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MF MD HG01 New & Handpicked Amps and Effects 07-17-17
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Product 482196

Line 6 POD XT Pro Guitar Multi Effects Processor   

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An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning...Click To Read More About This Product

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OVERVIEW

The tone solution for top producers and artists.

An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loaded with 22 cab and 4 mic models, 49 stompbox and studio effects, and 36 programmable channels. Extensive I/O includes XLR and 1/4" analog outs plus AES/EBU, S/PDIF, and USB digital I/O for ultra-deep computer-based patch editing. The programmable stereo effects loop opens up myriad possibilities for live performance. It provides the best solution for achieving great tone without having to crank an amplifier.

FEATURES
  • 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp
  • 22 cabinet models
  • 49 stompbox and studio effects
  • 64 channel memories
  • AES/EBU, S/PDIF, and USB digital I/O allows use with pro audio editing software and computer-based patch editing
  • Full MIDI support
  • Chromatic tuner
  • Amp Models based on*:
  • Line 6 Clean
  • Line 6 JTS-45
  • Line 6 Class A
  • Line 6 Mood
  • Line 6 Spinal Puppet
  • Line 6 Chemical X
  • Line 6 Insane
  • Line 6 Piezacoustic 2
  • Budda 2001 Twinmaster
  • Fender 1953 Deluxe
  • Fender 1958 Bassman
  • Fender 1961 Champ
  • Fender 1964 Deluxe Reverb
  • Fender 1965 Twin Reverb
  • Gretsch 1960 6156
  • Hiwatt 1973 Custom 100
  • Marshall 1966 JTM-45
  • Marshall 1968 Super Lead
  • Marshall 1968 Jump Channel
  • Marshall 1968 Variac Plexi
  • Marshall 1987 JCM 800
  • Marshall 1996 JMP-1
  • Matchless 1996 Chieftain
  • Matchless 1993 DC-30
  • Mesa Boogie 2001 Dual Rectifier
  • Mesa Boogie Mark IIc+
  • Roland Jazz Chorus 120
  • Soldano 1993 SLO-100
  • Supro 1960's S6616
  • Vox 1961 AC-15
  • Vox 1967 AC-30TB
  • Tube Preamp
  • Effects based on*:
  • Compressor
  • Noise Gate
  • Fuzz Face
  • Big Muff Pi
  • Tube Screamer
  • ProCo Rat
  • Octavia
  • CS-1 Comp/Sustainer
  • Dynacomp
  • Vetta Comp
  • Auto Swell
  • Mutron III
  • Line 6 Sine Chorus
  • CE-1 Chorus Ensemble
  • Line 6 Flanger
  • A/DA Flanger
  • MXR Phase 90
  • Opto Tremolo model from the 1965 Fender Deluxe Reverb
  • Bias Tremolo model from 1960 Vox AC-15
  • Leslie 145
  • Auto-pan
  • Boss DM-2
  • Deluxe Memory Man
  • EP-1 Tube Echoplex
  • Roland RE-101 Space Echo
  • Sweep Echo
  • Line 6 Digital Delay
  • Line 6 Stereo Delay
  • Ping Pong Delay
  • Reverse Delay
  • Fender Deluxe Spring Reverb
  • Fender Twin Spring Reverb
  • King Spring Reverb
  • Small Room Reverb
  • Tiled Room Reverb
  • Brite Room Reverb
  • Dark Hall Reverb
  • Medium Hall Reverb
  • Large Hall Reverb
  • Rich Chamber Reverb
  • Chamber Reverb
  • Cavernous Reverb
  • Slap Plate Reverb
  • Vintage Plate Reverb
  • Large Plate Reverb
  • Wah modeled after the Vox Wah
  • Volume (Pre- or Post-Amp Routing options)
  • Cab and Mic Models based on *
  • 6x9 Supro S6616
  • 1x8 1961 Fender Tweed Champ
  • 1x10 Gibson
  • 1x10 Gretsch 6156
  • 1x12 Line 6
  • 1x12 1953 Fender Tweed Deluxe
  • 1x12 1964 Fender Blackface Deluxe
  • 1x12 1960 Vox AC-15
  • 2x2 Fender Mini Twin
  • 2x12 Line 6
  • 2x12 1965 Fender Blackface Twin
  • 2x12 1995 Matchless Chieftain
  • 2x12 Roland JC-120
  • 2x12 1967 Vox AC-30
  • 4x10 Line 6
  • 4x10 1959 Fender Bassman
  • 4x12 Line 6
  • 4x12 1967 Marshall Basketweave with Greenbacks
  • 4x12 1968 Marshall Basketweave with Greenbacks
  • 4x12 1978 Marshall with stock 70s
  • 4x12 1996 Marshall with Vintage 30s
  • 4x12 Mesa Boogie
  • Shure SM-57
  • Shure SM-57 Off Axis
  • Sennheiser MD-421
  • Neumann U-67
  • Editing Tools:
  • Comp (Gate)
  • COMPRESSOR (Studio Compressor and Noise Gate)
  • Stomp
  • STOMPBOXES (Fuzz, Overdrive, Distortion, pedal Compressor, Auto-Swell, Auto-Wah)
  • Mod
  • MODULATION (Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe effects)
  • Delay
  • DELAY (Analog, Tape, Multi-Head, Sweep Echo, Digital, Stereo, Ping-Pong, Reverse delays)
  • plus REVERB (Spring, Room, Hall, Chamber, Plate, Cavern)
  • I/O:
  • 24-bit A/D and D/A Converters
  • MIDI In, Out/Thru
  • RJ-45 Foot Controller Connector
  • USB Connector for Digital I/O
  • Headphone Output
  • Guitar Input
  • 24-bit/96k digital ins and outs (AES/EBU & S/PDIF)
  • TRS Line Input and Unprocessed Guitar Output
  • Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv)
  • Stereo 1/4 inch -10dBv outputs
  • Stereo Programmable Effects Loop (Series or Parallel)
  •  
  •  
  • * Line 6, POD, and Vetta are trademarks of Line 6, Inc. All other product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development.
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Take a quantum leap in your access to killer tones and effects in a unit many pros consider an indispensable studio tool. Order today!

