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MF MD HG July 4th CouponExtended 07-01-15
Price Drop
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150613 000000000

DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching   

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The DigiTech RP1000 guitar pedal is loaded with over 160 effects and 200 presets giving you a splendid range of tones. With an integrated effects swi...Read More

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  • MSRP:
    $699.95
  • Your Savings:
    - $400.00
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  • New Price:
    $29995.00

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See All DigiTech Floor Guitar Effects
OVERVIEW

Digitech's Integrated Effects Switching System takes multi effects to a whole new level.

The DigiTech RP1000 guitar pedal is loaded with over 160 effects and 200 presets giving you a splendid range of tones. With an integrated effects switching system, no longer will you have to do the pedal tap dance-just select your preset and your tone is engaged, just the way you like it. This DigiTech pedal comes with a built-in phrase looper with 20 seconds of record time. You can also route external effects pedals through it using the stompbox loop.

Your Amp

The Digitech RP1000 comes with an Amp/Cabinet bypass switch that allows you to turn off the RP1000's internal amplifiers and cabinets so your amp's tone stands alone.

Simplicity of a Guitar Pedal

Popular on the Digitech RP500, the RP1000 multi-effects pedal also features the Pedalboard Mode that turns footswitches 6 through 10 into stompbox-style effect on/off controls.

100 different Pedalboards

When the Amp/Cabinet Bypass is used in conjunction with the Pedalboard mode, the RP1000 turns into 100 different pedalboards. You get instant access to both preset changes and stompbox on/off control-truly the best of both worlds.

The DigiTech RP1000 pedal is built like a tank from a cast-metal chassis to the 14 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by a built-in expression pedal to control wahs, volume, whammy, and other parameters.

Your sound is king; the control of your sound is imperative. The RP1000 pedal gives you added control to express yourself the way you want-no longer will the lack of control stand in the way of your expression.

Choose from the extensive list of guitar effects including:

Guitar Pedals:

Compressor / Sustainers based on:

Boss CS-2Compressor / Sustainer
DigiTech Main Squeeze Compressor
MXR Dynacomp;
Wah / Volume based on:

Dunlop Cry Baby Wah
DigiTech Full Range Wah
Vox Clyde McCoy Wah
Volume Pedal
Distortions & Overdrives based on:

SCREAMER (Ibanez TS-9)
TS 808 (Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Voodoo Lab Sparkle Drive)
OD OVERDRIVE (Guyatone Overdrive OD-2)
DOD 250 (DOD 250 Overdrive/Preamp)
RODENT (Pro Co RAT)
MX DISTORTION (MXR Distortion +)
DS (Boss DS-1 Distortion)
GRUNGE (DigiTech Grunge)
ZONE (Boss MT-2 Metal Zone)
DigiTech Death Metal
GONKULATOR (DOD Gonkulator Ring Modulator)
8TAVIA (Roger Mayer Octavia)
FUZZLATOR (Demeter Fuzzulator)
CLASSIC FUZZ (DOD Classic Fuzz)
FUZZY FACE (Arbiter Fuzz Face)
BIG PI (Electro-Harmonix Big Muff Pi)
DigiTech Redline Overdrive

Amplifiers & Acoustics:

57 CHAMP ('57 Fender Tweed Champ)
57 DELUXE ('57 Fender Tweed Deluxe)
59 BASSMAN ('59 Fender Tweed Bassman)
62 BROWN BASSMAN ('62 Fender Brownface Bassman)
65 TWIN REVERB ('65 Fender Blackface Twin Reverb)
65 REVERB ('65 Fender Blackface Deluxe Reverb)
65 JTM-45 ('65 Marshall JTM-45)
68 SUPER LEAD PLEXI ('68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL ('68 Marshall Jump Panel)
77 MASTER VOLUME ('77 Marshall Master Volume)
83 JCM800 ('83 Marshall JCM800)
93 JCM900 ('93 Marshall JCM900)
01 JCM2000 ('01 Marshall JCM2000 (Solo Channel)
62 AC15 ('62 Vox AC15)
63 AC30 TOP BOOST ('63 Vox AC30 Top Boost)
69 HIGH WATTAGE ('69 Hiwatt Custom 100 DR103)
81 MARK IIC ('81 Mesa Boogie Mark II C)
01 DUAL RECTIFIED ('01 Mesa Boogie Dual Rectifier)
99 LEGACY VL-100 (Carvin Legacy VL-100)
96 MATCH HC-30 ('96 MatchlessTM HC30)
88 SLO-100 ('88 Soldano SLO-100)
Gibson GA-40
Peavey 5150 II
Roland JC-120
Sunn 100S
Randall HT-100
DigiTech Solo
DigiTech Metal
DigiTech Bright Clean
DigiTech Chunk
DigiTech 2101 Clean Tube
DigiTech Crunch
DigiTech Blues
DigiTech Fuzz
DigiTech Spank
DigiTech High Gain
DIGITECH MONSTER - Maxed-out gain
DIGITECH "TWEEDFACE"-Tweed preamp w/Blackface poweramp
DIGITECH "65 Blackface Bassman"-'65 Blackface preamp w/ Bassman poweramp
DIGITECH STONERROCK-Thick, sludgy distorted amp tone
DIGITECH DARKMETAL-Responsive, tight metal tone
DIGITECH TRANSISTOR-Solid state transistor amp sound
DIGITECH BROWNSOUND-Hot rodded 80's stack tone
DIGITECH MOSH-Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC

