Backstage Pass: Earn 8% Back in RewardsLearn More
  • Shop by Category
  • Hot Deals
  • Looking for Coupons? Call us

MF MD HG 24Hour Headphones Mics and Tech Accessories Sale 07-26-16
Top Rated
Tascam Logo
SKU 
630519 000000000

Tascam DM-3200 Digital Mixer   

  • Write a Review

More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an imp...Read More

In Stock & Ready To Ship

Gold Coverage: (What’s This?)
  • Your Price:
    $2,29999.00
  Add to Cart
Add to Wish List
See All Tascam Digital Mixers
Musician's Friend Backstage Pass

Earn up to 18,400 in points.

OVERVIEW

The ultimate 32-channel mixing console.

More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.

The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown ” even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.

The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds ” total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.

FEATURES
  • 32 channels and 16 auxiliary returns for 48 total inputs
  • 16 buses ” configurable as two 6.1 surround sends
  • 8 Aux Sends
  • 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch
  • 24 channels of TDIF and 8 channels of ADAT built in
  • 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards
  • Dedicated cascade port supports cascade of two DM-3200s
  • Per channel LED ring encoders for pan, aux sends and EQ
  • Built-in DAW control
  • All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate
  • Transport controls control DAW, HDR or tape playback
  • Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP„¢, Apple Logic, Steinberg Cubase® and Nuendo®
  • Powerful automation with touch-sensitive motorized faders
  • 4-band parametric EQ and dynamics on each channel
  • 32-bit internal resolution with 64-bit EQ resolution
  • Two built-in effects processors include TC Works reverb processing
  • Flexible routing ” route from virtually any input to any output
  • Back up mix data to convenient Compact Flash media slot or to USB
  • Optional MU-1000 meter bridge
  • Stylish, professional design with rear panel I/O connections
  • TASCAM Mixer Companion software (Win XP/OSX) with:
  • Driverless USB connection to computer
  • Backup/restore data via USB
  • On screen timecode, transport and meter displays
  • Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1"_(700mm x 836mm x 230mm)
  • Weight 52.8lbs (24kg

Order this advanced mixer with the assurance of our Dual Guarantees. You've gotta love it or your money back!

SPECIFICATIONS

DM-3200 Digital Mixer

  • Analog audio I/O

    All specifications are given with the factory reference
    level of ”16 dBFS.

    MIC inputs (channels 1 through 16) balanced XLR-type female connectors
    adjustable input level: (”60 dBu (TRIM max) to ”4 dBu (0 dB pad))
    (”40 dBu (TRIM max) to +16 dBu (”20 dB pad))
    Input impedance 2.2k Ohms
    PHANTOM (+48V) +48 V phantom power. Switchable in blocks of 4 channels
    (1”4, 5”8, 9”12, 13”16)
    LINE IN (BAL) inputs (channels 1 through 16) balanced 1/4" jacksb
    adjustable input level (”44 dBu (TRIM max) to +12 dBu (TRIM min))
    Input impedance 10k Ohms
    INSERT connections (channels 1 through 16)od 1/4" TRS jacksc
    Send: nominal output level ”2dBu, maximum output level +14 dBu,
    impedance 100 Ohms
    Return: nominal input level ”2dBu, headroom 16 dB, impedance 10 kohms
    ASSIGNABLE RETURNS (BAL) (1 through 4) Balanced 1/4" jacks
    Nominal input level: +4 dBu
    Headroom: 16 dB
    Input impedance: 5k Ohms
    ASSIGNABLE SENDS (1 through 4) Pseudo-balanced 1/4" jacks
    Nominal output level: ”2 dBu
    Maximum output level: +14 dBu
    Output impedance: 100 Ohms
    2 TR IN (L/R) 2 x RCA pin jacks
    Nominal input level ”10 dBV
    Headroom: 16 dB
    Input impedance: 10 k Oms
    STEREO OUTPUT (L/R) Balanced XLR-type male connectors
    Nominal output level: +4 dBu
    Maximum output level: +20 dBu
    Output impedance: 100 Ohms
    MONITOR OUTPUTS (CR (BAL)) Pseudo-balanced 1/4" jacks
    Nominal output level: +4 dBu
    Maximum output level: +20 dBu
    Output impedance: 100 Ohms
    MONITOR OUTPUTS (STUDIO) RCA pin jacks
    Nominal output level ”10 dBV
    Maximum output level: +6 dBV
    Output impedance: 100 Ohms
    PHONES 2 x 1/4" stereo jacks
    50 mW + 50 mW total
    32 Ohms

    a. all XLR-type connectors are wired 1=ground, 2="hot", 3="cold"
    b. all balanced 1/4" jacks are wired sleeve=ground, ring=cold, tip=hot
    c. all TRS 1/4" jacks are wired sleeve=ground, ring=return, tip=send
    d. Maximum with both PHONES jacks driven at maximum

