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Taylor 712ce 12-Fret Grand Concert Acoustic-Electric Guitar
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Taylor’s redesigned rosewood/spruce 700 Series guitars, which includes this 712ce 12-Fret Grand Concert acoustic-electric, are the latest i...Click To Read More About This Product
6-Month* financing available.
Solid tonewood combination and bracing for pronounced volume and performance with plenty of beautiful appointments.
Taylor’s redesigned rosewood/spruce 700 Series guitars, which includes this 712ce 12-Fret Grand Concert acoustic-electric, are the latest in the Taylor line to showcase an inspiring tonal and visual makeover. The result is a bolder musical voice with a refreshed visual aesthetic that blends rootsy appeal with warm, wood-rich details to give the series a distinctive musical personality. Tonal upgrades include a switch from Sitka spruce to Lutz spruce, which produces a powerful tonal response comparable to older, high-grade Adirondack spruce, and gives players a higher volume ceiling. Two other tone-enhancing refinements include Taylor’s Performance bracing and the use of protein glue for the bracing and bridge. Together with the Lutz top, they optimize the tonal response, capturing all of rosewood’s classic richness and strengthening the fundamental focus. These guitars promise to give back to players everything they put in and then some. Other appointment details include non-figured koa binding; a 3-ring herringbone-style rosette featuring mirrored, bias-cut Douglas fir with maple/black trim; top edge trim of bias-cut end-grain Douglas fir with maple/black accents; a “Reflections” fingerboard inlay in pale green abalone; and a weathered brown pickguard with a matte finish. A fresh Western sunburst top option is also available, adding an earthy honey-brown complexion for a darker vintage look. All models feature a full-gloss body and are available with an optional Venetian cutaway and Taylor Expression System 2 electronics. The 712ce 12-Fret Grand Concert guitars come with a Taylor deluxe hardshell case.
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly.
The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Lutz Spruce is a naturally occuring hybrid of Sitka and White spruce. Sitka is the most prevalent guitar top wood of the modern era because it blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Lutz spruce takes these attributes and blends them with those of White and Englemann spruce, with an end result resembling old Adirondack spruce. When combined with Taylor's bracing architecture, guitars are more powerful, richer and louder than before. Solid Indian rosewood back and sides complement the Lutz top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the- saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, bass and treble controls.
Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly GC body with the slightly condensed fret spacing of the 24-7/8" scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12- fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes. As to the slotted headstock, the angle of the strings as they bend over the nut is a little more acute, which puts a little more downward pressure on the nut. To your fretting hand, it'll feel a little more precise and better behaved as you fret near the nut; notes don't want to bend as easily closer to the nut.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco- conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Non-figured koa binding
- 3-ring herringbone-style rosette with mirrored, bias-cut Douglas fir and maple/black trim
- Top edge trim of bias-cut end-grain Douglas fir with maple and black accents
- Pale green abalone “Reflections” fingerboard inlay
- Weathered brown pickguard with matte finish
Order this topnotch Taylor today.
- Body type: !2-Fret Grand Concert
- Cutaway: Venetian
- Top wood: Solid Lutz spruce
- Back and sides: Solid Indian rosewood
- Bracing pattern: Performance bracing
- Body finish: Gloss 6
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: West African Ebony
- Neck wood: Tropical mahogany
- Scale length: 24.87"
- Number of frets: 18
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: West African ebony
- Tuning machines: Slot head with ebony buttons
- Bridge: West African ebony
- Saddle and nut: Micarta "Wave"/TUSQ
- Number of strings: 6
- Special features:
- Case: Deluxe hardshell case
- Country of origin: United States
Musician's Friend Gold Coverage
Gold Coverage Includes:
- Unexpected and unintentional spills, drops and cracks
- Normal wear and tear
- Power surges
- Dust, internal heat and humidity
Other plan features include:
- Shipping fees covered if required for repair or replacement
- Plans are transferable in the event merchandise is sold
- Plans are renewable on new gear