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Taylor 414ce Limited Edition Grand Auditorium Acoustic-Electric Guitar Shaded Edge Burst

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L69557 000001000
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This limited edition features a western red cedar top and shaded edge burst body. This gorgeous burst draws out Ovangkol's many hues and ties them to...Click To Read More About This Product

Order Now! Expected to Ship 09-24-2019
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OVERVIEW

A limited edition, red cedar topped body produces beautiful tones.

This limited edition features a western red cedar top and shaded edge burst body. This gorgeous burst draws out Ovangkol's many hues and ties them together with the red cedar top. Taylor's ovangkol 400 Series guitars continue to be discovered and embraced by players, thanks in part to a compelling full-range tone profile that's comparable to rosewood. Ovangkol's natural tonal breadth and dynamic range fit many different playing applications and body styles. This instrument ships in a deluxe hard shell case made by Taylor for optimal fit and protection. 

Body Shape
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.

Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Western Red Cedar is less dense than spruce and as a result produces a warm, played-in sound. Its midrange bloom adds a nice complexity to the guitar's tone, and it responds best to a lighter picking/strumming attack. Solid ovangkol back and sides complement the top with a sound that's comparable to rosewood. Ovangkol is an African relative of rosewood that shares a wide tonal spectrum from lows to highs, but with a slightly fuller midrange and a bright treble that resembles koa.

Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.

Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience.

Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.


For music you'll love playing for years to come, order today.

SPECIFICATIONS
Body
  • Body type: Taylor Grand Auditorium
  • Cutaway: Yes - Venetian
  • Top wood: Solid Western Red Cedar
  • Back & sides: Solid Ovangkol
  • Bracing pattern: Taylor V-Class™ Bracing with Relief Rout
  • Body finish: Gloss
  • Orientation: Right-Handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1-3/4" (44.5mm)
  • Fingerboard: Genuine West African Ebony
  • Neck wood: Tropical Mahogany
  • Scale length: 25-1/2"
  • Number of frets: 20
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Expression System 2 Professional Audio-Grade
  • Brand: Taylor
  • Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
  • Preamp EQ: Volume, Active Bass and Treble
  • Feedback filter: Onboard Phase Switch
  • Tuner: None
Other
  • Headstock overlay: Genuine West African Ebony
  • Tuning machines: Taylor nickel tuners with nickel buttons
  • Bridge: Genuine West African Ebony
  • Saddle & nut: Black Graphite Nut, Micarta "Wave" Saddle
  • Number of strings: 6
  • Special features: Single ring ebony rosette, black binding
  • Case: Taylor Deluxe Hard Shell Case
  • Accessories: None
  • Country of origin: USA

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