    Digital audio I/O
    DIGITAL INPUTS (1, 2) 2 x XLR-type female connectors (input impedance 110 Ohms) or
    2 x RCA pin jacks (input impedance 75 Ohms) (selectable)
    AES3-1992 or IEC60958 data format (automatically detected)
    24-bit word length
    Switchable sampling frequency conversion available
    DIGITAL OUTPUTS (1, 2) 2 x XLR-type male connectors (output impedance 110 Ohms)
    2 x RCA pin jacks (output impedance 75 Ohms)
    AES3-1992 or IEC60958 data format (software selectable)
    24-bit word length
    TDIF-1(1, 2, 3) 3 x 25-pin (female) D-sub connectors (metric lock screws)
    Conform to TDIF-1 standard
    24-bit word length
    ADAT IN/OUT 2 x "Lightpipe" optical connectors
    Conform to ADAT OPTICAL specifications
    24-bit word length
    Sampling frequencies Internal 44.1 kHz/48 kHz, 88.2 kHz/96 kHz (high sampling frequencies)
    External ±6.0%
    Signal delay < 1.7 ms ” Fs = 48 kHz, LINE IN to STEREO OUTPUT
    < 0.85 ms ” Fs = 96 kHz, LINE IN to STEREO OUTPUT

    Miscellaneous I/O connections
    WORD SYNC IN BNC connector
    Switchable 75 Ohms termination
    TTL level
    WORD SYNC OUT/THRU BNC connector
    Switchable between through and output
    TTL level
    MIDI IN, OUT, THRU/MTC OUT 3 x 5-pin DIN connectors”conform to MIDI specifications
    USB USB 1.1 'B' type connector (12 Mbps)
    TIME CODE IN RCA pin jack
    Conforms to SMPTE specifications
    FOOT SW 1/4" mono jack
    TO METER 25-pin female D-sub connector (non-metric lock screws)
    For use with the optional MU-1000
    RS-422 (for Sony 9-pin) 9-pin female D-sub connector (non-metric lock screws)
    wired to RS-422 standards
    GPI (for Machine start) 9-pin female D-sub connector (non-metric lock screws) wired for GPI control
    Pin 1=GP11, Pin 2=GPI2, Pin 3=GPI3, Pin 4=GPI4, Pin 5=GND, Pin
    6=GPI5, Pin 7=GPI6, Pin 8=GPI7, Pin 9=GP18

    Specifications : Equalization
    Equalization
    All filters are fitted with "gain flat" switches
    System performance
    Physical characteristics
    EQ switch On/Off
    HIGH filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Hi-shelving, Peak, LPF
    HI MID filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Peak, Notch
    LO MID filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Peak, Notch
    LOW filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type Low-shelving, Peak, HPF
    THD (maximum level,
    1 kHz, TRIM: minimum)
    20 Hz ” 22 kHz LINE IN to INSERT SEND
    LINE IN to STEREO OUTPUT
    < 0.005%
    < 0.008%
    Frequency response
    (nominal level, 1 kHz,
    TRIM: minimum)
    0.5dB/-1.0dB MIC/LINE to INSERT SEND
    0.5dB/-1.5dB MIC/LINE to INSERT SEND
    0.5dB/-1.0dB MIC/LINE to STEREO OUTPUTa
    0.5dB/-1.5dB MIC/LINE to STEREO OUTPUTa
    a. MIC/LINE to channel module to STEREO OUTPUT, channel and stereo faders at 0 dB, pan hard left or hard
    right
    20 Hz ” 20 kHz (44.1/48 kHz)
    20 Hz ” 40 kHz (88.2/96 kHz)
    20 Hz ” 20 kHz (44.1/48 kHz)
    20 Hz ” 40 kHz (88.2/96 kHz)
    Noise level (20 Hz ”
    22 kHz, TRIM: max,
    150 ohms)
    MIC in (PAD off) to INSERT SEND (A weight)
    STEREO OUT (Input no assign)
    ASSIGNABLE RETURN to ASSIGNABLE SEND
    2TR IN to CR OUTPUT (CR: max, 0dB)
    2TR IN to STUDIO OUT (STUDIO OUT 0dB)
    < ”128 dBu (EIN)
    < ”83 dBu
    < ”85 dBu
    < ”78 dBu
    < ”88 dBu
    Crosstalk @ 1 kHz STEREO/BUSS/AUX OUTPUTS
    MONITOR OUTPUTS
    > 90 dB
    > 90 dB
    Displays Backlit 320 x 240 LCD with contrast control
    2 x 12-segment LED meters
    Faders 17 x 100 mm stroke, motor-driven touch-sensitive faders
    Maximum overall dimensions (w x d x h) including rest 700 x 824 x 230 (mm) 27.6 x 32.4 x 9.1 (in)
    Weight 24 kg (52.8 lbs)
    Voltage requirements 120 VAC, 60 Hz
    230 VAC, 50 Hz
    240 VAC, 50 Hz
    Power consumption 65 W
    Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
    CD-ROM, warranty card
Reviews
Loading....

