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Stanton RM.404 19" 4-Channel Rackmount DJ Mixer
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The 4-channel, 5-rackspace RM.404 features Stanton's Superior Sound Technology (SST) for pure sound, diffused LEDs and lighted buttons and knobs for ...Click To Read More About This Product
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Professional features for club and mobile DJs in a great-looking package.
The 4-channel, 5-rackspace RM.404 features Stanton's Superior Sound Technology (SST) for pure sound, diffused LEDs and lighted buttons and knobs for easy veiwing, plus plenty of inputs to connect a range of gear.
Inputs include 10 line/CD inputs, 4 phono inputs, 2 mic inputs (XLR and 1/4") with seperate 3-band EQ and a talkover function, plus a minijack input to connect your iPod (overrides line input 5). Versatile outputs include master (XLR balanced and RCA), zone (1/4" balanced and RCA), record (RCA) and headphone (1/4" and 1/8").
Innovative Illumiknobs use colored backlights to show knob position in the dark and level indicators with diffused LEDs and backlit Cue buttons help you see what you're doing. The RM.404 also features separate gain and 3-band EQ (+9/-26dB) per channel; fully assignable crossfader with fader start function; cue section with stereo/split function, cue pan, and level control; and a recessed rear panel to keep cables hidden.
SST mixers offer several important advantages for DJs:
Why add noise to your mix when you can have the pure sound of SST? Try this with your current DJ mixer: make sure nothing is playing, then turn all the channel faders and master fader to their maximum positions. Then boost all the EQs to their highest settings. What you'll probably get is a bunch of hiss and noise. On an SST mixer, you won't hear a thing!
Another problem common to DJ mixers is channel bleed. For example, let's say you have a CD playing on channel 1 and nothing playing on channel 2. On many mixers, if you were to turn up channel 2's fader all the way you would hear the music bleeding over from channel 1. Again, with an SST mixer all you would hear is silence.
Better Overall Sound
Because Stanton builds SST mixers with high dynamic range and low distortion, their mixers have a much more clean, transparent sound. The result is your music will sound the way it was intended, without being "colored" by the circuitry of the mixer.
Built to Last
SST mixers are designed using only the highest quality components for longer life and more reliable performance. Did you know that many mixers use circuit boards made of a paper-like material? Spill a drink on that and your mixer is toast. SST mixers use glass epoxy boards for better durability. They also feature surface-mount technology, which means if you were to open one up you wouldn't see a mess of wires but a clean design that keeps Stanton mixers quiet.
4-channel club/mobile mixer in 5U rackmount chassis
10 line/CD inputs
4 phono inputs
2 mic inputs (XLR and 1/4") with separate 3-band EQ, plus a talkover function
Minijack input (overrides line input 5) for connecting an iPod
Diffused LEDs level indicators and backlit cue buttons for easy viewing
Innovative Illumiknobs use colored backlight to show knob position in dark
Separate gain and 3-band EQ (+9/-26dB) per channel
Fully assignable crossfader with fader start function
Cue section features stereo/split function, cue pan and level control
Versatile outputs: master (XLR balanced and RCA), zone (1/4" balanced and RCA), record (RCA) and headphone (1/4" and 1/8")
Recessed rear panel keeps cables hidden
THD+N (line): > 0.005% at 1kHz
Signal to noise ratio (ref: max level): > 110dB
Line in to unbalanced output: < -92dBV
Line in to balanced output: < -88dBu
Line to phono line to line: < -90dB at 1kHz
Phono to line: < -88dB at 1kHz
Fader kill (channel and crossfader): < -90dB at 1kHz
Max Output Level: +18 dBV Unbalanced
(Unity Gain- Line Input): +24 dBu Balanced Outputs
Mic: 3 band +10 dB (Baxandall Type)
Channel: 3 band +9 dB/-26 dB (Baxandall Type)