Backstage Pass: Earn 8% Back in RewardsLearn More
  • Shop by Category
  • Hot Deals
  • Looking for Coupons? Call us

MF MD HG Backstage Pass Special Savings 07-13-16
JBL Logo
Product 600375

JBL LSR4326P Studio Reference Monitor   

  • Write a Review

The JBL LSR4326P Studio Monitors are designed for critical stereo and multichannel audio production applications that require exceptional spectral ac...Read More

We're sorry-this item is unavailable.

Find a similar product below or contact our experts for a recommendation of great alternatives. Call us at 800-449-9128.

Customers Also Viewed:

      Automatically analyzes and corrects the sound for accurate mixing.

      The JBL LSR4326P Studio Monitors are designed for critical stereo and multichannel audio production applications that require exceptional spectral accuracy and high SPL capability. Exclusive technology from JBL automatically analyzes and corrects the response of each speaker in the room for absolute accuracy in mixing.

      Acknowledging that much of today's production is carried out in acoustically untreated rooms, the LSR4300 Series are the first professional monitor speakers to combine JBL's Linear Spatial Reference technology and automated RMCTM Room Mode Correction, an onboard system that automatically compensates for low frequency anomalies measured at the mix position.

      Network and Digital Features

      The JBL LSR4300 series speakers enhance computer-based audio production by incorporating systemwide volume control, input source selection, individual speaker solo and user EQ. They use the Harman HiQnetTM network protocol that allows centralized control of a multichannel system from any speaker's front panel, wireless remote control, or computer via a standard USB connection and LSR4300 Control Center Software. The network is configured using supplied CAT5 cable and by setting a DIP switch on each speaker. Harman HiQnet also enables synchronized RMC calibration of all speakers on the network.

      438H Low Frequency Transducer

      The 6.25" woofer in these JBL speakers uses a powerful, shielded neodymium magnet which can be used in close proximity to CRT-type monitors with no interference. The transducer uses a copper-clad polepiece that improves high frequency output by reducing voice coil inductance. A copper ribbon voice coil ensures high sensitivity, and a flux shorting ring stabilizes the magnetic field in the gap, reducing distortion. Heat sinking has been placed close to the magnetic gap in order to draw out heat as efficiently as possible. The cone is polymer coated for uniformity of response over the woofer's passband.

      431G High Frequency Transducer

      The JBL studio monitor's high frequency transducer has a treated silk diaphragm that produces uniform and smooth sound. Its flat ribbon aluminum voice coil ensures low-moving mass and enables the transducer to achieve response out to 22kHz. A lightweight neodymium magnet structure with integral heat sinking, along with ferrofluid in the magnetic gap, enable the transducer to produce high peak output levels with minimal power compression. The magnet structure is integrally shielded, enabling the system to be used in proximity to CRT-type monitors with no interference.

      Bi-amplified Power System

      The JBL LSR4326P monitors incorporate 2 high power amplifiers that provide 150 watts of power to the low frequency transducer and 70 watts of power to the high frequency transducer. A precision digital dividing network having high-order Linkwitz-Riley slope characteristics for smooth transition between transducers, results in exceptional imaging and lack of time smear. The circuitry also yields a tonal-artifact-free noise floor.

      • Advanced LSR Linear Spatial
      • Reference Design provides neutral off-axis response for greater clarity at the mix position
      • Automated RMCTM Room Mode
      • Correction system with calibration microphone measures and automatically compensates for low frequency standing waves and boundary conditions
      • Harman HiQnetTM Network Protocol enables system-wide control of level, EQ, input selection, solo and more
      • Wireless remote control and LSR4300
      • Control Center Software enable control from the listening position
      • AES/EBU, S/PDIF digital inputs
      • Balanced analog input with selectable +4dBu / -10 dBV sensitivity
      • Bi-amplified design eliminates the need for external amplification
      • Front panel output meter with variable brightness displays signal level
      • Custom designed, self-shielded transducers with neodymium motor structures for exceptional transient response and superb power-handling
      • Integrated mounting points allow
      • wall mounting for greater placement options
      • Built-in handles facilitate optimum positioning
      • Low and High Frequency Equalization with factory presets allows tailoring of response to preference, or acoustic conditions in the room