Cabinets:

CHAMP 1X8 (1x8 '57 Fender Tweed Champ)
DELUXE 1X12 (1x12 '57 Fender Tweed Deluxe)
DELUXE REVERB 1X12 (1x12 '65 Fender Blackface Deluxe Reverb)
BRITISH 1X12 (1x12 '62 Vox AC15 w/20W Vox Speaker)
BLONDE 2X12 (2x12 '57 Fender Blonde Bassman)
TWIN 2X12 (2x12 '65 Fender Blackface Twin Reverb)
BRITISH 2X12 (2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs)
BASSMAN 4X10 (4x10 '59 Fender Tweed Bassman )
BRITISH 4X12 (4x12 Marshall 1969 Straight w/ Celestion G12-T70)
GREENBACK 4X12 (4x12 Marshall 1969 Slant w/ Celestion 25W Green backs)
FANE 4X12 (4x12 Hiwatt Custom w/ Fane Speakers)
BOUTIQUE 4X12 (4x12 '96 VHT Slant w/ Celestion Vintage 30's)
VINTAGE 4X12 (4x12 Johnson Straight w/ Celestion Vintage 30's)
4X12 4x12 DigiTech Solo
2X12 2x12 DigiTech Bright
4X12 4x12 DigiTech Metal
4X12 4x12 DigiTech Rock
4X12 4x12 DigiTech Alt Rock
4X12 4x12 DigiTech Vintage
4x12 DigiTech Chunk
4x12 DigiTech Spank
4x12 DigiTech Speaker Compensation
DIRECT No cabinet model

FX Models:
Chorus Stompbox Models based on:
Boss CE-2 Chorus
DigiTech Dual Chorus
DigiTech Multi-Chorus
TC Electronics Chorus
DIGITECH GLISTENING Chorus
Flanger Models based on:
MXR Flanger
DigiTech Triggered Flanger
Electro Harmonix Electric Mistress
ADA Flanger
Phaser Models based on:
MXR Phase 100
DigiTech Phaser
Electro Harmonix Small Stone
Pitch Models based on:
DigiTech Whammy
DigiTech Pitch Shift
DigiTech Detune
DigiTech IPS
Boss OC-2 Octaver
Vibrato / Rotary Models based on:
DigiTech Vibrato
DigiTech Rotary
DigiTech Vibro / Pan
Unicord UniVibe
Tremolo Models based on:
DigiTech Tremolo
DigiTech Panner
Fender Opto Tremolo
Vox Bias Tremolo
DigiTech Scattertrem-Dual tremolo effect
Envelope / Special Models based on:
DOD FX25 Envelope Filter
DigiTech Auto Yah
DigiTech YaYa
DigiTech Synth Talk
DigiTech Step Filter
DigiTech Sample & Hold

Delays:

Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
Reverse Delay
DM Analog Delay - based on Boss DM2 Analog Delay
Echo Plex - based on Maestro EP-1 Tube Echoplex

Reverbs based on:
Lexicon Ambience
Lexicon Hall
Lexicon Room
Lexicon Studio
EMT Plate - based on EMT 240 Plate Reverb
Spring - based on Fender Twin Reverb

*Other product names modeled in the DigiTech RP1000 are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.

