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Disaster Transport SR Advanced Modulated Delay & Reverb Guitar Effects Pedal
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Two delays in one with so many tonal possibilities that might make your brain hurt.
In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport Sr.
Hand made one at a time in sunny Akron, Ohio USA.
Features
- Delay A Controls
- Time- Controls the delay time from about 30ms up to 600ms.
- Repeats- Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation. This can also be controlled via an expression pedal. The Moog EP-2 is recommended.
- Mix- Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.
- Depth- Controls the intensity of the modulation. From no modulation to all out seasick pitch bends.
- Rate- Controls the rate of the modulation. The LED for delay A flashes in time with the modulation to visually show where the rate is set.
- Bleed- This feeds delay A into delay B, post reverb (see block diagram for vi- sual explanation). Use this control for series or series/parallel operation to create rhythmic repeats, extra long delay time or an all out echo wash. This can also be controlled via an expression pedal. The Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on each delay line. Try using them in different settings, both together and individually, for different timing and textures.
- Delay B Controls
- Reverb- ontrols the amount of reverb added to the input of delay B.
- Mix- Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.
- Repeats- Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation.
- Time- Controls the delay time from about 30ms up to 300ms.
- Switching
- The switches for both delays switch the inputs only. The outputs are always connected. This allows you to have trails by always leaving the bypass switch engaged or to use the bypass switch as the master on/off for true bypass. Additionally, you can feed delay A in to delay B with the bleed control without having delay B switched on for a cleaner rhythmic delay.
Double the delay. Order now!
Disaster Transport SR Advanced Modulated Delay & Reverb Guitar Effects Pedal Specifications:
- Measures: 5.5³ x 4.5³ x 2.5³ with knobs.
- Power: A standard 9 DC power supply intended for musical instruments with a negative center 2.1mm barrel, 100ma minimum. We strongly recommend a high quality power supply with isolated outputs and good filtering to avoid unwanted noise. No battery Option.
- Free Standard Ground shipping (48 contiguous states, some overweight and Used/Vintage items excluded).
- Orders placed before 3 p.m. ET usually ship the same business day.
Every guitar or bass you purchase from Musician's Friend (electric or acoustic, New or Open Box) includes two years of protection from manufacturer defects.
Our Gear Advisers are available to guide you through your entire shopping experience. Call or Chat for expert advice and to hear the latest deals.