Review Snapshot

by PowerReviews
TascamDM-3200 Digital Mixer
 
5.0

(based on 4 reviews)

Ratings Distribution

  • 5 Stars

     

    (4)

  • 4 Stars

     

    (0)

  • 3 Stars

     

    (0)

  • 2 Stars

     

    (0)

  • 1 Stars

     

    (0)

Reviewed by 4 customers

Displaying reviews 1-4

Back to top

 
5.0

Love this Product!

By Daniel Fowler

from Atlanta Georgia

About Me Professional Musician

Pros

  • Accurate Controls
  • Easy To Use
  • Excellent Sound
  • Tascamteac Legacy
  • Versatile

Cons

  • Digital Connect

Best Uses

  • Computer Tracking

Comments about Tascam DM-3200 Digital Mixer:

Love the Diversity and ability for digital flexibility! This unit is so nice my brother bought two DM 4800's and he cascades them to do his mixes. We both go way back in music, so we are very picky with equipment. The Tascam DM 3200 is perfect for my TV, Film, and corporate commercials. After I do the mix in the DAW Software I break out my tracks and run them through the Tascam and I can feel and hear the difference of the circuts alone. It truly pays to the DM3200 in the product path it adds a realism Computers and software alone can't describe.

Comment on this reviewHelp Icon

(6 of 7 customers found this review helpful)

 
5.0

My Favorite Tool/Toy/Thing.

By Brawn Hampton

from California

Comments about Tascam DM-3200 Digital Mixer:

Great ptece of machinery
This thing is a jewel. I can see my mixes in all sorts of ways that you can't do when you are stuck inside the box. It is simply sounds and looks better than anything else close to its price range. I have had it for a couple of years I also have the presonus 24.6.4 and I like this much better. combined with AC-7 Core My Ipad is unstoppable.
Love is not to strong

Comment on this reviewHelp Icon

(9 of 12 customers found this review helpful)

 
5.0

Best in Class

By Scenic City Productions

from Chattanooga, TN

Comments about Tascam DM-3200 Digital Mixer:

I have owned this for over a year. For the price range there is no other board with the expansive functionality that the DM-3200 provides. Custom routing is amazing! The motorized faders really add power to your studio with the ability to scroll between tracks in the remote (control surface) interface. There is a slight learning curve to the interface. Now that Pro-Tools has opened up their architecture to allow non-digidesign boards to function, you can't go wrong with this purchase!

Comment on this reviewHelp Icon

(7 of 10 customers found this review helpful)

 
5.0

Great Mixer

By Caio

from CA

Comments about Tascam DM-3200 Digital Mixer:

I use it with Cubase 4.5 and it is just great. Great preamps, great routing flexibility, and if you don't like doing everything in the box, this is the board. Meter bridge is really nice to have.

Comment on this reviewHelp Icon

Displaying reviews 1-4

Back to top

Ship To: US Flag
You are changing the Ship-To country.

Our product catalog varies by country due to manufacturer restrictions. If you change the Ship-To country, some or all of the items in your cart may not ship to the new destination.