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MF MD HG01 Acoustic Guitar Month 07-17-18

Solid State Logic XLogic Channel

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Product 180179
Product Price $0.00
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The XLogic Channel features identical DC-coupled SuperAnalogue processing as the legendary XL 9000 K Series console from which it is derived. This pr...Click To Read More About This Product

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The XLogic Channel features identical DC-coupled SuperAnalogue processing as the legendary XL 9000 K Series console from which it is derived. This provides a bandwidth greater than 192 kHz recorders and a dynamic range well beyond that of 24-bit A/D converters. This makes it the perfect accompaniment to any high-quality recording equipment.

FEATURES
  • SuperAnalogue pre-amplifier with switched gain for easy reset
  • Twin-Curve Dynamics with selectable RMS or peak sensing
  • High- and low-pass filters, with routing into the dynamics sidechain
  • G Series and E Series Twin Curve EQ
  • Optional high quality SSL A/D convertor
  • Superb SuperAnalogue specification
SPECIFICATIONS
Physical
  • Depth:
  • 325mm/12.8" not including heatsink
  • 365mm/14.3" including heatsink
  • 400mm/15.75" including connectors
  • Height: 44.5mm/1.75" (1 RU)
  • Width: 480mm/19"
  • Weight: 4.1kg/9 pounds
  • Power: 22 Watts/30 VA
  • * All values are approximate
Environmental
  • Temperature
  • Operating: +5 to 30C
  • Non-operating: ”20 to 50C
  • Max. gradient: 15C/hour
  • Relative Humidity
  • Operating: 20 to 80%
  • Non-operating: 5 to 90%
  • Max. wet bulb: 29C (non-condensing)
  • Vibration
  • Operating: < 0.2 G (3 ” 100Hz)
    Non-operating, power off: < 0.4 G (3 ” 100Hz)
  • Shock
  • Operating: < 2 G (10ms max.)
    Non-operating: < 10 G (10ms max.)
  • Altitude
  • Operating: 0 to 3000m (above sea level)
  • Non-operating: 0 to 12000m
EQ
  • HF Band controls:
  • Frequency: Variable from 1.5kHz to 22kHz
  • Gain: Variable between ±20dB
  • 'Q': 2.5 (on 'BELL' setting)
  • HMF Band controls:
  • Frequency: Variable from 600Hz to 7kHz
  • Gain: Variable by > ±20dB
  • 'Q': Variable from 0.5 to 2.5 (may also vary with gain)
  • LMF Band controls:
  • Frequency: Variable from 200Hz to 2.5kHz
  • Gain: Variable by > ±20dB
  • 'Q': Variable from 0.5 to 2.5 (may also vary with gain)
  • LF Band controls:
  • Frequency: Variable from 40Hz to 600Hz
  • Gain: Variable between ±16.5dB
  • 'Q': 2.5 (on 'BELL' setting)
  • Filter controls:
  • Low Pass: 3kHz to 50kHz (”3dB Point) @ 12dB/Octave
  • High Pass: 20Hz to 500Hz (”3dB Point) @ 18dB/Octave
Channel Dynamics
    Compressor/Limiter
    • Controls:
    • Ratio (slope): Variable from 1 to infinity (limit)
    • Threshold: Variable from +10dB to ”30dB
    • Attack Time: Normally auto sensing, switchable to 1mSec
    • Release: Variable from 0.1 to 4 seconds
    Expander/Gate
    • Controls:
    • Range: Variable from 0 to 40dB
    • Threshold: Variable from ”30dB to +10dB
    • Attack Time: Normally auto-sensing, switchable to 150s
    • Hold Time: Variable from 0 to 4 seconds
    • Release Time: Variable from 0.1 to 4 seconds
    Channel Microphone Amplifier Performance
    • Gain
    • Variable from +6dB to +72dB in 6dB steps
    • Independently switchable 18dB Pad available
    • Input Impedance: > 1.5k Ohms (or 8.45k Ohms with HI Z 'IN')
    • Output Headroom: > +26dBu at onset of clipping
    • THD + Noise < 0.003% at 1kHz
      (-10dBu applied, +30dB gain): < 0.005% at 10kHz
    • Frequency Response
    • +0.05dB/-0.1dB from 20Hz to 20kHz
    • ”3dB at 200kHz
    • Equivalent Input Noise:
    • < ”127dBu at maximum gain (input terminated with 150 Ohms)
      < ”90dBu at 0dB gain (+18dB with Pad 'IN')
    • Common Mode Rejection: > 75dB from 50Hz to 1kHz
    • (-10dBu applied, +30dB gain): > 70dB at 10kHz
    Channel Instrument Input Performance
    • Gain:
    • Variable from +6dB to +72dB in 6dB steps
    • Independently switchable 18dB Pad available
    • Input Impedance: 1M Ohms
    • Output Headroom: > +26dBu at onset of clipping
    • THD + Noise: < 0.003% at 1kHz
      (-10dBu applied, +30dB gain): < 0.005% at 10kHz
    • Frequency Response
    • +0.05dB/-0.1dB from 20Hz to 20kHz
    • ”3dB at 200kHz
    • Equivalent Input Noise < ”70dBu at +40dB gain
      (Input terminated with 150 Ohms): < ”89dBu at +20dB gain
    Channel Output Performance
    • Gain: Continuously variable from -20dB to +20dB with indent at 0dB position
    • Output Impedance: < 40 Ohms
    Channel Equalizer Performance
    • THD + N: < 0.005% at +20dBu 1kHz
      < 0.007% at +20dBu 10kHz
    • Frequency Response: ±0.1dB from 20Hz to 20kHz
    • ”3dB at 200kHz
    • Output Headroom: > +26dBu at onset of clipping
    • Noise: < ”86dBu
    Channel Dynamics Performance
    • THD + N at +10dBu applied: < 0.01% at 1kHz
      THD + N (Fast Attack Mode) at+14dBu applied, input gain set to +6dB, Compressor Threshold set at ”20, Compressor Ratio adjusted to give +4dBu at Output, RMS sensing mode selected: < 0.3% at 1kHz
      THD + N (Fast Attack Mode) at+14dBu applied, input gain set to +6dB, Compressor Threshold set at ”20, Compressor Ratio adjusted to give +4dBu at Output, RMS sensing mode selected < 0.05% at 10kHz
      THD + N (Slow Attack Mode) at+14dBu applied, input gain set to +6dB, Compressor Threshold set at ”20, Compressor Ratio adjusted to give +4dBu at Output, RMS sensing mode selected < 0.03% at 1kHz
      THD + N (Slow Attack Mode) at+14dBu applied, input gain set to +6dB, Compressor Threshold set at ”20, Compressor Ratio adjusted to give +4dBu at Output, RMS sensing mode selected < 0.05% at 10kHz
      Output Headroom: > +26dBu at onset of clipping
    • Frequency Response ±0.2dB from 20Hz to 20kHz
    • ”3dB at 130kHz
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