7.1.4 Immersive Audio Studio Monitor System With Apogee Symphony I/O MKII 16X16 Thunderbolt Audio Interface

Perfectly compatible with a 7.1.4 Dolby Atmos setup, this kit featuring ADAM Audio studio monitors and Apogee Symphony I/O Mk II Thunderbolt audio interface is primed to impress. To fill out the main LCR, surround and ceiling, this kit includes seven A7V and four A4V two-way powered studio monitors from ADAM Audio, while a Sub10 mk II powered studio subwoofer provides superb low end. Combined with a top-of-the line 16x16 Symphony I/O interface, these monitors deliver all the immersive detail needed for producing with—and enjoying—Dolby Atmos.

A7V Two-way Powered Studio Monitors

The ADAM Audio A series A7V speaker represents the evolution of ADAM Audio’s best-selling, award-winning A7X. The two-way A7V combines a new 7" woofer built from Multi-Layer Mineral (MLM) fibers and ADAM Audio’s handmade precision X-ART tweeter to deliver a wide frequency range of 41Hz to 42kHz. Rotatable HPS waveguide technology and onboard DSP-based tuning options enable you to optimize the sound of the A7V for your precise room requirements and sonic preferences. For many artists, mixers and producers, the A7V will be the sweet spot in the A series line.

For added flexibility when it comes to speaker positioning, the rotatable HPS waveguide means each speaker can be used in a horizontal or vertical position with minimal compromise in sound quality. Room adaptation options directly on the backplate of the monitor help address common speaker placement issues such as bass overrepresentation caused by nearby walls and surfaces.

A4V Two-way Powered Studio Monitors

Designed for small studio spaces, short listening distances and immersive multi-speaker configurations, the ADAM Audio A4V delivers accurate, full-bodied sound in a compact form factor. This two- way speaker incorporates a 4" long-throw woofer made from the same Multi-Layer Mineral (MLM) fibers as other A series speakers plus the classic X-ART tweeter. Onboard DSP-based tuning capabilities let you easily dial in the perfect sound for your space. With a frequency range of 53Hz to 42kHz, the A4V can accommodate a broad spectrum of audio applications—from producing podcasts to mixing string quartets—and will fit well within immersive and 3D setups.

For added flexibility when it comes to speaker positioning, the rotatable HPS waveguide means each speaker can be used in a horizontal or vertical position with minimal compromise in sound quality. Room adaptation options directly on the backplate of the monitor help address common speaker placement issues such as bass overrepresentation caused by nearby walls and surfaces.

Sub10 Mk2 10" Powered Studio Subwoofer

The Sub10 Mk2 from ADAM Audio is a powerful subwoofer designed to extend the low-frequency capabilities of any near or midfield studio monitoring. A 200W Ice Power amp drives a large (50mm) voice-coil. This amp stays cool as it uses PWM technology in both the amp and the power supply sections, producing greater than 90% overall efficiency. It can handle its maximum power without danger to the electronics or to the driver. The Sub10 Mk2 powered subwoofer houses an excellent 10" woofer, capable of a frequency response of 25Hz–150Hz. The ADAM Audio Sub10 Mk2 works with a new down-firing bass reflex tube that, due to its shape and size, avoids unnecessary ventilation noise. For larger rooms or higher levels you can chain as many ADAM subs together as necessary.

The Sub10 Mk2 studio subwoofer has balanced (XLR) and unbalanced (RCA) in and output connectors, and numerous controls to adapt to different room acoustics and requirements. The Sub10 MK2 also has a level control from –60dB to +6dB, a phase ±180 degree switch, a variable upper barrier frequency (50–150Hz), and a switchable 85Hz high-pass filter for the satellite output. In addition, there is a "signal-on/continuous" switch, which provides the option of automatic power up whenever the subwoofer receives signals/automatic power-off after 15 minutes of no signal. The Sub10 Mk2 is an ideal match for ADAM monitors such as the P series or the S1A, S2A, S2.5A, or S3A studio monitors. In any small to medium sized control room, they guarantee powerful yet precise bass response.

Symphony I/O Mk II 16x16 Thunderbolt Audio Interface

Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio. The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms: Thunderbolt, Pro Tools HD or Waves SoundGrid network. There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2x6, 8x8, 16x16, or 8x8 with eight mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.

Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30-year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8x8 or 16x16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.

For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit/system and latency as low as 1.35ms in Logic Pro X (96kHz/32 buffer). For connecting to an existing Pro Tools HD Accel, HD Native or HDX system via Digilink connector. Up to one Symphony I/O Mk II unit connected to each HD Digilink port (max. 32x32 per unit).Connect to the Waves SoundGrid System for studio, live and post-production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plug-ins.

All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 in x 32 out—signal levels, polarity, muting, phantom power and Soft Limit.

Whether you record with a vintage Neve console, the best Neumann microphones or colorful mic preamps, a high quality AD converter is imperative to capture every nuance of your analog gear into your DAW. Without this, you will miss many of the subtleties and details that simply cannot be added back later with plug-ins. Similarly, the DA stage is essential to your perception of the recorded audio tracks. When mixing, regardless of what speakers you are using, if the converter is masking or having any effect on your audio, you could end up overcompensating with EQ, compression or other effects and failing to address other problematic details. With Symphony I/O Mk II, you will hear more definition in each track and instrument of the mix, making it easier for you to make intelligent adjustments and achieve the ideal balance. Tracks will blend more harmoniously and mixing will simply be easier. The high end will be clear and not as brittle while the low end will be tighter than ever and more defined. This sort of unmatched audio quality can be noticed and appreciated by any listener.