FEATURES
  • Effect switching system offers control over external & internal stompboxes and effects
  • Exclusive Pedalboard Mode provides on/off and realtime control to any five RP1000 effects or parameters
  • Amp/Cabinet Bypass defeats internal amplifiers and cabinets in all presets
  • Built-in Phrase Looper
  • Built-in expression pedal controls the Digitech RP1000's Whammy, wahs, volume, and other parameters
  • Built-in chromatic tuner
  • Switchable Stompbox Loop for control of external stompboxes and effects
  • Switchable Amp Loop to retain your amp's tone
  • 40 Tone and 40 Effects Libraries
  • 200 presets (100 factory, 100 user)
  • Over 160 effects including stompboxes, choruses, delays, amps, and cabinets
  • Up to 5 seconds of delay time
  • 24-bit/44.1kHz sample rate
  • All-metal construction
  • Heavy-duty metal switches for stompbox response
  • Bright LEDs display program status and effect on/off
  • Large 10-character LED display for preset name, bank name, and tuner
  • Independent 1/4" L/R outputs
  • Independent XLR L/R outputs with ground lift
  • Amp/Mixer switch optimizes 1/4" outputs for amp or direct-to-mixer connections
  • Stereo 1/8" headphone output
  • Cubase LE4 music production software included
  • Downloadable X-Edit librarian software
  • 2 x 2 USB audio streaming
  • Power supply included

Push your tone beyond its limits—step up to the RP1000 and order now.

Reviews
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Review Snapshot®

by PowerReviews
DigiTechRP1000 Guitar Multi Effects Pedal with Integrated Switching
 
4.5

(based on 63 reviews)

Ratings Distribution

  • 5 Stars

     

    (44)

  • 4 Stars

     

    (10)

  • 3 Stars

     

    (6)

  • 2 Stars

     

    (1)

  • 1 Stars

     

    (2)

100%

of respondents would recommend this to a friend.

Pros

  • Good selection of effects (13)
  • Excellent sound quality (11)
  • Responsive (9)
  • Versatile (9)
  • Compact (8)

Cons

No Cons

Best Uses

  • Performances (12)
  • Amateur recording (8)
  • Home studio (8)
  • Outdoor events / games (8)
  • Professional recording (7)
    • Reviewer Profile:
    • Experienced (9), Professional musician (4)

Most Liked Positive Review

 

A tank.

I've been playing professionally for over 30 years, as well as being a recording engineer & producer. I've always been from the school of "IT HAS TO HAVE TUBES". ...Read complete review

I've been playing professionally for over 30 years, as well as being a recording engineer & producer. I've always been from the school of "IT HAS TO HAVE TUBES". Well - I guess that has changed a bit. I had various old foot pedals that were wearing out, and I needed to replace them. After vomiting at the prices of most of the things I needed, I did a LOT of homework on this situation. I narrowed it down to the RP1000 and a couple of others.

I've got an old 1990 DigiTech DS4 that still works great, and it has been abused, thrashed, dropped, kicked, and there is no reason in the world that it should still work. It does. SO - I went with the RP1000 with that in mind.

After almost 2 years of using it now, it FAR exceeded my expectations. If you don't have to use 40 pedals at once as a crutch, then you are INSANE to go out and buy a boat load of pedals. Sure - some of the sounds are better than others, but you're DEAF if you can't find SOME that will easily fit your needs.

I never thought I'd record with it - certainly dirty guitar parts, but after tweaking with enough of 'em (the 5150 seems to be the best dirty amp model), there's just no reason to mic up all my other amps when I can just plug this thing in & go. Yeah - when recording, I still have to tweak dirty guitar parts with a 31 band EQ, but big deal. Most people cannot believe some of the sounds I'm getting out of a "BOX". And PS: I use a Boogie MkIIC+ live, so I'm pretty used to getting a good sound!

Yes - there is a little bit of a learning curve, but it's not as bad as you'd think. After you get used to it, it's a simple joy to use live...

Finally - the construction is pretty much entirely the opposite of what you'd expect most companies to make nowadays. You could run over this thing with a car, and the car would lose. Steel. Hardcore.

Probably the best four bill musical purchase my ancient butt has ever made. Believe me - after all my experience in the music world, I usually find something to hate about most every musical item that is man-made. Not the case here.

And no - I don't work for Digitech.

VS

Most Liked Negative Review

 

So Close!

