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Schilke Mouthpiece Numbering Systems
The Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professional in selecting a mouthpiece to meet the needs of the player. All mouthpieces come with standard rim shapes, cup volumes, and backbores unless shown otherwise on the mouthpieces. This method enables the player to know the characteristics of their trumpet mouthpiece. Example: a trumpet mouthpiece using this method might be called 9C3c.
The Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professional in selecting a mouthpiece to meet the needs of the player. All mouthpieces come with standard rim shapes, cup volumes, and backbores unless shown otherwise on the mouthpieces. This method enables the player to know the characteristics of their trumpet mouthpiece. Example: a trumpet mouthpiece using this method might be called 9C3c.
Using this example, 9 refers to the CUP DIAMETER Smallest numbers have smallest diameters C E. Large C refers to the CUP VOLUME A. Small Cup B. Medium-small C. Standard (medium size) D. Medium-large E. Large 3 refers to the RIM CONTOUR 1 Rounded 2 Semi-rounded 3 Standard 4 Semi-flat 5 Only slightly rounded c refers to the BACKBORE a. Tight b. Straight c. Standard d. Slightly curved out e. Large When a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the #9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and c is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.
CUP DIAMETER (First number in label)
Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.
Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.
CUP VOLUME (First letter in label)
In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025" shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.
In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025" shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.
RIM CONTOUR (Second number in label)
The #3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increased flexibility. Generally a rounder rim will allow greater flexibility but sometimes tires the player sooner. A flat rim often feels the most comfortable but tends to hold the lips in a fixed position, thereby reducing flexibility.
The #3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increased flexibility. Generally a rounder rim will allow greater flexibility but sometimes tires the player sooner. A flat rim often feels the most comfortable but tends to hold the lips in a fixed position, thereby reducing flexibility.
BACKBORE (Last letter in label)
Schilke mouthpieces all come with standard backbores (letter C) which permit the maximum in tone and range. Other backbores are available (Letters a, b, d, e) which might suit particular needs of players. The tighter backbores tend to make the sound more brilliant while the larger backbores tend to make the sound more mellow. Occasionally a change in backbores will cause an alteration in intonation which often can correct faulty intonation on an instrument.
Schilke mouthpieces all come with standard backbores (letter C) which permit the maximum in tone and range. Other backbores are available (Letters a, b, d, e) which might suit particular needs of players. The tighter backbores tend to make the sound more brilliant while the larger backbores tend to make the sound more mellow. Occasionally a change in backbores will cause an alteration in intonation which often can correct faulty intonation on an instrument.
THE FIT OF THE MOUTHPIECE
The shank of every brass mouthpiece when in the instrument should touch the end of the mouthpipe to insure an even taper from the backbore of the mouthpiece to the inside of the mouthpipe. Dirt inside the throat or backbore of a mouthpiece can greatly alter the intonation of the instrument on which it is used. Mouthpieces can only be kept clean with a mouthpiece brush used every week
The shank of every brass mouthpiece when in the instrument should touch the end of the mouthpipe to insure an even taper from the backbore of the mouthpiece to the inside of the mouthpipe. Dirt inside the throat or backbore of a mouthpiece can greatly alter the intonation of the instrument on which it is used. Mouthpieces can only be kept clean with a mouthpiece brush used every week
Schilke Standard Series Trumpet Mouthpiece Group I In Silver
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Schilke Mouthpiece Numbering SystemsThe Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professio...Click To Read More About This Product
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Schilke Standard Series Trumpet Mouthpiece Group I In Silver
Schilke Mouthpiece Numbering Systems
The Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professional in selecting a mouthpiece to meet the needs of the player. All mouthpieces come with standard rim shapes, cup volumes, and backbores unless shown otherwise on the mouthpieces. This method enables the player to know the characteristics of their trumpet mouthpiece. Example: a trumpet mouthpiece using this method might be called 9C3c.
Using this example, 9 refers to the CUP DIAMETER Smallest numbers have smallest diameters C E. Large C refers to the CUP VOLUME A. Small Cup B. Medium-small C. Standard (medium size) D. Medium-large E. Large 3 refers to the RIM CONTOUR 1 Rounded 2 Semi-rounded 3 Standard 4 Semi-flat 5 Only slightly rounded c refers to the BACKBORE a. Tight b. Straight c. Standard d. Slightly curved out e. Large When a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the #9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and c is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.
CUP DIAMETER (First number in label)
Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.
Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.
CUP VOLUME (First letter in label)
In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025" shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.
In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025" shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.
RIM CONTOUR (Second number in label)
The #3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increased flexibility. Generally a rounder rim will allow greater flexibility but sometimes tires the player sooner. A flat rim often feels the most comfortable but tends to hold the lips in a fixed position, thereby reducing flexibility.
The #3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increased flexibility. Generally a rounder rim will allow greater flexibility but sometimes tires the player sooner. A flat rim often feels the most comfortable but tends to hold the lips in a fixed position, thereby reducing flexibility.
BACKBORE (Last letter in label)
Schilke mouthpieces all come with standard backbores (letter C) which permit the maximum in tone and range. Other backbores are available (Letters a, b, d, e) which might suit particular needs of players. The tighter backbores tend to make the sound more brilliant while the larger backbores tend to make the sound more mellow. Occasionally a change in backbores will cause an alteration in intonation which often can correct faulty intonation on an instrument.
Schilke mouthpieces all come with standard backbores (letter C) which permit the maximum in tone and range. Other backbores are available (Letters a, b, d, e) which might suit particular needs of players. The tighter backbores tend to make the sound more brilliant while the larger backbores tend to make the sound more mellow. Occasionally a change in backbores will cause an alteration in intonation which often can correct faulty intonation on an instrument.
