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Product 605266

Mackie HR626 Dual 6" 2-Way Active Studio Reference Monitor

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The first active Mackie studio monitor with a D'Appolito woofer-tweeter-woofer design. It has one 6.7" woofer on each end of the cabinet with the dom...Click To Read More About This Product

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OVERVIEW

Multipurpose active monitoring accuracy.

The first active Mackie studio monitor with a D'Appolito woofer-tweeter-woofer design. It has one 6.7" woofer on each end of the cabinet with the dome tweeter in the center. The monitor can be set up vertically or horizontally, depending on the application.

The 2-way biamplified monitor implements servo-feedback circuitry and an elliptical passive radiator to achieve low distortion and extended low-frequency response similar to the HR824. The waveguide-loaded high-frequency aluminum dome tweeter provides the same crisp and evenly dispersed highs as all of Mackie's world-class reference monitors. The 5/8" internally braced MDF cabinet is extremely rigid and non-resonant.

The HR626 is the ideal monitor for those who need lots of bottom end, along with the low-level accuracy of the midrange for mixing and vocal placement. Thanks to its D'Appolito driver alignment design, the HR626 can be used in both vertical and horizontal positions. Placing the HR626 in a vertical position provides extremely accurate reference monitoring for mid- to large-sized studios. Because of its symmetrical left-right sound field, it can also be placed horizontally and used as a superior center channel in a 5.1 or 7.1 surround monitoring or home theater system.

The D'Appolito driver alignment design provides direct-center alignment of high frequencies in center channel applications and can be set up vertically or horizontally, dependent upon the application. The HR626 also features the D'Appolito crossover for proper phase response.

FEATURES
Active Electronics
True reference monitoring due to the flat frequency response provided by the active EQ, crossovers, time correction and phase alignment
Robust transducer protection against peaks, thermals, RFI and extreme overdrives
No outboard amplification required

Elliptical Passive Radiator delivers:
Extended low frequency response
Elliptical geometry makes the most of the cabinet dimensions

Servo Feedback Circuit:
Lowers the distortion in low frequency range
Extends the low frequency response of the woofers
Provides tighter mechanical control of the woofers

Waveguide-loaded aluminum dome tweeter
The tweeter provides the same high-end clarity expected in a Mackie HR monitor
The waveguide ensures the high frequencies will be evenly dispersed with the lows
The die-cast waveguide looks fabulous, babe!


Rear Panel Controls
Sensitivity controls for matching monitor levels perfectly
Acoustic Space filters to quickly match the monitor with your control room
High Frequency +/- 2dB switch to compensate for live/dead acoustic environments
High Pass filters accommodate use with subwoofers

SPECIFICATIONS
Low-frequency driver
Number of drivers: 2
Diameter: 6.7" (170 mm)
Sensitivity (2.83V, 1m): 89dB SPL
Nominal Impedance : 8 ohms
Voice Coil Diameter : 1.25" (32 mm)
Power Handling (Long Term/Program): 50/150W
Frequency Range: 38Hz to 6kHz
Frame: Die-cast aluminum magnet: Ferrite
Bucking magnet (shield): Ferrite

High-frequency driver
Sensitivity (2.83V, 1m): 91dB SPL
Nominal Impedance : 6 ohms
Power Handling (Long Term/Program): 20/50W
Frequency Range: 1.6kHz to 22kHz
Diaphragm/Suspension: Aluminum/Impregnated Cloth
Voice Coil Diameter : 1.0 inch (25.4 mm)
Wave Guide
Frequency Response: 2.5kHz to 20kHz, ±2dB
Mouth Size: 6.13" diameter (156 mm)
Horizontal and Vertical Coverage: 120 degrees, ±10 degrees, 3kHz to 20kHz
Passive Radiator: 6-inch x 9-inch (152 mm x 228 mm) mass-loaded elliptical flat piston with variable thickness filleted edge rubber surround.

Crossover Section
Crossover Type: Modified Butterworth, 18dB/octave @ 1.8kHz

Acoustic Section
Free-Field Frequency Response: ±1.5dB, 42Hz to 20kHz
Lower cutoff frequency: -3dB @ 40Hz
Upper cutoff frequency: -3dB @ 22kHz
Sound Pressure Level at 1 meter, -7.5dBu into balanced input, 100dB SPL @ 1m
Maximum peak SPL per pair: 118dB SPL @ 1m
Maximum short term SPL on axis, half space 80Hz to 2.5kHz, 109dB SPL @ 1m
Residual Noise (maximum gain, 600 ohms source, 20Hz-20kHz bandwidth) : <8dB SPL @ 1m
Rated Line Input Voltage and Power
Power Consumption
Standby mode: 12 watts
Quiescent (idle): 20 watts
Musical Program, Loud mix: 105 watts
Both channels driven into resistive loading to 1% clipping (LF 86 W/4 ohms source, 20Hz-20kHz bandwidth): 255 watts
US: 120 VAC, 60Hz
Europe: 240 VAC, 50Hz
Korea (AC Power Selector at 240V): 220 VAC, 60Hz
Japan (AC Power Selector at 120V): 100V, 50-60Hz
Rated Power (For UL-6500, CSA-E65-94, EN-60065)130 watts