I have been out buying expensive pedals, determined to get the combination of effects and amp tones I crave. Every multi-effects floor unit I've tried to date (name one - I own it...Read complete review

I have been out buying expensive pedals, determined to get the combination of effects and amp tones I crave. Every multi-effects floor unit I've tried to date (name one - I own it or have owned it except this one) always falls short in one or more ways - especially not being able to properly bypass the amp/cab modeling so you can truly use the sound of your own. Line 6 fails miserably at this and so do others. After I saw this unit and it's ability to let me use my Mesa Road King without the processing artifacts, use my must have floor effects and after reading all the positive reviews I was so pumped I almost bought it on the spot... until I saw it had no MIDI connections. What a disappointment. Why do these companies tout that their floor processers are built with the performing musician in mind and then take away such a critical item that many of us need? I have some effects (such as an Eventide Pitch Factor and a Midi controlled switching unit for amp controls) that I need a midi signal from the unit to control these when a preset is switched. SO CLOSE!! Digitech recognized a need that we've all been crying about but took away such an important feature in return! This is their flagship floor processor for pete's sake! I know not everyone needs Midi, but with it, you can have a sequencer like Abelton Live switch your presets for you if you perform in that manner. So many are now a days because full band jobs aren't paying the bills too well. For those who don't think they'll ever need to switch any presets on any other processor, then this unit is probably a 5 star on features. For those of us that do, I would say it's only 2 stars because this comes close to making this unit useless to us no matter how good it sounds.Bottom line is some people will feel that I'm being unfair due to all the capability they put in it. Maybe so... but someone has to be the wheel that squeek to get these manufacturers from cutting such obvious corners and then selling it as a complete performance solution.If these Multi-effect units are ever going to stop being a promise of a solution to our effects and switching nightmares, then they have to stop cutting these kind of corners.

Reviewed by 63 customers

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(1 of 2 customers found this review helpful)

 
4.0

Tone, Value and Versatility

By 

from Kentucky

About Me Experienced

Ask me a question

Pros

  • Compact Design
  • Excellent Sound Quality
  • Good Selection Of Effects
  • Responsive
  • Versatile

Cons

    Best Uses

    • Amateur Recording
    • Events
    • Home Studio
    • Performances
    • Professional Recording

    Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

    I've moved on to using individual pedals and a pedal board for my live rig but I still use this unit for practicing at home and some recording. It also serves as one half of my backup rig along with a Peavey Bandit 112 should my Peavey Delta Blues 115 or my pedal board fail. It's kind of funny how every time I think this little guy has outlived its usefulness I come up with a new way of programming it that fits right into what I'm doing at the time. The models and effects on this unit range from mediocre to excellent. If you're used to plugging straight into an amp that sounds really good and you don't like fiddling with knobs you're probably not going to like using the RP-1000. It takes time and patience to find the models and effects that work the best with your particular amp/rig and yes IMHO this particular multi effects unit does sound better plugged straight into the effects return of a guitar amp and yes it does alter the tone of your amp even when using the four cable method. That said I've played the RP-1000 though several different guitar and amp combinations (even some bass and keyboard) and I've always been able to find an amp model that fits my needs. The cab models are hit or miss and I rarely use them anymore but there was a time when I was playing through a horrible sounding 4X12 cab that they came in handy. This thing is a cover musician's dream and the ability to switch between patches and on-board effects as well as use external effects makes this unit all the more versatile. There is some latency when switching between patches but one thing I've found that helps with that is running an external pedal with a good buffer (I use a Visual Sound Garagetone Drivetrain OD)in the effects loop of the RP. There is still a slight hitch but it makes it much less noticeable. If there is one thing I hate about this unit it would be the wah-wah effects. They suck and even though you are supposed to be able to adjust the sensitivity of the on switch activated in the toe down position of the expression pedal the rubber stoppers on the pedal eventually wear down and make it very difficult to avoid turning on the wah effect if the expression pedal is anywhere near the toe down position. I would prefer to be able to disable the wah effect on this unit altogether but I haven't been able to figure out how to do that if it's even possible. I've never been able to get the harmonizer to work on mine either but I've heard that it works on some units and not on others but since I never use that effect it's never bothered me. In my opinion the amp models are where its at on this unit and the simplicity of programming. I can get 90% dead on the tone of my live rig the biggest drawback being that the models don't respond to the volume controls on my guitar as well as my pedals and amp. One more thing: That little switch in the back that says Amp/Mixer make sure it's on the mixer position. I've tried running it in amp mode on every amp I've played it through and it always sounds better on "Mixer". I was curious why it sounds so much better in the mixer position so I called Digitech and talked to one of their engineers. He said it was because running it in mixer mode engages a "high quality filter". I assume that means that it filters out the harsher frequencies and produces more even order harmonics like a good tube amp does. I love my all analog pedals and my tube amps but if I had to go back to playing the RP-1000 through a Peavey bandit I wouldn't feel bad about it at all and in some cases might even prefer it over my main live rig. The RP-1000 is built like a tank and is easy to transport in my Roadrunner pedal board gig-bag. At the current retail price I would buy it again in a heartbeat were it lost or stolen and a used Peavey bandit to boot and it would still cost less than my pedal board alone. Bottom Line: Great value and versatility for the working musician.