THE FIT OF THE MOUTHPIECE
The shank of every brass mouthpiece when in the instrument should touch the end of the mouthpipe to insure an even taper from the backbore of the mouthpiece to the inside of the mouthpipe. Dirt inside the throat or backbore of a mouthpiece can greatly alter the intonation of the instrument on which it is used. Mouthpieces can only be kept clean with a mouthpiece brush used every week
The shank of every brass mouthpiece when in the instrument should touch the end of the mouthpipe to insure an even taper from the backbore of the mouthpiece to the inside of the mouthpipe. Dirt inside the throat or backbore of a mouthpiece can greatly alter the intonation of the instrument on which it is used. Mouthpieces can only be kept clean with a mouthpiece brush used every week
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Review Snapshot
by PowerReviewsSchilkeStandard Series Trumpet Mouthpiece Group I In Silver
(based on 9 reviews)
Ratings Distribution
100%
of respondents would recommend this to a friend.
Pros
- Good tone (6)
- Easy to play (4)
- Flexible (4)
- Good response (4)
- Good audio (3)
Cons
No Cons
Best Uses
- Concerts (4)
- Reviewer Profile:
- Experienced (3)
Reviewed by 9 customers
Displaying reviews 1-9
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
I bought one of these wonderful mouthpieces for my old clunker trumpet last year. Since I bought this mouthpiece, my range and stamina have increased substantially. This mouthpiece delivers a clear and focused sound, even with the worst of instruments. I plan on ordering a 13A4a mouthpiece in the very near future for playing lead in the jazz band. I highly recommend Schilke brand mouthpieces for anyone serious about the trumpet.
Pros
- Easy To Play
- Flexible
- Good Response
- Good Tone
- Rich Sound
Cons
Best Uses
- Concerts
- Practicing
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
My favorite mouthpiece. I stumbled on this mouthpiece during one of my rummages through one of the neighborhood professional music stores (there used to be MANY in Hollywood back in those days...it was still a community of ACTUAL musicians and actors then). It was september of my senior year at Hollywood High School.
Up until that point I'd used the basic Bach 7C while playing from beginning to advanced and Jazz bands and in Junior High and at Hollywood Performing Arts in the Marching band, jazz band orchestra brass concerts etc. and after many many many hours Id pretty much figured a mothpiece was a mouthpiece (unless you cheated with a jettone..which was a prideful no,no!)
As a member of the All City Honor Band Id performed in the Rose Parade every year of High School, Coca Cola Centennial Celebration in Atlanta, many Hollywood openings, Rams and Raiders Games, etc.
This mouthpiece was the best thing that ever happened to me. Everyones embouchure is different and this mouthpieces shape and characteristics were perfect for mine. It was deep enough where I didnt lose control or command of the lower deep tones, I was able to keep the richness of my tone which was unique to my playing style...and it helped keep my endurance in the upper register after performing for hours at time. Being an athlete also I can say...It fit me like a pair of great athletic shoes!
It was as diverse as the activities I performed in from orchestra to marching band to Jazz. I now know why Schilke categorizes it as an "artist model".
In my opinion, I feel i was a pretty above average to lower good player (of course other will try to give me more credit than that) but the combination of that mouthpiece and graduating to a Getzen kind of "released" me to another level of performance....with those two together I found my "sweet spot".
It's almost like not being able to appreciate "fine wine" until you have HAD it. LOL...I know Im probably being too eloquent..bt its the TRUTH and NO I havent been paid to say this...I REALLY love this mouthpiece.
However EVERYONE is different...during that time I was lucky enough to play next to John Madrid while preparing for our production of "A Chorus Line" and meeting Herb Alpert...I have always apreciated how each trumpet player had his own characteristic style, tone and personality...the key is to find what brings YOU out.
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
This is the 1st Schilke I have owned. I like the big, dark sound of the 10B4 and the rim is very comfortable, but I have a little problem with the higher notes. Overall, I like the mouthpiece. I have ordered a 10A4a for the higher notes.
Pros
- Easy To Play
- Flexible
- Good Response
- Good Tone
Cons
Best Uses
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
Bill Chase made the 6A4A famous. Many players use the 13A4A with much success. The former was too small for me and the latter a little big. So I noticed the 10A4A and it was a great option. For lead playing and the high register, it's quite good. I've found that using a mouthpiece booster really makes it effective.
Pros
- Good Tone
- Rich Sound
Cons
- A "4" is Semi-Flat. Feels more like semi-round
Best Uses
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
With guidance from Schilke direct who was very helpful, I ordered my 1st trumpet 7B4. Been playing both a 40 and 41 Reeves rim and C cup underparts with 692s backbore. This Schilke piece has brilliant tone. The plating is superb. But even though discussed, I am bottoming out on the B cup. So I may return it and ask for a custom (7C or 8C both with a flatter rim. They call the "4" contour semi-flat. I feels very "semi-round" to me.
Pros
- Good Tone
Cons
Best Uses
- Concerts
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
Great sound!
Pros
- Easy To Play
- Flexible
- Good Response
- Good Tone
Cons
Best Uses
- Concerts
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
Pretty good mouth piece for the price, the 11A was exactly what i was looking for. very good all around mouthpiece.
Pros
- Easy To Play
- Flexible
- Good Response
- Good Tone
- Rich Sound
Cons
Best Uses
- Concerts
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
Great sound even with a tighter backbore which when you need helps with high range.
Comments about Schilke Standard Series Trumpet Mouthpiece Group I In Silver:
Really like it but haven't used it enough to rate it a 10.
Displaying reviews 1-9
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