- Back to Top
- OverviewJump to Overview
- FeaturesJump to Features
- WarrantyJump to Warranty
- ReviewsJump to Reviews
Taylor 2012 556ce-L Mahogany/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric Guitar
- Write a Review
- Product H80148
- Free Shipping With Backstage Pass (48 Contiguous U.S. States)
Singer-songwriters are often drawn to our 500 Series because mahogany yields its inspiring tone easily, with a breathy midrange and a wonderful balan...Click To Read More About This Product
We're sorry-this item is unavailable.
A bold 12-string guitar made of tropical mahogany and solid Engelmann spruce with Taylor Expression System electronics.
Singer-songwriters are often drawn to our 500 Series because mahogany yields its inspiring tone easily, with a breathy midrange and a wonderful balance of warmth, clarity and complexity. The Taylor 2012 556ce-L Mahogany/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric Guitar features a top of Engelmann spruce. The refined appointment package features a laser-engraved Deco Diamond inlay scheme, faux tortoise shell binding, and a dark body stain that honors mahogany™s enduring heritage.
Grand Symphony (GS)
Body Width: 15" / Body Depth: 4-3/8" / Body Length: 19-1/2"
The ultimate Taylor strummer.
The Grand Symphony shape joined the line in 2006 and delivers Taylor™s boldest, richest acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you'e a dynamic player, this shape is a true contender. And the big voice doesn™t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.
Origin: Central and South America
Mahogany is a good wood to anchor a discussion of tones, as a lot of other wood tones can be described in relation to it. Its essential sonic profile is well represented in the midrange frequencies. Acoustic guitars in general tend to live in the midrange portion of the sound spectrum, but mahogany in particular displays a lot of midrange character. That thick, present midrange sound is sometimes described in guitar circles as meaty, organic or even œchewy ” wherever a player digs in on the fretboard, they'e tapping into the core of the harmonic content of what a guitar produces. Those great midrange frequencies produce overtones that stack up and produce bloom, giving the sound extra girth. When one hears the resulting harmonics, the œchewy tone serves up a big mouthful of midrange. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.
Goes well with: A broad range of players and musical styles; people who like a well-balanced tone, nice dynamic range and a healthy serving of overtones. Blues and other rootsy players tend to respond well to mahogany™s midrange character. A smaller body mahogany guitar (GC or GA) might appeal to fingerstyle players, whereas more aggressive flatpickers might opt for a mahogany Dreadnought or GS. For versatility, a mahogany GA is a good bet. Because of mahogany™s midrange, a player with œdark hands will tend to sound darker on a mahogany guitar. A bright player will sound slightly less bright.
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That™s why we spent several years developing the onboard acoustic pickup and preamp. Taylor™s ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor™s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside their acoustic guitars, which allowed Taylor to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
- Shape: Left-Handed Grand Symphony
- Back/Side Wood: Tropical Mahogany
- Top Wood: Engelmann Spruce
- Neck/Heel: Tropical Mahogany
- Electronics: ES®
- Bracing: 12-String Bracing with Relief Rout
- Binding: Tortoise
- Fretboard Wood: Ebony
- Fretboard Inlay: Deco Diamonds
- Headstock Overlay: Indian Rosewood
- Bridge Inlay: None
- Bridge Pins: Ebony with Abalone Dots
- Nut & Saddle: Tusq
- Tuners: Taylor Gold
- Truss Rod Cover: Indian Rosewood
- Back/Side Finish: Gloss
- Top Finish: Gloss
- Neck Finish: Satin
- Cutaway: Venetian
- Pickguard: Tortoise
- Includes Taylor hardshell case
Enjoy signature Taylor tone and playability. Order today.