    Comment on this review

    (1 of 2 customers found this review helpful)

     
    2.0

    Amp simulations are weak

    By 

    from Undisclosed

    About Me Experienced

    Pros

    • Easy to use
    • Good Selection Of Effects
    • Sturdy

    Cons

    • Amp Simulations
    • Speaker Simulations

    Best Uses

    • Amateur Recording
    • Performances

    Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

    I have been playing guitar for 29 years and I use good sounding gear, including hand-wired all-tube amps and pro effects pedals.

    I bought the RP1000 based on reviews so it's ironic that I'm now writing a negative review. Keep in mind that all of my comments are regarding its use for direct to mixer/PA. I did not use it with a guitar amp.

    The amp and speaker simulations are pretty weak and do not sound realistic. There are only about three speaker cabs that are usable. In order to get half-way decent tones I had to cut treble (8kHz) using the built-in EQ to remove the "fizzy", fake sounding amp and speaker modeling tones.

    The effects like chorus, delay, reverb, etc. are pretty good and would probably work well with amps using an effects loop.

    I returned this and got a Line 6 POD HD500X, which sounds MUCH better for direct recording/PA use. It's amp and speaker simulations are very usable and sound great.

    Bottom line: If you're hoping to use this unit for direct recording or direct to PA, you're going to be disappointed. However, if you have a good amp and just want to use the effects, this could be a good choice.

    Comment on this review

    (1 of 1 customers found this review helpful)

     
    5.0

    I'm a Convert!

    By 

    from PA

    About Me Experienced

    Ask me a question

    Pros

    • Excellent Sound Quality
    • Good Selection Of Effects
    • Responsive
    • Versatile

    Cons

      Best Uses

      • Amateur Recording
      • Events
      • Home Studio
      • Performances

      Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

      The short review: If you play through an amp and/or have your own pedals you want to use in conjunction with an MFX unit, then the RP1000 is what you want. While other pedals (such as the Line 6 POD HD500) were built for going straight into a PA, the amp loop and stomp loop are great for integrating the RP into your existing rig. Great features, fantastic sound, and rock solid build quality make this unit highly recommended!

      Long Review: I'll break down my analysis by each set of effects. Just for reference, my rig is: PRS Tremonti SE/Fended FSR Strat --> RP1000 --> Way Huge Fat Sandwich (in stomp loop) --> EHX BigMuff Pi w/ Tone Wicker (in stomp loop) RP1000 Preamp --> Fender HRD (in amp loop) --> RP1000 PostFX --> MXR Carbon Copy --> HRD Power Amp In

      The compressors are really good. Honestly, I'd be fine with just the Dyna Comp model; but it's nice to have them all.

      Wah's are good but not great. They're just a little too treble-y on the toe end for my taste. I'm sure you could tweak it to a better sound, but I'm not really a wah guy so I let that sit.

      The amp sims are the high point of this unit. First off, if you're playing through an amp (as I do, a Fender HRD), TURN OFF THE CAB SIMS. I cannot stress this enough. It makes the amp sims really come to life. Fender sims are all really good and each have their own personality. The AC30 and AC15 sims are to die for, they really nail that chime-y tone. The Marshall sims are right on; you can get clean RHCP stuff all the way to driven madness and everything in between. The notable low point of the amp sims are the Mesa Rectifier models. These sims are pretty buzzy to my ears. All in all, the amp sims are fantastic and really set this unit apart from the pack.