      LSR4326P Studio Reference Monitor

      • Frequency Response: (+/- 1.5 dB): 55Hz”20kHz
        Enclosure Resonant Frequency: 52Hz
        Low Frequency Extension: User controls set to default
        -3 dB: 47 Hz ” 22 kHz
        -10 dB: 39 Hz ” 32 kHz
        Low-High Frequency Crossover: Digital Crossover: 2.4kHz, 8th order LR LF/4th order BW HF
        Distortion, 96dB SPL,
        1 m: Mid-High Frequency
        (200 Hz - 20 kHz)
        2nd Harmonic: <0.4%
        3rd Harmonic: <0.3%
        Low Frequency (<200 Hz)
        2nd Harmonic: <0.8%
        3rd Harmonic: <1.4%
        Measured Maximum Continuous SPL : 106dB / 1m
        Measured Maximum Peak SPL: 112dB / 1m
        Maximum Peak SPL Per Pair: 118dB SPL / 1m
        Low Frequency Model: 436H
        Diameter: 159 mm (6-1/4")
        Voice Coil: 1.5" (38 mm)
        Magnet Type: Neodymium
        Cone Type: Polymer coated paper fiber
        Impedance: 8 ohms
        High Frequency Model: 431G
        Diameter: 25mm (1 in) diaphragm
        Voice Coil: 1" (25 mm)
        Magnet Type: Neodymium, shielded with integral heat sink
        Diaphragm Type: Silk Dome
        Other Features: Elliptical oblate spheroidal waveguide
        Impedance: 4 ohms
        Low Frequency Topology: Class A-B Monolithic, Balanced
        Sine Wave Power Rating: 150 watts (<0.1% THD into rated impedance)
        THD + N, _ Power: <0.02%
        High Frequency Topology: Class A-B Monolithic
        Sine Wave Power Rating: 70 watts (<0.1% THD into rated impedance)
        THD + N, _ Power: <0.02%
        AC Input Voltage: 115 VAC, 60 Hz (230VAC, 50 Hz ” models LSR4328P/230 and
        AC Input Connector: IEC
        Self-Generated Noise Level: <13 dBA / 1m tonal artifact-free noise floor using analog input
        1/8TH Power Rating: 13 watts LSR4326P
        Full Power Rating (100 hrs. IEC 58 watts IEC Pink Noise LF Channel Only
        pink noise, 6dB crest Factor):
        Wattage Rating: AC at 1/8th power IEC Pink Noise 60 watts
        Maximum Current: AC at maximum power output (audio)
        120V AC line 2.2A (LSR4328P, LSR4326P)
        230V AC line 1.1A (LSR4328P/230, LSR4326P/230)
        Fuse Value: 5A, 250VAC, Time Lag (LSR4328P, LSR4326P)
        2.5A, 250VAC, Time Lag (LSR4328P/230, LSR4326P/230)
        Inputs and Outputs
        Analog XLR IN: Selectable +4 dBu/-10 dBV; Input Impedance 10K.
        Positive voltage applied to XLR pin 2 produces outward woofer
        1/4-in tip-ring-sleeve IN: Balanced or unbalanced, Selectable +4 dBu/-10 dBV; Input impedance 20K. Positive voltage applied to 1/4" tip produces
        outward woofer motion
        AD Converters: 96kHz, 24 Bit, 64x Over sampling
        Calibrated Input Sensitivity,
        Analog XLR & 1/4":
        +4 dBu: 94 dB SPL / 1 m
        -10 dBV: 94 dB SPL / 1 m
        Digital XLR IN: AES/EBU(IEC60958)
        XLR OUT: AES/EBU(IEC60958)
        RCA IN: S/PDIF , (EIAJ CP1201)
        RCA OUT: S/PDIF (EIAJ CP1201)
        Digital Input Sample Rates: 96k Hz, 88.2 kHz, 48 kHz, 44.1 kHz, 32 kHz. Tolerance: +/- 3%
        Digital Input Word Length: 24 Bit
        RMC Microphone Input 1„8" tip-ring-sleeve; powered +15 Volts on tip.
        (Use supplied microphone only)
        Network Connection: RJ45 IN, RJ45 OUT
        Network Protocol: Proprietary Harman HiQNetTM Protocol using RS485
        Computer Interface: USB Type 1
        Front Panel Controls: ON, SOLO, RMC, EQ ON, LF, HF, PRESET, INPUT, +/-
        RMC Functions: Start, Bypass
        RMC Filter Range: 73 Frequencies (1/24th octave centers) between 20Hz to 160Hz, with a variable Q from 1 (1.4 octave bandwidth) to 16
        (1/11th octave bandwidth, and from 3 to 12 dB of attenuation.
        LF EQ: Factory Default: 500Hz Shelf, +/- 2dB in _ dB increments.
        137 corner frequencies between 19.7 Hz and 1kHz accessible
        via LSR4300 Control Center Software
        HF EQ: Factory Default: 2kHz Shelf , +/- 2dB in _ dB increments 104
        corner frequencies between 1kHz and 20.2 kHz accessible via
        LSR4300 Control Center Software
        PRESET: 1-6 Factory/User plus NULL. Recall only.
        STORE possible using LSR4300 Control Center Software.
        INPUT Selection: Analog (XLR / 1/4")
        S/PDIF A, B
        AES/EBU A, B
        +/- Default: System Volume Control: 0 dB to -
        Secondary functions: Increment/decrement value of selected
        Rear Panel Controls: Input sensitivity +4dBu/ -10dBV
        Eight SPEAKER ID DIP switches: Left, Right, Center, Left
        Surround, Right Surround, Center Surround, Left Extra,
        Right Extra
        Additional Controls via LSR4300 DIM (-12dB at full volume), System MUTE, Preset STORE;
        Control Center Software: LOAD Configuration, SAVE Configuration; Level TRIM +3 dB to ” 10 db in 1/4dB increments
        Front Panel Display: 31 LED Segments for dBFS and indication of settings
        Front Panel Meter: -70 dBFS to 0 dBFS plus CLIP
        Rear Panel Indicators: 5 LEDs indicate active input & digital stream selection
        Physical Finish: Dark graphite
        Handles: 2, flush mounted on sides
        Mounting: 4 threaded mounting points conforming to industry standard
        square pattern, 107.9 mm x 50.8 mm (4 1/4" x 2" ) center to
        M6 metric threads. Not for Suspension! Only placement
        on bracket
        Low Frequency Vent: Rear ported linear dynamics aperture
        Baffle Construction: Injection-molded structural ABS
        Enclosure Construction: 19mm (3„4") MDF
        Net Weight: 13 kg (28-1/2 lbs.)
        Dimensions: (9.3"W x 15.25H" x 10.3D")

