used. Great for stereo signals as you will apply equal compression on each of the two signals.I've been doing this stuff for over thirty years. Some people slag Behringer as crap. While their gear isn't as quality based as it once was, they still make good gear for the money -- especially the solid state stuff.If you're on a budget, this stuff works the way it is designed and it does so with very little noise and that is what you want. I have no qualms about using this in any system I would be running (and will be running for my friend). Besides, the expensive stuff can be saved for studio work and not trashed on the road (a very hard life for rack gear). And that is why you may wish to consider this less expensive stuff -- if it breaks after a bit, it's cheap to replace and not a big deal if it does break.

VS

Most Liked Negative Review

 

Behringer 4 channel multigate

The lights would not work on all channels. Channel 2 was bad and you could feel resistance when you turned the knobs. Sent it back. MF was very nice over the phone.

The lights would not work on all channels. Channel 2 was bad and you could feel resistance when you turned the knobs. Sent it back. MF was very nice over the phone.

Reviewed by 22 customers

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4.0

Does it job

By Dave

from Monroe NY

About Me Experienced

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Verified Buyer

Pros

  • Clear Sound
  • Professional Functions
  • Versatile

Cons

  • Compressors Are Tricky
  • Need To Read Manuals

Best Uses

  • Home Studio

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I have had the DMS 4600 compressor for 3 weeks and have use it so far for recordings. I recorded the same song twice, once without using the compressor and once with the compressor. I have a 4 track digital Fostex recorded with built in CD. I recorded with electric guitar bass keyboard and vocal. The compressor did its job making the sounds from the final CD crisper, full and well balanced. Good job Behringer

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(4 of 4 customers found this review helpful)

 
1.0

Behringer 4 channel multigate

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

The lights would not work on all channels. Channel 2 was bad and you could feel resistance when you turned the knobs. Sent it back. MF was very nice over the phone.

Comment on this review

(6 of 7 customers found this review helpful)

 
5.0

tough to beat

By steve field

from piney woods AK

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

If you need to do some signal squishing get one or two. I have two to compress after an eight channel mic pre.
The multicom is a very handy array of compressors. Even though they aren't full featured, they give you enough dynamic prossessing to cover most applications. I use it mostly for recording but the gates work well for miking drums live.
As with all Beringer gear the controls are a little flimsy and I wouldn't suggest cranking them hard but that said I own quite a few of their products and have never had a problem with moderate care. The great thing is how quiet they are.
Price compressors ( 4 mono or 2 stereo) and it's clear you can't beat the price.

Comment on this review

(4 of 4 customers found this review helpful)

 
4.0

Does the job nicely

By pspagnolia

from Worcester, MA

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I needed a limiter to keep drummers and vocalists with bad mic skills from peaking pre's in live situations and the limiters do this nicely. I'm not using the compressors just the hard limiters and the unit is silent in this situation. No noise added to my system and to be quite honest. I'm recording live bands and need as good a signal coming in as I can get and only 3 or 4 of the 16 mic's get limited as the others simply dont need it...however..for the ones that do, this unit works flawlessly. It's been on 13 sessions thus far and all of them on the road and racked so it's not banged around too much. All channels work ok and no probs. A good value for my uses.

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(5 of 5 customers found this review helpful)

 
4.0

Not bad at all for the price!

By topjimmy68

from Davenport, IA

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I have to say that despite some bad reviews this is a pretty good unit. Although I dont think I would record with it, it's very good for live PA situations. My band does a lot of three part harmony stuff and it makes our vocals sound full and balanced. Plus the kick drum is is very punchy at tight. We had one of these for about 2 years and it crapped out so we bought another about a year and a half ago and have had no problems with the new one yet. After our first one took a dump we bought a couple of the cheaper dbx ones and they did not sound as good so we sent them back a got one of this again. We play about 30-40 gigs a year so they get their use.Yeah they are cheap but they sound good for live stuff. If you have the extra cash to throw around then go ahead and buy the high dollar stuff but if you dont than this will do you just fine.

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(4 of 4 customers found this review helpful)

 
5.0

Behringer compressor rates tops!

By stormfro

from Australia

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

Bought one of these units about 10 years ago for my live rack and it has performed without incident under heavy touring commitments since that time. Amplified sound has always been superb and I have used this with much other Behringer rack gear for album productions that have been complimented by internationally renowned mastering engineers and studios. Behringer certainly know how to build great gear at amazing prices - I'm about to grab a B2 studio microphone for my own studio as I have found them elsewhere to be superb units also.

Comment on this review

(3 of 3 customers found this review helpful)

 
5.0

No Problems

By Till the Dawn

from Findlay, Ohio

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I bought our first Multicom Pro-XL MDX4600 almost 2 years ago to compress live vocals. Several weeks ago we added a second one that we are using on a kick drum, drum overheads, and a keyboard. When we lost a singer, we started using the first one on a guitar cabinet. We have had no problems at all with the units and though I am no sound engineer, they seem to do exactly what I want them to do, to keep the channel strips out of the red, and by playing around with the threshhold and trigger controls, I have a great kick drum sound! I am probably going to add a third one soon for another vocal mic (new singer), bass cab, and acoustic guitar DI.There seems to be alot of Behringer bashers out there, but I have had no problems with any of their products. We use a Behringer 24 channel mixer, 4 channel direct box, and a 10 channel mixer for recording, and have never had a problem with any of them. Wish I could say that for all of our equipment!

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(2 of 2 customers found this review helpful)

 
5.0

Great Deal

By Megadjc

from Mcminnville, Oregon

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

The Behringer Multicom pro-xl mdx4600 is one of the simplest and best compressors I have ever used and it works fine for me.(Note to those who get noisy unusable signals. Make sure the button on the back controlling the input and output level is set correctly otherwise you will get an unusable signal) :). This is simply one of the best products I've used.

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(1 of 5 customers found this review helpful)

 
1.0

More Junk from Behringer

By Opus the Cat

from Atlanta, GA

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I owned this piece of gear and one of the channels is so horribly distorted and noisy that you can't put anything through it, the other three channels are noisy and thin. I've owned several Behringer products due to their low prices when I wanted to build myself an in-home studio. All of their stuff is noisy (from the mixer to the headphone amp) and it's only a short matter of time before something on it breaks. Everything from the cheap knobs and button to the thin and noisy signals you'll get from their products is not worth the low prices unless you couldn't care less how crappy your recordings are and don't mind throwing your money away. Do yourself a favor and spend a little more to get something that works.

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(4 of 4 customers found this review helpful)

 
5.0

Review

By Vrotate

from Indianapolis, IN

Comments about Behringer MULTICOM PRO-XL MDX4600 Processor:

I bought 2, so I have 8! :D These things are great. The gates & limiters alone are worth the money. The comp is very intuitive. Threshold and ratio are the only things you really need to control for MANY applications. I am using them for all of my vocals, kick & snare, and the guitar and bass mics. AWESOME!I sent Beringer an email asking how to run this comp through my board using the sub-groups. they responded with a great answer within 8 hours. It's nice to know the support is there if needed. Documentation could be better. They try to use the same manual for 3 comps, and it just doesn't work well. In fact there is no explanation of the dynamic enhancer at all for the 4600. But the product is solid for live and/or studio applications

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