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Korg D16XD 16-Track Recorder with TPB-2 Tube Preamp
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With this convenient bundle, you get the Korg D16XD Xtended Definition 16-track digital recorder already set-up with a pre-installed Korg TPB-2 Dual-...Click To Read More About This Product
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Digital recording workstation with 2-channel tube preamp/optocompressor pre-installed.
With this convenient bundle, you get the Korg D16XD Xtended Definition 16-track digital recorder already set-up with a pre-installed Korg TPB-2 Dual-Channel Tube Preamp with optical compression. Save yourself the pre-amp board installation.
Korg D16XD Xtended Definition 16-Track Digital Recorder
With the Xtended Definition series, Korg brings a whole set of professional features to its D-Series of digital recording studios. A stable of advanced mixing, editing, and recording features are complimented by a huge internal hard drive, a built-in CD-RW burner and a variety of performance-enhancing options. The D16XD Digital Recording Studio offers 96 kHz/24-bit resolution, up to sixteen simultaneous record tracks, and mix automation--equipped to bring your creative ideas to life.
Brilliant Ergonomic Design
The D16XD is designed to provide unparalleled ease of use, the highest-quality audio recording and processing available--and to look good doing it. The clean, stylish lines and uncluttered control surface are preserved thanks to the huge TouchView display that organizes a wealth of parameters and controls into easily accessed on-screen menus. This display features enhanced resolution, a four-tone gray scale, and tilts up for easy viewing. The improvements to the display make it ideal for audio editing functions. Four dedicated knobs below the display provide permanent real-time access to the effects parameters. Similar dedicated knobs and buttons for the individual EQs and sends are located to the right of the display.
Supreme Audio Quality
Xtended Definition means that this digital recorder features uncompressed, 96 kHz / 24-bit audio recording. Resolutions of 48 kHz and 44.1 kHz (both at 24- and 16-bit depths) are also supported. Digital processing quality remains at high levels throughout the mixer, effect, and output stages. But digital excellence is not the end of the story. The Korg D16XD also provides eight channels of fully programmable analog compression to the inputs, delivering a richness of tone and dynamic processing that cannot be duplicated by digital technology.
Modular Input Design
Eight XLR jacks, each with individual phantom power supply, only hint at the input possibilities. Eight 1/4" balanced jacks are also provided. Each input features a variable trim knob and a 24dB pad to accommodate almost any input source. By adding the optional eight-channel analog input board (AIB-8) the D16XD can reach its full potential of 16 inputs. The optional analog compressor board (ACB-8) provides the same high-quality compression to these extra inputs. For added convenience, the front panel offers a dedicated guitar input.
The D16XD support up to 16 tracks of simultaneous recording and playback. Each track contains eight virtual tracks. New to the Xtended Definition series is a Master Track dedicated to creating your final stereo mix. The Master Track also features 8 virtual tracks, allowing you to make many alternate mixes in the same song. Just in case you're curious, that comes out to 144 total tracks for the D16XD.
The Korg D16XD features a 40-input, 12 buss digital mixer with extensive EQ capabilities. Each of the 16 recorder channels features a full four-band parametric EQ with selectable hi and low shelving. The submixer inputs can accommodate 24 channels, each with hi and low shelving EQ, and a final eight band fully parametric EQ is available when recording to the Master Track. Channel pairing is also available with multiple pan control algorithms. Stereo Master, Monitor, Solo and Cue outputs, plus two internal effect busses and two aux busses round out the Mixer section.
Automation & Navigation
The mixer section of the D16XD can store 100 different mixer "scenes" and recall them automatically during playback. The TouchView screen can display the settings of each mixer scene. Locate points--six in all--are used to define edit points and loop points. An additional 100 "marks" can be used to auto-locate back to any point in a song. You can even name each of the marks to help remind you what part of your song they are pointing to.
Effects by the Boatload
The D16XD digital recorder is a veritable wellspring of effect processing power. Up to eleven high-quality digital effects are available simultaneously on the D16XD: 8 insert effects, two master effects (stereo) and one final effect (stereo). The icon-driven display and dedicated control knobs combine to make effect routing, selection, and editing a breeze. A palette of 52 effect types produces 128 preset effect program, and 128 user programmable effect programs. The effects programs are based on Korg's highly acclaimed REMS modeling technology. Footswitch and footpedal jacks on the front panel allow you to actually play and interact with the effects in real time.
Keep the Beat
As a metronome reference or to help you build up a track, the D16XD contains a library of over 200 PCM rhythm patterns. Tempo maps allow you to preset tempo (and pattern) changes at any point in the song. By tapping on the beat, or at the start of each measure, you can use Tap Tempo to control the tempo manually.
Limitless Editing Abilities
Track editing is raised to new heights in these Xtended Definition digital recorders. You can swap, delete, move, bounce, normalize, copy, reverse--even fade tracks in or out. Expansion and compression tools allow you to shrink or stretch a track to fit into a specific time, with either fixed or variable pitch. Optimize commands include deleting recorded silent areas to recover valuable recording time, or removing punch in/out artifacts. You can also import and export track data as .WAV format audio files, with internal digital rate conversion, include 24- to 16-bit dithering. Once again, the huge TouchView display comes to the rescue, making it easy to zoom in on the displayed audio data and set your edit points with great accuracy. Change your mind? All edits (up to the last sixteen) can be reversed using the Undo command.
Put It All Together
After you've recorded to your heart's content, burn your creation to CD and give it a listen. Feeling prolific? Arrange multiple songs in order, specify the gap time between songs, and burn your CD all at once using the Album Project feature. Mark points can be used to create track indexes when burning a continuous performance (a live concert for example) to CD.