      There's a flavor of distortion pedals for everyone in this unit. TS9, 808, Sparkle Drive, BigMuff, and they're all very well done. It takes some effort to pair the right drive with each amp model, but it's heaven once you get it. The drive models respond surprisingly well to changes in your guitar's volume knob.

      There's a huge selection of fx on tap, as well. Chorus, flange, phase, tremolo, vibrato, octaver, harmonizer, etc. Pretty much any weird noise you want to make can be made here. A lot of these effect are preset to pretty outrageous sounds, so I find that tweaking them down to more subtle levels yields really satisfying results.

      Delays are great, lots of options that are all controllable with the built in tap tempo. The only real weakness is that you can't stack more than one delay (for you ambient folks).

      Reverbs are pretty straightforward. Your choices are mostly lexicon reverbs, and they sound great. You can get anything from a tight, controlled sound to huge sounding hall reverb.

      To sum it up: the RP1000 is an absolute joy to have on my rig. I can nail cover tune sounds like never before, and I have tons more options when trying to write stuff. I can't see myself going back to a big board of individual pedals anytime soon.

      Comment on this review

       
      5.0

      Get it..Just do it

      By 

      from New Iberia- Louisiana

      About Me Experienced

      Pros

      • Excellent Sound Quality
      • Good Selection Of Effects
      • Responsive
      • Versatile

      Cons

        Best Uses

        • Performances
        • Professional Recording

        Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

        I honestly do not regret buying this pedal. I got it over a year ago and after hours and hours of sitting down with it and my amp, I got the sound I was looking for. I have a Fender FM 100H cabinet amp, and I would not change my set up, not even for a mesa. Long story short, just get the pedal. It has a noisegate, basically 3 eq's (if you include your amp), and tons of effects. I play alternative metal music (Sevendust, Killswitch Engage, etc.) and from cleans to beefy full distortion sounds this pedal kicks.

        Comment on this review

        (0 of 1 customers found this review helpful)

         
        5.0

        BEST GUITAR MULTI EFFECTS PEDAL

        By 

        from Houston, TX

        About Me Professional Musician

        Ask me a question

        Verified Reviewer

        Pros

        • Compact Design
        • Excellent Sound Quality
        • Good Selection Of Effects
        • Responsive
        • Versatile

        Cons

          Best Uses

          • Amateur Recording
          • Events
          • Home Studio
          • Mobile DJ
          • Performances
          • Professional Recording

          Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

          this is the best guitar multi guitar effect pedal for the money. have alot of great distortion sound. check out my video.

          Comment on this review

          (3 of 3 customers found this review helpful)

           
          4.0

          One of the best

          By 

          from Florida, USA

          About Me Experienced

          Ask me a question

          Verified Buyer

          Pros

          • Compact Design
          • Excellent Sound Quality
          • Good Selection Of Effects
          • Versatile

          Cons

            Best Uses

            • Amateur Recording
            • Events
            • Home Studio
            • Performances

            Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

            The RP1000 provides nearly all the FX you would normally need and the switching system to access them. Right out of the box you have useable sounds; good tone and good FX w/o being overloaded with wacky ones. I use the 5 patch/5 FX mode, works awesome. As with any "moddeller", don't expect the amp models to be the exact amp. The 5150 is very good, but not exactly 5150. The vintage Marshall models might leave you disappointed. But you can find very usable tones. In fact, we used the 5150 factory preset DIRECT TO DAW (unedited) in a scratch track and ended up using it for most of the final guitar tracks. AWESOME! I just got done ditching the POD HD500 and could not have been happier with that desicion! POD often needs fought with and coaxed, it's no secret. Use the RP1000 right out the box. Like many users, I use the "4 cable method" with my JSX 2x12 combo, and it works great. There are several volume adjustment you will need to be careful about, but once you get it it's absolutely seemless. Feels like a professional custom FX system. The USB XEdit software work well, though a tad bit "clumsy". You get used to it- it's nice to see your whole layout on a big screen and some editing can only be done from here.

            CONS? Many have been mentioned. No MIDI, no amp channel switcher. The volume pedal is very tricky on the downward side...there's very little warning you are going into wah/FX mode with it. I am thinking about putting some rubber feat right where it switches modes. Some effects cannot be used at the same time. WOuld be nice to be able to combine two or more FX control with one footswitch. The distortion pedal models seem very generic and limited. I too noted a slight "warble" in the pitch shift programs. The looper function works fine, imho. No trouble starting or stopping and no space if done correctly.

