- Product 184022
TL Audio Ivory 5060 Preset 2-Channel Tube Compressor EQ
- Write a Review
Using the same high-quality discrete microphone preamp as other products in the TL Audio Ivory 2 series, the 5060 also has stereo line level /instrum...Click To Read More About This Product
We're sorry-this item is unavailable.
Find a similar product below or contact our experts for a recommendation of great alternatives. Call us at 800-449-9128.Customers Also Viewed:
Stereo compressor with 15 presets or manual control and Fat EQ switch.
Using the same high-quality discrete microphone preamp as other products in the TL Audio Ivory 2 series, the 5060 also has stereo line level /instrument inputs. The 5060 Tube Compressor EQ is equally versatile as a front-end tracking device as it is for the final stage mixdown or mastering compressor. One set of controls operates both the channels for quick and easy setup. The compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for user adjustment of the compressor. The output section includes a Fat EQ switch for adding some presence or weight to your signal.
As with all the mono or stereo Ivory 2 units, it is possible to install the optional D0-2 converter card in the 5060 for premium-quality 24-bit SPDIF analog-to-digital conversion. This allows you to connect to your hard disc recorder, mixer, or soundcard in either an analog or digital format. The combination of flexibility, ease of use, and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance.
About TL Audio
TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.
By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).
The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album.
The Ivory Series
With the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling range of products to date. The Ivory Series satisfied all the criteria that we knew customers were looking for: a great sound, flexibility and user friendliness, all with a smaller price tag!
Today, TL Audio has become one of the most respected names currently manufacturing Pro Audio equipment. According to designer David Kempson, "Our hybrid design approach was not chosen to cut costs: we created it because we genuinely believe it is a better way of producing valve processors. It makes them consistent, reliable, quiet, and - best of all - it means that by gearing ourselves up for large-scale production we can make the products affordable as well. Every studio deserves to benefit from the advantages of valve signal processing - with our products, we make that possible."
TL Audio ” Plug in the real thing.
Valve preamp stage with mic, line, and front panel instrument inputs
Compressor with 15 presets and a manual mode with user adjustable controls
Hi-pass 90Hz filter on the input stage with Fat EQ contour at the output stage
VU metering of output level, output level +10dB and compressor gain reduction
One set of controls for mono or stereo use
Automatic linking for stereo signals
24-bit digital interfacing via the optional DO-2 digital output card
A steady diet of TL Audio will make your music fat — and that's a very good thing. Order yours today!
Threshold: +10 to 0dB
Ratio: 1:1.5 to 1:30
Attack: 0.5 or 5ms
Release: 0.2 or 1.5s
Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz
Master Section Output Gain: -? to +15dB
PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation
Typical Consumption: 30VA
Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting)
Shipping Weight: 6kg