Hands-On Review:Peavey IPR 1600 Power Amplifier


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Class D amp technology translates to lots of power in a lightweight package

By Craig Anderton
Senior Editor, Harmony Central

 

Peavey IPR 1600 Power Amplifier

Peavey's been doing Class D (digital) amps since the DECA series  debuted about 30 years ago (I still have my DECA 700, and it still  works). The IPR series is the latest incarnation of this technology; the  IPR 1600 being reviewed is the lowest-powered of the line, with the IPR 6000 being the most powerful.

Overview

When the box arrived, I almost wondered if they forgot to pack the  amp—I'm still not quite used to a seven-pound power amp. Documentation  is on an included CD-ROM; the paper documentation is a "safety  instructions" boilerplate, so check out the electronic manual before  powering up.

 

When you plug in, the power switch and Peavey logo light up, making  it easy to tell whether power is available. Switch on power and you get a  light show—blue LEDs inside the unit provide an inviting glow. The fan  on the back is variable-speed, so the harder the amp works, the faster  it spins; at high loads you can hear the fan, but under those conditions  you're likely pumping out a lot of volume, so the relatively low fan  noise is pretty much moot.

Ins and outs

The two inputs use balanced combination connectors that accept either  XLR or 1/4" connectors. You can use unbalanced inputs, but of course,  balanced is preferred. Each channel also has a thru/out pass-through  jack if you want to feed additional power amps, a recording setup, etc.  The outputs have 4-pole twist-lock connectors. These can accommodate  1/4" connectors, but twist-lock types are far more reliable—use them  instead of 1/4" plugs.

Channel mode functions

Thanks to a 100Hz Linkwitz-Riley crossover filter, the IPR series amps are subwoofer-friendly, as controlled by the three-position Channel  Mode slide switch that determines the channel's frequency range. With  the switch in the High Pass position, frequencies above 100Hz pass  through the channel for driving midrange and high-frequency drivers. The  Full Range position applies no filtering, which is ideal for  lower-power applications where a subwoofer is not necessary. Finally,  the Subwoofer position passes only frequencies below 100Hz. As there are  two channels, you can use the IPR 1600 as a mono amp with one channel  feeding the subwoofer and the other feeding the remaining speakers. In  this situation, a full stereo setup would require two IPR 1600 amps.

As expected, there are also front-panel input level attenuators. Although I always start off with these at minimum, the IPR 1600 does have volume ramp-up circuitry so that turning the unit on doesn't produce output "thumps."

Practicing safe amp

The IPR 1600 includes five LEDs for each channel to monitor signal and the status of  the various protective circuits. Individual LEDs indicate active and  signal present. Another LED monitors the DDT (Distortion Detection  Technique), which indicates if the amp is at the onset of clipping  (flashing on transients), or enabling protection (lit steadily, which  controls the amount of distortion going to the output). Another LED  indicates thermal overload, and remains lit until temperatures return to  a safe level. The final LED indicates abnormal conditions (e.g., DC  output). If this LED lights, presumably, the amp shuts down, although  this didn't light during the course of testing.

Conclusion

The biggest plus for many people (other than chiropractors!) will be  the weight. After years of carrying around amps that could serve as boat  anchors, this latest implementation of Class D technology is a  game-changer—you can carry it under one arm. Put a bunch of these in a  rack, and you'll probably still be able to carry the rack around without  needing someone to help.

 

The main caution is ventilation. The IPR 1600 runs cooler than you might expect and the light weight may fool you  into thinking it's not working all that hard, but it is. There needs to  be good ventilation on the sides, front, and back (for the fan), so keep  this in mind when you set it up. Also, remember to read the  documentation so you understand what the protection LEDs are trying to  tell you, and make sure the Mode switches are set to their correct  positions.

 

I was able to drive speakers to major volume without any issues, but  do make sure you're not tripping the DDT clipping protection—occasional  clipping is not an issue, as the DDT takes care of that, but sustained  clipping means you really need more power for the task at hand.

 

Overall, the IPR 1600 is pretty boring—and that's a good thing: Set it up, make your connections, turn up the volume, and forget  about it while it does its thing. The sound is clean, the bass is  particularly punchy and tight, and the crossover is effective. Top that  off with a very attractive price, and you start to understand the  considerable advantages of Peavey's latest generation of power amp  technology.

Features & Specs


  •   •  800W/channel into 2 ohms, 530W/channel into 4 ohms
  •   •  100Hz crossovers for each channel
  •   •  Multiple speaker and amplifier protection circuits
  •   •  Class D amplifier topology
  •   •  Variable-speed fan adjusts as needed
  •   •  Extremely light weight—7.125 pounds (without power cable)
  •   •  Combination XLR/1/4" input jacks

Get serious power without breaking your budget—or your back—with  this lightweight, versatile stereo power amplifier. Order today with the  complete assurance of Musician's Friend's 45-Day Total Satisfaction and  Lowest Price Guarantees.