Amplifier Section
Low-frequency power amplifier
Rated Power (at 1kHz with 1% THD): 100 watts
In Japan (100 VAC): 67 watts
Rated Load Impedance: 4 ohms
Slew Rate: 15V/uS
Distortion (THD, SMPTE IMD, DIM 100): <0.035%
Signal-to-Noise (20Hz-20kHz, unweighted, referenced to 100W into 4 ohms): > 101dB
Cooling: Convection
Design : Monolithic IC, Class AB, Parametric Servo Feedback
High-frequency power amplifier
Rated Power (at 1kHz with 1% THD): 40 watts
In Japan (100 VAC): 28 watts
Rated Load Impedance: 8 ohms
Slew Rate: 15V/Us
Distortion (THD, SMPTE IMD, DIM 100): <0.035%
Signal-to-Noise (20Hz-20kHz, unweighted, referenced to 40W into 8 ohms): >93dB
Cooling: Convection
Design : Monolith IC, Conventional Class AB

System
Input Type: Balanced Differential (XLR and 1/4" TRS) Unbalanced (RCA)
Input Impedance: 20kOhms Balanced, 10kOhms Unbalanced
Input Protection: RFI and Level Protected
Input Sensitivity: +4dBu @ 300Hz for full output
Maximum Input Level: +20dBu
Low Cut Frequency: 80Hz, 2nd Order, Butterworth
HF Equalization: Shelving ±2dB @10kHz

Acoustic Space
A position: -4dB @40Hz, shelving
B position: -2dB @ 40 Hz, shelving
C position: flat
Compressor: Independent high- and low-frequency overload detection
Enclosure Alignment: 6th Order
Over Excursion Prevention
2nd Order High-Pass Filter
Low Line Voltage Shut Down: 67% of Nominal Line
Thermal Protection
Amplifier Shut-Down, Auto Reset
Muting
5 seconds at turn-on
Signal Sense Threshold: -74dBu (0.155mV)
Driver Protection: Compressor with independent LF and HF overload detection
Dimensions: 8-4/5" (224 mm)H x 19-3/5" (498 mm)W x 12-2/5" (315 mm) Deep (including amp)
Weight: 31 lbs (14.1kg)
Reviews
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by PowerReviews
 
5.0

(based on 2 reviews)

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Reviewed by 2 customers

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5.0

Addendum

By Anonymous

from Undisclosed

In another hastily-edited review of this product, I mistakenly said, "the ONLY way you would use these horizontally would be in a long narrow mixing environment." That is true when using two of these for stereo mixing of music material. I was not considering using a single speaker as the center channel in a 5.1 set-up. In that case, the D'Appolito design would be ideal, so long as it is not near a reflective surface, such as a mixing desk. The dispersion characteristics of D'Appolito arrays assure secure centering when placed horizontally. However, in that application, care must be taken to avoid early reflections from hard horizontal surfaces: above a desk or near a hard floor.In a living room environment, with the speaker placed high above a carpeted floor, it would be fine as a single center-channel loudspeaker.My apologies to Mr. D'Appolito, Mackie engineers... and anyone else I confused by my statements in the previous review. My intention was to inform potential users that this loudspeaker is superb for stereo imaging when you cooperate with its dispersion characteristics by placing it vertically. Placing TWO of them horizontally is bad for stereo imaging across a wide sound-field, and causes mid-bass phase problems. I didn't want anyone to blame these fine speakers if they did not know that and set them up improperly.

 
5.0

Use vertically!

I won't discuss the high quality of these wonderful speakers, except to say they are truly superb!You MUST be aware though, the D'Apollito array will cause phase / time problems if they are used horizontally. They MUST be used vertically to get the beneficial dispersion characteristics of the D'Apollito design and to avoid phase de-correlation. It IS POSSIBLE to use them horizontally, however, it is VERY difficult and you will greatly restrict the ideal listening position. The only reason you would ever use a D'Appolito array horizontally would be if you mix alone in a tube, like a long narrow mobile-truck. Place them vertically and you will hear the sweet miracle that this design creates. Numerous clients in the control room can ALL hear a reasonable stereo image without peculiar low-mid artifacts. They can stand or sit almost anywhere within the sound-field and get an accurate mix. However, if you lay them down horizontally on a shelf above your mixing desk, you will be in for an acoustical nightmare. Even if you can adjust them for that orientation, only one or two listeners will be able to hear them properly.Please ignore the mistaken information that says, "Can be used vertically or horizontally." If you place them vertically, you are in for a treat. Place them laying down, and you will wonder why they cost so much.

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