Reviews
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Review Snapshot

by PowerReviews
 
4.5

(based on 31 reviews)

Ratings Distribution

  • 5 Stars

     

    (22)

  • 4 Stars

     

    (5)

  • 3 Stars

     

    (2)

  • 2 Stars

     

    (1)

  • 1 Stars

     

    (1)

Most Liked Positive Review

 

Swiss Army Utility Guitar Effects

I have a well furnished project studio and was pretty excited about adding this to the arsenal. I have the older Flextone II HD (but there is very little relation to this technology)so...Read complete review

I have a well furnished project studio and was pretty excited about adding this to the arsenal. I have the older Flextone II HD (but there is very little relation to this technology)so I am not new to the modeling per se.>The unit is very well built, professional, and seems very solid and functional software wise. The control layout is logical, and easy to learn. Snap!>Do what I did: download 'n pre-read the manual, get on the website and schmooze thru it. It pays off. I was up and running inside of 10 mins.>First was go into manual mode and check the unit for good pre-amp functions = excellent. I really like the sound quality and it functions quite well as a straight preamp with all the bells and whistles to DI, and jump into the virtual world with all the midi, clocking, usb, spdif/Aes/EBU functions. I love that!>After 30 mins I am completely convinced that I don't want to play a guitar thru an amp without it. The amp sims are pretty good. They don't give you the 'full' range on the models but rather a 'selection' of the sound they are named for that is most famous. Set your amps for as flat an EQ as possible to see. It is like dialing in a kalaidiscope of possibilities. It was surprising to hear an uncanny JC-120 sound coming from my Marshall tube head for instance. Very, very recognizable, and you don't have to crank your heads to get a good tone anymore.>On cheap, small practice amps, this thing really shines. It makes my small practice Marshall MG sound good (well almost).>About 10 hours into it I have covered about everything there is now and feel pretty competent to program and tweak live even. Tweak all you want. The possibilites are pretty much endless, and the user forum is really great to trade tones too. Speaking of that; the software is really a no-brainer and is really easy to use. There is almost no learning code involved to get up on that provided the user has basic computer skills. I suspect most users will utilize the box thru this GUI. The front panel controls are not as intuitive but still pretty easy to pick-up with a bit of study in short order.>I knock down the value a bit due to the hefty price. It is really a good value for what (all) it does. You will really want to get a foot controller for it. That's pretty much an obligation, and that is really obscenly priced too.>Overall-an excellent get. I would have to recommend it. I say to you beg, borrow, or steal (Well maybe that's going too far) to get one any way you can.

