TC Electronic M-4000 Stereo Reverb Unit
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The TC Electronic M-4000 Stereo Reverb Unit is also the first stereo reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Utilizing the latest hardware technology and software based upon 30 man-years of development, Reverb M-4000 offers the most immense and innovative selection of state-of-the-art stereo reverbs-—at the touch of a button. Designed as a single rack space module with an extremely easy to use instant access interface, and with the option of using the ICON software editor for PC (Mac OSX version available spring 2004) in DAW environments, the Reverb M-4000 is the ultimate choice for live and studio applications working in stereo.
In the Studio
Reverb M-4000 complements any large scale mixing console, and provides the professional studio with the ultimate Main Reverb featuring an amazing palette of simulated rooms from natural sounding credible spaces to emulations of vintage reverbs and TC Classics. On top of offering front-edge pristine reverb technology, it features impressive headroom, level handling and analog as well as digital interfacing capabilities.
Reverb M-4000 integrates perfectly with DAWs and features 24 bit AD/DA converters as well as 44.1 to 96kHz Sample Rates, hence offering processing power not obtainable inside any workstation available today. Connectable via USB the included ICON software editor provides easy access and complete overview for detailed editing purposes, and is a genuine tool in a studio environment.
At the Venue
The Instant Access front panel is a great advantage for Live applications. Never before has a Main Reverb provided so many colors to the palette, and been so easy to operate. Switch between Character, Glossy and Vintage Reverb effects with just a single touch of a button. The front panel always keeps important parameters within reach, and thanks to the latest DSP and power supply technology, as well as TC Electronic's heritage of making top-end reverbs, the new Reverb 4000 delivers the best true stereo reverbs imaginable.
Features in Reverb M-4000 also include Generic Reverbs providing Polished Sustain, Vintage Reverb emulations, True Stereo Reverbs with several flavours, Favourite presets and algorithms from the past, Mono Reverbs covering arbitrary formats, Credible Environments spanning from claustrophobic to outdoor scenarios, Analog domain converter scaling with wide headroom and AES/EBU, S/PDIF, TOS-Link and ADAT digital I/Os.
Features
- Reverb 4000 features 24 bit AD/DA converters as well as 44.1 to 96 kHz Sample Rates. Connectable via USB the included ICON software editor for PC and Mac provides easy access and complete overview for detailed editing purposes, and is a genuine tool for the studio or live environment.
- True Stereo Reverbs from the System 6000
- New pristine Reverb—Reverb-4
- Favorite presets and algorithms from the M5000
- Realistic Environments from a closet to a canyon
- VSS-4, Source based Reverb providing rooms with Character
- Classic Reverbs providing Polished Sustain
- Vintage Reverb emulations including EMT 250
- Instant Access User Interface
- 44.1 to 96kHz Sample Rates and 24 bit processing
- One engine, massive SRAM, no compromise design
- Digital and analog wide dynamic range design
- PC and Mac ICON editor program included.
- 24 bit AES/EBU, Tos-Link, S/PDIF, ADAT and Analog I/O's
M-4000 Stereo Reverb Unit Specifications:
- Digital Inputs and Outputs
- Connectors
- XLR (AES/EBU)
- RCA Phono (S/PDIF)
- Optical (Tos-link, ADAT)
- Formats
- AES/EBU 824-bit),
- S/PDIF (24 bit), EIAJ CP-340, IEC 958,
- EIAJ Optical (Tos-link),
- ADAT Lite pipe (24 bit)
- Output Dither
- HPF/TPDF dither 8-20 bit, independent dithered output
- Word Clock Input
- RCA Phono, 75 ohm, 0.6 to 10 Vpp
