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Taylor 512ce 12-Fret V-Class Grand Concert Acoustic-Electric Guitar Natural

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L48721 000001000
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Taylor's 500 Series is a favorite of players who enjoy the sound and look of mahogany back and sides. Now with Taylor's innovative V-Class Bracing, t...Click To Read More About This Product

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OVERVIEW

Solid onewood pairing that produces plenty of midrange for bolstered by Taylor's performance-enahcing bracing.

Taylor's 500 Series is a favorite of players who enjoy the sound and look of mahogany back and sides. Now with Taylor's innovative V-Class Bracing, the 500 Series Grand Auditorium models, like this 512ce 12-Fret V-Class Grand Concert acoustic-electric guitar, evoke a refined, rootsy charm that will satisfy players looking for an inspiring musical tool. The 512ce 12-Fret V-Class Grand Concert acoustic-electric guitar a deluxe hardshell case made by Taylor for optimal fit and protection.

Body Shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor’s compact Grand Concert 12-fret guitars deliver a uniquely inspiring playing experience. The shorter 12-fret neck and 24-7/8" scale length create a slinky handfeel that makes fretting and bending strings easier, and the different bridge placement articulates the top in a way that produces a remarkably powerful voice for a small body.

Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Think of the top as a speaker driver. It's also one reason why the sounboard bracing architecture is important - it helps orchestrate the movement of the top and the voice of the instrument. The back and sides help flavor the overall sound. Western Red Cedar (top) is less dense than spruce and produces a warm, played-in sound. Its midrange bloom adds complexity and responds best to a lighter picking/strumming attack. Tropical mahogany is known for a meaty midrange featuring a strong fundamental without adding a lot of ringing overtones. It responds well to players with a strong attack who like dry, earthy, lo-fi sounds. It has a natural compression that smooths out strumming and picking technique. Mahogany's clear and direct tonal character makes it a great option for playing and standing out among other instruments.

V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.

Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.

FEATURES
  • V-Class bracing for improved intonation, sustain and projection
  • Silver side dots
  • Grained ivoroid peghead logo and inlay
  • Grained ivoroid "Century" fretboard inlays
  • Faux tortoise pickguard
  • Faux tortoise body and soundhole binding

Like what you see? Wait til you have it in your hands and hear it. Order today.

SPECIFICATIONS
Body
  • Body type: Grand Concert/OO
  • Cutaway: Venetian
  • Top wood: Solid Western red cedar
  • Back and sides: Solid neo-tropical mahogany
  • Bracing pattern: V-Class Grand Concert with relief rout
  • Body finish: Gloss
  • Orientation: Right handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1.75" (44.45 mm)
  • Fingerboard: Genuine West African ebony
  • Neck wood: Neo-tropical mahogany
  • Scale length: 24.87"
  • Number of frets: 18
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Yes
  • Brand: Taylor
  • Configuration: Behind-the-saddle transducer with Adjustable Sensors
  • Preamp EQ: 2-band
  • Feedback filter: Phase
  • Tuner: No
Other
  • Headstock overlay: Genuine West African ebony
  • Tuning machines: Taylor slot head with ebony buttons
  • Bridge: Genuine West African ebony
  • Saddle and nut: Micarta "wave" saddle/Black graphite nut
  • Number of strings: 6
  • Special features:
  • Case: Deluxe hardshell case
  • Accessories: None
  • Country of origin: United States

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