VS

Most Liked Negative Review

 

An onstage nightmare

I am so sad to be writing this review. I bought the podxt pro and shortboard last week and was more exited about it than about any piece of gear I've bought. I play...Read complete review

I am so sad to be writing this review. I bought the podxt pro and shortboard last week and was more exited about it than about any piece of gear I've bought. I play for a living and go from flamenco guitar to greek bouzouki to electric guitar. And this unit had everything. I could run everything through it. I spent the week programing and tweeking. Got all the levels set, amp models, effects blah, blah, blah. Did this all on a PA at home so I would know what it would do. I was totally happy with the sounds. Played at a theater this Saturday(used left and right analog xlr outs straight to PA)and walked right into the gates of hell. My levels went up and down constantly, not between channels, but even on the same ones. I would click on a preset that I spent hours on and had triple checked and it was giving me effects and verbs I never programmed. Crazy flange on my solo channels and a totally different verb on my flamenco channel. More verb than signal. I couldn't hear ****. My sound man was freaking. I was freaking(and I've been around, I can deal with about anything on stage). I'm on stage for a sit down theater show looking like a punk ass 15 year old with new gear and not a clue. So here is my point. I can't even consider trying to find out what is wrong with it, because I play for a living. It doesn't matter what caused it, I can never trust it again. So I have to send back the unit that I thought was the gear of my dreams. I am so bummed. I can't imagine ever buying a piece of gear from this company again.

Reviewed by 31 customers

Displaying reviews 1-10

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(1 of 1 customers found this review helpful)

 
1.0

An onstage nightmare

By elcomanche

from Undisclosed

I am so sad to be writing this review. I bought the podxt pro and shortboard last week and was more exited about it than about any piece of gear I've bought. I play for a living and go from flamenco guitar to greek bouzouki to electric guitar. And this unit had everything. I could run everything through it. I spent the week programing and tweeking. Got all the levels set, amp models, effects blah, blah, blah. Did this all on a PA at home so I would know what it would do. I was totally happy with the sounds. Played at a theater this Saturday(used left and right analog xlr outs straight to PA)and walked right into the gates of hell. My levels went up and down constantly, not between channels, but even on the same ones. I would click on a preset that I spent hours on and had triple checked and it was giving me effects and verbs I never programmed. Crazy flange on my solo channels and a totally different verb on my flamenco channel. More verb than signal. I couldn't hear ****. My sound man was freaking. I was freaking(and I've been around, I can deal with about anything on stage). I'm on stage for a sit down theater show looking like a punk ass 15 year old with new gear and not a clue. So here is my point. I can't even consider trying to find out what is wrong with it, because I play for a living. It doesn't matter what caused it, I can never trust it again. So I have to send back the unit that I thought was the gear of my dreams. I am so bummed. I can't imagine ever buying a piece of gear from this company again.

 
5.0

tone heaven

By Flying V King

from kenosha wi

I truely enjoy this product easy to use no pokeing and hopeing. I used to think the best tone came from a marshall on 10 well u can get that sound on the pod even if u have a sleeping child in the house. a 10+ product in my opinion!!!!!!!!!

 
5.0

Love it Live with it own it have (2)

By Victor T

from Princeton Jct, NJ

See all my reviews

I think if you play in and out of a studio and have mutiple sounds needs and you want to sound awsome and dont watnt to carry a truck load of gear and you have less than 1000.00 to sound like a pro studio player then this is your one stop shop to the dream. You can tweek this unit to sound awsome live and in the studio. you can go from clean old fender stuff to all out Metallica and then to a clean tube pre amp for you classical or steal string. O and it only two rack spaces and less than 15 pounds. You can edit hooked up to you lap top or desk top with Mac or PC, I prefer Mac. Your gutiar and this is all you need to create and record like a pro and sound like on live and in the studio. get one you wont be disapointed. Don't be affraid of what this can do take the time and you can get the sounds that you hear in the real world.

