- Product 804014
Stanton M.303 10" 3-Channel Dance Mixer with Balanced Outputs
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This Stanton mixer doesn't just look good; it sounds great too--thanks to Stanton's Superior Sound Technology. 3-channel mixer with 3-band EQ on ever...Click To Read More About This Product
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Maximum bang-for-the-buck mixer for house, techno, or drum 'n' bass.
This Stanton mixer doesn't just look good; it sounds great too--thanks to Stanton's Superior Sound Technology. 3-channel mixer with 3-band EQ on every channel and kill switches is engineered with SST for ultralow noise and zero bleed. Features 3 phono inputs, 6 line inputs, plus mic input with EQ; gain knob with LED indicators on all 3 channels; cue section with PFL and cue pan; and balanced master and booth outputs.
SST mixers offer several important advantages for DJs:
Why add noise to your mix when you can have the pure sound of SST? Try this with your current DJ mixer: make sure nothing is playing, then turn all the channel faders and master fader to their maximum positions. Then boost all the EQs to their highest settings. What you'll probably get is a bunch of hiss and noise. On an SST mixer, you won't hear a thing!
Another problem common to DJ mixers is channel bleed. For example, let's say you have a CD playing on channel 1 and nothing playing on channel 2. On many mixers, if you were to turn up channel 2's fader all the way you would hear the music bleeding over from channel 1. Again, with an SST mixer all you would hear is silence.
Better Overall Sound
Because Stanton builds SST mixers with high dynamic range and low distortion, their mixers have a much more clean, transparent sound. The result is your music will sound the way it was intended, without being "colored" by the circuitry of the mixer.
Built to Last
SST mixers are designed using only the highest quality components for longer life and more reliable performance. Did you know that many mixers use circuit boards made of a paper-like material? Spill a drink on that and your mixer is toast. SST mixers use glass epoxy boards for better durability. They also feature surface-mount technology, which means if you were to open one up you wouldn't see a mess of wires but a clean design that keeps Stanton mixers quiet.
- 3-channel dance mixer in sleek 10" chassis
- Engineered with SST for ultralow noise and zero bleed
- 3 phono inputs, 6 line inputs, plus mic input with EQ
- Gain and 3-band EQ controls on all channels
- Kill switches for channels 1 and 3
- Cue section with PFL and cue pan
- Balanced master and booth outputs
- Frequency response: 20Hz to 20kHz ±1.3dB
- THD+N (Line): < 0.015% at 1kHz
Signal to noise ratio (ref to max. level) dynamic range: 110dB (main signal path)
- Noise floor (line in to any output): < -92dBV
- Line to phono line to line: < -90dB at 1kHz
Phono to line: < -90dB at 1kHz
Fader Kill (channel and crossfader): < -90dB at 1kHz
- Max output level:
- (Unity gain- line input)
- +18 dBV unbalanced
- +24 dBu balanced outputs
- Mic: 3 band +10dB (Baxandall Type)
- Hi +9, -45dB, Kill: -45dB
- Mid +9, -35dB, Kill: -35dB
- Low +9, -55dB, Kill: -55dB
- Line inputs: x12 (RCA) x6 line inputs, -10dBV/10kOhm
- Phono inputs: x6 (RCA), x3 phono inputs -50dBV/-10dBV
- Mic input: 1(1/4")/1 XLR -50dBV/4.7kOhm (combo jack)
- Master outputs: x2 (1/4") balanced/1 x 2 (RCA) unbalanced,
- +4dBu balanced/-10dBV unbalanced
- Booth outputs: x2 (1/4") balanced/1 x 2 (RCA) unbalanced
- -2dBu balanced/-10dBV unbalanced
- Record output: 1 x 2 (RCA) unbalanced/-10dBV
- Headphone output: x1 (1/4 inch), x1 (1/8 inch) greater than 32-ohm load
- Send output: x2 1/4" unbalanced/-10dBV
- Return input: x2 1/4" unbalanced/-10dBV /10kOhm
- Dimensions (LxWxD): 13-4/5" x 10-2/5" x 5-9/10" (35 x 26.5 x 15cm) 5 rackspaces
- Weight: 12.1 lbs. (5.5 kg)