            The RP1000 is a joy to have and use. Even with it's limitations it is by far one of the best and easiets to use floor modelers. I wish I hadn't waited so long to bring it in.

            BTW, I might mention that I purchased this as a "used" item from MF. It came with a decent discount, but arrived BRAND NEW. Eveerything was new wrapped and I had to assemble the power plug. Once again, thanks Musician's Friend for great product and great service!

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            (3 of 3 customers found this review helpful)

             
            4.0

            Played them all and this is very good

            By 

            from Cleveland, the Rock Capital of the World

            About Me Experienced

            Verified Buyer

            Pros

            • Compact Design
            • Excellent Sound Quality
            • Good Selection Of Effects
            • Jw

            Cons

            • Heaphone Jack Size

            Best Uses

            • Hookd Comp With Great Spk

            Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

            Big bank fos the buck, Easy to use. Good for recording without big amps and speakers. Also, sounds great hooked to computer with great speakers. aka JBl's, Audio EAngine5's etc.

            Comment on this review

            (6 of 6 customers found this review helpful)

             
            5.0

            Good Upgrade

            By 

            from La Jolla, CA

            About Me Experienced

            Verified Buyer

            Pros

            • Excellent Sound Quality
            • Good Selection Of Effects
            • Great Presets

            Cons

            • Power Cord
            • Power Cord Short

            Best Uses

            • Events
            • Performances

            Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

            Former user of RP6 multi effects board. It lasted 15 years until puppy urinated on it. These last well. This is a excellent upgrade. Better Clean presets sounds menu (about 7) with just right touch of chorus, reverb and delay. Jazz tone amazing spot on preset. Blues menu of tones is great for my Carvin electric guitar. I found the distortion sounds were chunky, deep, and "Metal Clean" is perfect. Solo Dude preset #26 ..hit a note the sustain sings for about 7 seconds without any volume loss/fade. Amazing to hold notes so long. I liked that 5 button presets across the board maybe the transition from clean to distortion or Rhythm to Lead incredibly easy on the fly during performance. Tuner is very easy to see and spot on and does drop D tuning like a cinch. CD/AC tone spot on. SRV tone spot on. Rectifier tone, Marshall tone, Vox tone are so close to real. Surfer Fender tone spot on. Critical is that you run the pedal thru a good amplifier/good guitar.. I used it thru my B-52 AT 112 combo amplifier clean channel and set all my B-52 setting to about midlevel/ no reverb.. If your amplifier is a piece of junk it will work but not breathe with the headroom that the pedal has. I feel I have a Soldano, Rectifier, Marshall , and Fender all rolled into one. Wah's (multi) are better or = to all the lone WAH pedals out there. I can get rid of my chorus, delay, distortion, wah pedal, volume pedal and even looper. One clean space in front of my microphone. Bypass all of it to go straight into your amp is a cinch, but having the stomp loop to add a personal stomp pedal was great thinking in the design. The 60 or so presets are all you need and then adjust your guitar / amp volumes. Thrash metal tones great, The volume pedal/expression pedal is a excellent upgrade and seems to have the right heft and balance and smoothness to reach for a note amplify it scream it and then ease it back.
            You can range a chord's volume from barely there to a roar and back with a simple rock of your ankle on the expression pedal. Again great upgrade from RP6 model. I never was that good with wah and volume expression pedals, but this equipment made me sound better in that dept.

            Flaws: The power cord is like a wall wart stomp pedal cord. It works fine but is only 4 feet long, really thin and could pull out of pedal during a performance if you are a maniac. My Fender Strat (carvin pickup upgrades) was fine. I liked the sound of the Carvin humbuckers better but the board does allow you to have both guitars on stage and the performances will be easily discernable if you need a strat tone versus humbucker.
            Flaw #2 I also ran it with my Carvin Guitar thru a Fender Princeton 650 amp. It works fine but the distortion almost overwhelmed the speaker and it started to break up. Let's face it Fender amps are not going to have headroom like the B-52 or Marshall when it comes to distortion tones. Nevertheless the Fender tone with the pedal was still a blast and improvement compared to the preset built in effects that came with the amplifier. Using the clean presets thru the Fender was a great tone combo and the blues tones worked well too. Just not the heaviest metal. Not a fault of the Digitech RP1000, but more the problems with trying to make a Fender Princeton sound like a Marshall. Don't forget to get a good guitar cord like the Vox Class A Premium plus cables. I am a better sounding guitar player because of this equipment. Plus makes it more enjoyable to get all the tones so easy rather than being a dial twiddling fool like before.
            I have not used the editing functions much or the accompanying DVD or done any recording with it. Still they look easier than prior RP6 pedal.
            Flaw #3. I ran guitar thru RP 1000 and cord direct into my Carvin XP650 PA 8 channel system. The clean tones worked fine, not great. Still sounds like a upgrade from RP6 preset tones. The distortion tones sounded like mudd with the heavier tones. Why? Again this is a low budget PA system and while it handles my digital drum amazing and vocals pretty good, it does not have the speakers or equalization to handle intense guitar distorted bass tones. Still if your amplifier blows up, this will be a great backup amplifier in that emergency situation. Nice to go to a gig with a great PA system and get instant stereo without hauling your amp, but first check out the PA your plugging this RP 1000 into.