- Sample Rates
- 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
- Processing Delay
- 0.2 ms @ 48 kHz
- Frequency Response DIO
- DC to 23.9 kHz ± 0.01 dB @ 48 kHz
- DC to 47.9 kHz ± 0.01 dB @ 96 kHz
- Analog Inputs
- Connectors
- XLR balanced (pin 2 hot)
- Impedance
- 20 Kohm
- Max. Input Level
- +22 dBu (balanced)
- Max Input Level (for 0 dBFS)
- -10 dBu
- Sensitivity
- @ 12 dB headroom: -22 dBu to +10 dBu
- A to D Conversion
- 24 bit (6.144 MHz delta sigman @ 48/96 kHz)
- A to D Delay
- 0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz
- Dynamic Range
- >103 dB (unweighted, BW = 22 kHz), >106 dB(A)
- THD
- -95 dB (0,0018 %) @ 1 kHz, -6 dBFS (FS @ + 16 dBu)
- Frequency Response
- 10 Hz to 20 kHz : +0/-0.2 dB @ 48 kHz
- 10 Hz to 45 kHz : +0/-1 dB @ 96 kHz
- Crosstalk
- <-80 dB, 10Hz to 20 kHz
- typical -100 dB @ 1 kHz
- Analog Outputs
- Connectors
- XLR balanced (pin 2 hot)
- Impedance
- 100 ohm (active transformer)
- Max. Output Level
- +22 dBu (balanced)
- Full Scale Output Range
- -10 dBu to +22 dBu
- D to A Conversion
- 24 bit (6.144 MHz delta sigman @ 48/96 kHz)
- D to A Delay
- 0.57 ms @ 48 kHz, 0.28 ms @ 96 kHz
- THD
- -82 dB (0.008 %) @ 1 kHz, -6 dBFS (FS @ + 16 dBu)
- Frequency Response
- 10 Hz to 20 kHz : +0/-0.5 dB @ 48 kHz
- 10 Hz to 45 kHz : +0/-3 dB @ 96 kHz
- Crosstalk
- <-60 dB, 10Hz to 20 kHz
- typical -90 dB @ 1 kHz
- EMC
- Complies with
- EN 55103-1 and EN 55103-2
- FCC part 15, Class B
- CISPR 22, Class B
- Safety
- Certified to
- IEC 60065, EN 60065, UL 6500 and
- CSA E65
- CSA FileÂŁLR108093
- Enviroment
- Operating Temperature
- 32° F to 122° F (0° C to 50° C)
- Storage Temperature
- -22° F to 167° F (-30° C to 70° C)
- Humidity
- Max. 90 % non-condensing
- PCMCIA Interface
- Connector
- PC Card, 68 pin type 1 cards
- Standards
- PCMCIA 2.0, JEIDA 4.0
- Card Format
- Supports up to 2 MB SRAM
- Control Interface
- MIDI
- In/Out/Thru: 5 Pin DIN
- GPI, Pedal, Fader
- 1/4" phone jack
- General
- Finish
- Anodized aluminum front
- Plated and painted steel chassis
- Display
- 56 x 128 dot graphic LCD
- Dimensions
- 19" x 1.75" x 8.2" (483 x 44 x 208 mm)
- Weight
- 5.2 lb. (2.35 kg)
- Mains Voltage
- 100 to 240 VAC, 50 to 60 Hz
- (auto-select)
- Power Consumption
- <20 W
- Backup Battery Life
- >10 years
- Carry-in Warrenty
- Parts and labor
- 1 year
Review Snapshot®
by PowerReviews(based on 2 reviews)
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Displaying reviews 1-2
Comments about TC Electronic M-4000 Stereo Reverb Unit:
TC says 30 years of man hours are inside this M-4000. It looks like another "corporate sound processor". This is not really geared for me, a creative guitarist that knows that inspiration and creativity start dissapating to never be captured again when I have to use an additional computer "pc" just to fully program and adjust the unit.When I consider spending money on an effects unit I want to edit directly from the unit everything. Needing a pc and playing around with wav files is not what I a musician desire in an effects unit nor would I pay extra for these features. Yamaha has put out similar ideas in the nosediver spx 2000.
Comments about TC Electronic M-4000 Stereo Reverb Unit:
I was running through so many reverb unit.I finally stopped and starting to love this M4000. The unit built so beautifull as its delivered wonderfull sound as well, This unit was built with so many effect that was built in TC M5000 and TC 6000, some effects I could not see in reverb 6000, M4000 make me feel like I have M5000 and reverb 6000 in my studio. I'm so in love with EMT 250 and 480Hall from M5000 built in this baby. You own one for yourself then you know how best M4000 giving you the best sounding. I got my gears at this site. They're great and price very reasonable.
Displaying reviews 1-2
