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Neumann KH 310 Active Studio Monitor (Right)OLD-DO NOT USE

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Product J02132
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The first name in studio microphones proves that it knows more about audio than just input. What a fantastic monitor set. The KH 310 is a three-way a...Click To Read More About This Product

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Radical monitor innovation.

The first name in studio microphones proves that it knows more about audio than just input. What a fantastic monitor set. The KH 310 is a three-way active tri-amplified monitor that features a Mathematically Modeled Dispersion„¢ Waveguide (MMD„¢), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations.

The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.

The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.

  • Powerful alloy fabric dome for low-distortion high-frequency reproduction
  • Elliptical Mathematically Modeled Dispersion„¢ (MMD„¢) waveguide, with wide horizontal and narrow vertical dispersion results in smoother off-axis response, makes it more forgiving of diverse acoustical environments, and allows for freedom of movement across the mixing console; reduces reflections off the mixing console
  • New in-house simulated drivers minimizes non-linear (intermodulation) distortion
  • Fabric dome, neodymium magnet, midrange driver
  • Dedicated driver reproduces important midrange frequencies, which is especially important for speech and vocals
  • Light weight dome has better transient response and less breakup modes than cone designs
  • High power magnet reduces harmonic and intermodulation distortion
  • Long throw composite sandwich cone bass driver with Extremely Linear Force Factor„¢ (ELFF„¢) and ribbed surround
  • Damping of break-up modes and low distortion at high sound levels
  • Linear pistonic motor gives a very low harmonic distortion even at high excursions
  • Reduced radial break-up modes on the ribbed surround
  • Two-color + dimmable Neumann logo
  • Displays operation status and activation of the extensive protection system
  • Dimmable for low lighting level conditions or behind the screen applications
  • Compact sealed three-way cabinet design (magnetically shielded)
  • No standing wave resonances
  • Fastest bass transient response
  • Reduced intermodulation distortion in midrange
  • One-piece front panel with no discontinuities
  • Reduced diffraction and smoother frequency response
  • Powerful analog class AB amplifiers with large headroom
  • Improved transient response
  • Independent thermo limiters for woofer, midrange dome and tweeter to protect the voice coils. Woofer soft clip and excursion limiters
  • Fast acting, high reliability and allows extraction of the maximum performance from the system
  • Production consistency due to individual hand-alignment in final test
  • Any KH 310 is œpair-matched to any other KH 310
  • 4-position bass, low-mid and treble acoustical controls
  • More control in diverse acoustical environments
  • Wide range input gain and output level controls
  • Easier interfacing with signal sources
  • Ground lift
  • Reduced noise in electrically noisy environments and over-comes ground loops
  • Universal switched-mode power supply (100 ¦ 240 V)
  • One version works in any country and robust to poor quality mains supply
  • Extensive mounting hardware options
  • More flexibility in mounting cabinets in more diverse locations and backwards compatibility with previous models
  • Optional robust metal grille
  • Can be used, if required, to protect the drivers
  • Optional transportation accessories
  • Stylish soft carry bag with space for cables
  • Robust wooden flight case

Order today for the last set of monitors you will ever need.

  • Free field frequency response: 34 Hz to 21 kHz ±3 dB
  • Pass band free field frequency response: 36 Hz to 20 kHz ±2 dB
  • Self-generated noise (INPUT GAIN set to 0 dB, OUTPUT LEVEL set to 100 dB SPL): < 20 dB(A) at 10 cm
  • Total harmonic distortion < 0.5 % at 95 dB SPL at 1 m: > 85 Hz
  • Max. SPL in full space / calc. in half space at 3 % THD at 1 m, averaged between 100 Hz and 6 kHz: 114.2 dB SPL / 120.2 dB SPL
  • Bass capability: Max. SPL in half space at 3 % THD at 1 m, averaged between 50 Hz and 100 Hz: 111.3 dB SPL
  • Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 113 dB(C) SPL
  • Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair): 100 dB(C) SPL (full range) 107 dB(C) SPL (with subwoofer)
  • Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single/pair): 93/99 dB(C) SPL (full range) 94/100 dB(C) SPL (with subwoofer)
  • Woofer Class AB amplifier, continuous (peak) output power: 150 W (210 W), THD and noise <0.1% with deactivated limiter
  • Midrange Class AB amplifier, continuous (peak) output power: 70 W (90 W), THD and noise <0.1% with deactivated limiter
  • Tweeter Class AB amplifier, continuous (peak) output power: 70 W (90 W), THD and noise <0.1% with deactivated limiter
  • Controller design: analog, active
  • Crossover frequencies; crossover slope: 650 Hz, 2.0 kHz; 24 dB/oct., 4th order
  • Acoustical controls: Bass: 0, ˆ’2.5, ˆ’5, ˆ’7.5 dB, Low-mid: 0, ˆ’1.5, ˆ’3, ˆ’4.5 dB, Treble: +1, 0, ˆ’1, ˆ’2 dB
  • Protection circuitry: Excursion limiter: Low Peak limiter: Low Thermo limiter: Low, Mid, High Overheat protection: Amplifiers
  • Infrasonic filter frequency; slope: 15 Hz; 6 dB/oct.
  • Input type: XLR, electronically balanced
  • Impedance: depending on the position of the OUTPUT LEVEL switch:114 dB SPL108 dB SPL100 dB SPL94 dB SPL20 kW10 kW20 kW10 kW
  • Input gain control (sensitivity)
  • Output level control: 94, 100, 108, 114 dB SPL
  • CMRR: > 56 dB, 100 Hz to 15 kHz
  • Maximum input level: 24 dBu
  • Power consumption (idle): 24W
  • Power consumption (full output AC) : 300W
  • Dimensions (W x H x D): 15 1/8" x 10" x 11 1/2"
  • Internal net volume/external volume : 16.2 l/28.3 l
  • Weight: 28lb. 11oz.
  • Drivers bass, midrange, treble: magnetically shielded210 mm (81/4"), 75 mm (3"), 25 mm (1")
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