(0 of 1 customers found this review helpful)

 
2.0

Get Something Else

By Galaxy13

from Dayton, OH

See all my reviews

I tried this product out and there were a number of issues. To begin with, I own a Line 6 Distortion Modeler and am quite pleased with it. The main problem I encountered was that I was unable to preserve the original tone that I had bought into with the modeler from the POD. I really love the modeler so I figured the POD would be a safe buy. Was I ever wrong. I ran into an oscillation when I struck registers between the 10th and 14th fret on high E and B (most notably fret 12). This was quite disgusting and was the main reason I sent it back. I also found that the POD generated a great deal of noise floor. With my distorion modeler, there is a built-in noise gate, and that allows me to turn my guitar volume all the way up with the distorion on and I get zero noise floor, so I know it's the POD. The noise gate on the POD did absolutely nothing to remedy this issue. I would recommend buying something else. The tones aren't bad but they are not at all customizable the way I would like them to be.

 
5.0

Does all that they say!

By Worknlate42

from Tallahassee, FL

See all my reviews

Seemless/instant switching between patches..wow. This will be handy in the studio and my live perfomances. Was a little expensive but a solid unit.

 
4.0

Pod XT in rack form nothing more?

By Line6lover

from The Moon.

See all my reviews

If the PODXT pro does not have the "2 amps at once feature" it is useless beside being in rack form.POD pro is 24bit/44.1k or 48k.The pod XT is the same accept it adds a 32bit float.The only thing making this being worth a damn would be 2 amps @ once, which doesnt look like it has the feature, and maybe the higher res.Also the addition of a digital out etc...No need to get the rack if you have the regular version unless you want it in your rack and need digital outs...

 
5.0

Great

By Alex-rvzFL

from indiana

Amazing! If you can make a real amp sound good, you can make this thing sound good. I heard a lot of people complain about this thing sucking, and once they heard our band live they changed their mind. Funny story on mine I run through a carvin dcm 1000 solid state power amp into twin avatar cabs, and a guy we played with using a 5150 told me that my guitar sounded amazing. (I was using the line 6 model of the 5150)Bottom line is, I love most everything about this I just hope they add some more cabs in the future models, output tube modeling, and tube bias adjustments would be outstanding as well.

 
3.0

Line Six PODxt Pro

By Brayton

from Fountain Valley, CA

See all my reviews

Wow. I had to call the factory to get a new EPROM chip to fix a huge tuner "pop" sound. They were very nice about it. Then the IEC power cord socket started giving me trouble (unit would not power up!). Had to find a "special" IEC power cord to get reliable connection!The limited combinations of multi-effects make this product borderline useful. BUt the amp modeling is quite good.Hard to justify the expense if I do it again.

 
5.0

Great product!!! Sounds 2-d though

By Gtrgod1127

from L.A., Ca.

Lots more options than the original and extremely versatile. Its sounds 2-d as opposed to 3-d though-but nothin beats the original amp. I'm really impressed by the control you have over every amp and effect. It's like having their delay modeler built in. I think the distortion models could be better although the Soldano amp kicks ass.

 
4.0

Incredible for recording!

By prsplayer830

from Central Illinois

See all my reviews

At first I felt that the POD XT Pro sounded horrible. Every sound was thin, harsh, and just pure garbage. But you have to try the different "what are you connecting to" settings, because they sound vastly different. I found that I get incredible rock and roll tone by using the "tube screamer" model with whatever amp model I happen to be using. Also I prefer the "SM 57 on axis" setting in most cases. Also I prefer the "4x12 1968 Greenbacks 25" cabinet model in most cases. Also I highly recommend tweaking using Guitar Port software with the unit hooked up to your computer via USB. IT IS SO MUCH EASIER THAT WAY! I'm not into trying to emulate amp sounds. I don't look for authentic amp modeling. I just want a great sound. I use this for recording and I get GREAT sounds! Juicy, lush, fat, full guitar tones!! I couldn't be happier. I installed the 3 model packs, and I'm totally glad I did. I love the effects - the choruses, the tape delays, analog delays, and digital delays. Reverse Delay is cool! The flangers. There's even a sort of cool synth sound. So... It took me a while.. but using Guitar Port to tweak really helped me easily find whatever sound I was looking for. I don't use it live though... but for recording.. I LOVE IT!

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