Designed to be at home in an increasingly digital studio environment, the D16XD recorder comes equipped with S/P DIF optical connectors for digital input and output. A two GB area of the internal hard drive is designated as the USB drive, which can be recognized by a computer connected to the D16XD's USB port for easy file-sharing. An additional eight channels of digital I/O are available in ADAT light-pipe format by adding the optional Digital Interface Board (DIB-8). This option also includes a digital word clock input and output. Transport, fader movement, effect settings, and other controls changes can be sent and received via MIDI. The D16XD can also send and receive MIDI Time Code (MTC) and MIDI Machine Control (MMC) commands and send MIDI Clock. Multiple frame rates are supported for MTC sync.
TPB-2 Dual-Channel Tube Preamp Board with Optical Compression
In this era of digital audio, more and more musicians, engineers and producers are longing for the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TPB-2. In one rugged and compact unit, the TPB-2 combines a dual-channel tube preamp and optical compression--a total solution for your demanding audio applications.
Two for one!
The TPB-2 offers two completely independent preamps, with individual real-time controls. Each channel is driven by its own 12AX7 tube. A Stereo switch on the front panel allows both preamps to work in tandem when processing a stereo source.
Full-featured mic preamps
Using a specially tuned version of the Valve Force technology so widely acclaimed in the Electribe X series and the TRITON Extreme, the new TPB-2 tube-driven preamp imparts a robust warmth and a rich musical character that is ideal for your critical and challenging acoustic sources. Each preamp channel accepts either XLR or 1/4" TRS inputs, and switchable phantom power is provided. Equipped with a Hi-Z switch, 26dB pad button and a variable trim knob, the TPB-2 assures the optimal gain setting for any source, from a premium microphone to a direct bass or guitar signal.
Transparent optical compression
By using state-of-the-art optical compression, the TPB-2 is able to respond quickly, breathing life and luster into your sound. In addition to enhanced response times, optical compression provides a wide range of dynamic control--without coloring the source material in adverse ways. Compression sensitivity knobs on the front panel are teamed with Fast/Slow release time buttons and audiophile analog VU meters for intuitive real-time control.
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Number of tracks:
144 tracks (including virtual tracks), simultaneous playback 16 tracks
Simultaneous recording 8 tracks @ 48 kHz/44.1 kHz, 16-bit (if the AIB-8 is installed, 16 tracks of simultaneous recording)
Simultaneous playback 16 tracks
Simultaneous recording 8 tracks @ 48 kHz/44 kHz
24-bit simultaneous playback 8 tracks
Simultaneous recording 4 tracks @ 96 kHz, 24-bit
Recording format: 24-bit/16-bit uncompressed, 44.1 kHz/48 kHz/96 kHz
44.1 kHz, 16-bit: maximum 119 hours (maximum recording time is 12 hours),
96 kHz, 24-bit: maximum 27 hours (maximum recording time is 6 hours)
* when using a 40 GB hard disk
Number of songs: 100 songs per drive
Locate points: Six points per song
Mark points: 100 points per song (marks can be named)
Metronome/Rhythm patterns: 265
MMC functions: Transmitted and received
Synchronization: MTC transmission/reception, MIDI Clock transmission, Tempo map (200 events per song), Sync track (one track per song), Tempo recording
CD-R/RW functions: Internal CD-R/RW, audio CD writing (Track At Once, Disc At Once), backup/restore, audio file (WAV format) import (ISO 9660), system load
USB functions: Backup/restore, audio file (WAV format) import/export (FAT16), system load
PC (USB) drive capacity: 2 GB
Track editing: Copy (overwrite/insert), erase, delete, swap, reverse, optimize (normal/erase silence/erase punch noise), expand/compress, fade, normalize
Song editing: Copy, move, delete, rename, protect, save now
Display format: Calendar time, HDD remaining capacity, scene, mark, tempo map
Locate format: Hour/Min/Sec.ms, Hour/Min/Sec.Frame, Meas/Beat/Tick
MIDI functionality: Mixer control, effect control, MMC transmission/reception, MTC transmission/reception, MIDI Clock transmission
TPB-2 Dual-Channel Tube Preamp Board with Optical Compression Specifications
Input connector: XLR-3-31 type (+48 V phantom power, switchable), 1/4" TRS phone jack (balanced, unbalanced when Hi-Z is on)
Input impedance: 4k Ohms (XLR-3-31), 10k Ohms (TRS phone Jack), 1M Ohms (TRS phone Jack Hi-Z)
-60dBu -12dBu @ TRIM = max. min., PAD OFF
-34dBu +14dBu @ TRIM = max. min., PAD ON
-48dBu 0dBu @ TRIM = max. min., PAD OFF
-22dBu +12dBu @ TRIM = max. min., PAD ON
-48dBu 0dBu @ TRIM = max. min., PAD OFF
-22dBu +12dBu @ TRIM = max. min., PAD ON
Source impedance: 600 ohm
Method of compression: Vacuum tube gain reduction using a photo-coupler
10Hz 20kHz ± 1dB @fs44.1kHz, +4dBu, 10k ohm
10Hz 22kHz ± 1dB @fs48kHz, +4dBu, 10k ohm
10Hz 44kHz ± 1dB @fs96kHz, +4dBu, 10k ohm
Dynamic range: TBD
5.98" (W) x 5.39" (D) x 3.03" (H)
152 (W) x 137 (D) x 77 (H) mm
1.10 lbs. / 0.5 kg