      Review Snapshot

      by PowerReviews

      (based on 2 reviews)

      Ratings Distribution

      • 5 Stars



      • 4 Stars



      • 3 Stars



      • 2 Stars



      • 1 Stars



      Reviewed by 2 customers

      Displaying reviews 1-2

      Back to top

      (5 of 7 customers found this review helpful)


      Get Your Money's Worth

      By GHP

      from Lawton, OK

      Comments about JBL LSR4326P STU REF MON:

      These really reveal every nuance. They have RMC (room mode correction) built in, and it is very understated. The reference mic calibration allows for mixes to be accurate within 0.25db with these monitors, and with 4312 sub you can solo these and use the crossover to mimic much smaller monitors! Also the 4312 sub it is accurate within 0.5db from the crossover down - and believe it or not, once you?ve used these, you can tell!There is no longer a need for foaming up your studio walls or insulating everything to get a good mix or master. Of course doing those things in addition to RMC will definitely help, but they are only complimentary. The RMC on these ?flattens? your room sound by addressing phasing issues with regard to the time it takes for a certain frequency to leave the monitor & get to your head, as well as amplification needed to compensate for nearby boundaries! The silk dome tweeters are so pleasing to the ear that you can listen to these all day with no fatigue and the stereo field is out of this world.You?ve gotta love these things. They are so perfect. My personal favorite is the option of 24bit S/PDIF input on these with RMC (room mode correction). The digital input allows for uncolored monitoring of your mix, no humming from analog cables, etc. If I turn them up to their max when nothing is playing thru them, I can?t hear the amplification unless I literally put my ear to the wave guide! The are outstanding! I use these for my regular computer monitors too! I have a MAC PRO which has S/PDIF output. I got a TOSLINK to COXIAL adapter for them, and if I?m listening to something online, it can actually sound good (LOL) - after all, these are still JBL?s! All jokes aside, with these, it is very easy to hear who has put forth a real effort in their work & who hasn?t, and that?s the reason for investing in a good set of monitors. I highly recommend them. I?ve mixed and mastered on several other monitors, but these are flat out the most functional I?ve ever had, let alone used. They also translate very well. At the end of the session, where the client doesn?t leave right away, but sits and listens to their recording in their vehicle on their ?monitoring system?, it?s all smiles!

      Comment on this reviewHelp Icon

      (3 of 3 customers found this review helpful)


      hear these before you buy

      By vafalconfan

      from Virginia Beach, VA

      Comments about JBL LSR4326P STU REF MON:

      My second set of studio monitors. If you are pricing a pair of monitors in the $600-$800 range these are worth the extra cash. The appearance exudes quality. Nice to look at, they sound as good as they look. Tight, clear and more watts than you will ever need. These are very nice for home recording.

      Comment on this reviewHelp Icon

      Displaying reviews 1-2

      Back to top

      See All JBL Powered Studio Monitors
      Ship To: US Flag
      You are changing the Ship-To country.

      Our product catalog varies by country due to manufacturer restrictions. If you change the Ship-To country, some or all of the items in your cart may not ship to the new destination.