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            (3 of 3 customers found this review helpful)

             
            4.0

            Nice MFX to use alone or with amp

            By 

            from Florida, USA

            About Me Experienced

            Ask me a question

            Verified Buyer

            Pros

            • Compact Design
            • Excellent Sound Quality
            • Good Selection Of Effects
            • Responsive
            • Versatile

            Cons

              Best Uses

              • Performances

              Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

              Good sounds right out of the box, but always expect to tweak yourself for your rig. RP series is easy to do- I use a mix of XEdit software and on board controls. Set up patch sound(s) with software then tweak on the fly with onboard controls. The "4 cable method" works really great! You may not even need an amp footswitch, as it will automatically switch between your amp and the RP amps. The CC pedal is VERY sensitive and there's ZERO telltale when you switch from volume to wah. FX are a tad limited. If you want to use chorus and pitch shift no can do. Harmonizer is warbly.
              There's no one thing that is perfect, but there's a lot to like about the RP1000. It sits extremely well between a traditional stomp box pedal board and a case of rack effects. Yes, turn the cab sims off when going to your amp, but don't be afraid to use the amp sims like a pedal.

              Comment on this review

              (11 of 11 customers found this review helpful)

               
              5.0

              A tank.

              By 

              from Macon, GA

              About Me Professional Musician

              Pros

              • Compact Design
              • Excellent Sound Quality
              • Good Selection Of Effects
              • Responsive
              • Versatile

              Cons

                Best Uses

                • Amateur Recording
                • Events
                • Home Studio
                • Performances
                • Professional Recording

                Comments about DigiTech RP1000 Guitar Multi Effects Pedal with Integrated Switching:

                I've been playing professionally for over 30 years, as well as being a recording engineer & producer. I've always been from the school of "IT HAS TO HAVE TUBES". Well - I guess that has changed a bit. I had various old foot pedals that were wearing out, and I needed to replace them. After vomiting at the prices of most of the things I needed, I did a LOT of homework on this situation. I narrowed it down to the RP1000 and a couple of others.

                I've got an old 1990 DigiTech DS4 that still works great, and it has been abused, thrashed, dropped, kicked, and there is no reason in the world that it should still work. It does. SO - I went with the RP1000 with that in mind.

                After almost 2 years of using it now, it FAR exceeded my expectations. If you don't have to use 40 pedals at once as a crutch, then you are INSANE to go out and buy a boat load of pedals. Sure - some of the sounds are better than others, but you're DEAF if you can't find SOME that will easily fit your needs.

                I never thought I'd record with it - certainly dirty guitar parts, but after tweaking with enough of 'em (the 5150 seems to be the best dirty amp model), there's just no reason to mic up all my other amps when I can just plug this thing in & go. Yeah - when recording, I still have to tweak dirty guitar parts with a 31 band EQ, but big deal. Most people cannot believe some of the sounds I'm getting out of a "BOX". And PS: I use a Boogie MkIIC+ live, so I'm pretty used to getting a good sound!

                Yes - there is a little bit of a learning curve, but it's not as bad as you'd think. After you get used to it, it's a simple joy to use live...

                Finally - the construction is pretty much entirely the opposite of what you'd expect most companies to make nowadays. You could run over this thing with a car, and the car would lose. Steel. Hardcore.

                Probably the best four bill musical purchase my ancient butt has ever made. Believe me - after all my experience in the music world, I usually find something to hate about most every musical item that is man-made. Not the case here.

                And no - I don't work for Digitech.

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