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Access Virus TI2 Desktop
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The Access Virus TI v2 is the second edition of this Desktop Total Integration Synthesizer, and it features 25% more calculating power and a complete...Read More
An advanced stage/standalone instrument with a suite of compelling studio integration features.
The Access Virus TI v2 is the second edition of this Desktop Total Integration Synthesizer, and it features 25% more calculating power and a completely redesigned housing. Like all members of The Virus TI platform, the Virus TI Desktop v2 synthesizer is the sublime fusion of a 12-year triathlon in sound research, distillation of user input, and the simple desire to create an exceptional music making instrument. Conceived as a virtual analog synthesizer, the Virus TI v2 grew into a multi-synthesis workstation which seamlessly integrates into your production environment using Access' unique Total Integration plug-in technology.
This second generation Virus TI platform features a wealth of inspiring oscillator models such as virtual analogue, hypersaw, wavetable, and graintable oscillators, along with several filter models and a new-to-the-line Character control for emulating the vibe of old analog gear. A ring shifter, several FM types, and a tape delay add the warm lo-fi sound featured so often in music today. The effects section delivers multiple, simultaneous effects including reverb and delay per part, ensuring your patches sound exactly the same in single and multi mode.
The concept of totally integrating a synthesizer, which essentially means streaming audio from the Virus TI into a plug-in hosted by your digital audio workstation, is certain to make some positive waves. Total Integration is Access' proprietary technology, which seamlessly links any Virus TI model and a computer to create a unified system consisting of a powerful hardware synth and a virtual instrument plug-in, which not only controls the Virus TI but also receives audio from it, in order to allow post-processing right inside your computer. This way you get the best of both worlds. Your Virus TI will calculate all the voices and effects and therefore makes the CPU of your computer available for other tasks. Since it is driven by the Virus Control plug-in, the timing (unlike normal MIDI and USB-MIDI timing) will be sample-accurate, and all sound data will be saved within the song or project. Virus Control also offers sophisticated editing capabilities, along with an easy-to-use librarian page to keep track of all your Virus TI patches. The Virus TI's analog input and outputs can also double as an audio interface, and the MIDI sockets can double as a MIDI interface.
As much as a craftsman depends on the quality of his tools in order to achieve exceptional results, you can rely on the Virus to impress your audience. That's because for the success of artists today, a stunning sonic signature is as important as the unforgettable melody, and the Virus TI line provides both.
- Sleek, charcoal-gray finish
- Red and white LEDs
- White display
- Wood rail on front
- I/O panel can be rotated for convenient rack-mounting
- 3 main oscillators and one sub oscillator per voice
- A main oscillator can comprise of various oscillator types including the classic virtual analog oscillators (saw, variable pulse, sine, triangle, 62 spectral waves with several FM modes) and hypersaw (a multi saw-tooth oscillator with up to 9 stacked oscillators, 9 sub-oscillators and sync oscillator at the same time)
- Wavetable oscillators with 100 multi-index wavetables, feature variable resolution and optional pulse-width modulation
- Graintable oscillators apply granular synthesis techniques for independent control of pitch and formants to warp a waveform beyond recognition
- Formant oscillators sound like running a signal through a massive, modulatable filter bank with hundreds of resonant bands being morphed by the wavetable index
- Two fully independent filters (lowpass, highpass, bandpass, bandstop) with an optional saturation module located in between both filter blocks
- The saturation module can add one of several distortions and lo-fi effects or an additional low/high-pass filter
- Optional self-resonating MoogT cascade filter simulation with circuit overload and 1-4 poles
- Two-dimensional modulation matrix with six slots (1 source and 3 modulation targets each)
- Every feasible parameter can be modulated in realtime
- 3 LFOs with additional hard-wired destinations along with one user-definable slot
- 2 lightning-fast, multi-stage envelopes (ADSTR) - LFOs can be used as ramp generators as well
- The FX section has independent delay and reverb per patch (even in multi mode), along with multiple distortion/lo-fi algorithms, phaser, chorus/flanger, character control, ring modulator/shifter, and EQ, plus a global vocoder
- There is no difference between single and multi modes”patches sound exactly the same
- Each patch contains it's own arpeggiator pattern feat. 32 programmable steps (length and velocity can be adjusted per step) along with a global control for swing/shuffle timing and one for note lengths
- Nearly every parameter including the pattern itself, the amount of octaves, and many more, can be controlled using the modulation matrix
- Surround sound output:
- Every part can be panned dynamically between two stereo outputs for quadraphonic effects
- Hardware controls:
- 32 knobs, 43 buttons, 73 LEDs
- Between 25 to 110 voices, depending on the complexity of the patch
- Estimates are based on single mode performance results may vary in multi mode
- Multi Mode:
- Multi programs can have fully-independent embedded singles, without the links to single banks required by most synths providing freedom from breaking other programs
- 1024 RAM and 3328 ROM sounds, 16 embedded multi patches along with 112 conventional multi slots, 16 parts in multi mode
- Remote Templates:
- Turn the Virus into a MIDI remote as the sound engine will still work independently
- 32 user-programmable templates to reassign most panel knobs controlling control 3rd party plug-ins and MIDI synthesizers
- Smooth parameter changes:
- Adaptive control-smoothing provides parameter changes with no zippering artifacts
- With knob quantize, a clock ratio is selected and parameter changes are updated at specified intervals only
- The result is sample-and-hold parameter movements, evocative of step sequencer sounds
- The unique DJ style audio slicer turns the Virus TI into an powerful realtime FX for DJ applications
- Virus Control is an VST/AU/RTAS compatible plug-in
Virus TI2 Desktop
6 balanced outputs (@ +4dB), backed by 192kHz/24-bit D/A converters with soft-limiting
Two inputs with 24-bit A/D
Dedicated headphone out
MIDI in, out, and thru
S/PDIF digital audio (44.1/48kHz) inputs & outputs
USB is used for MIDI and audio transmission (adding 3 additional stereo audio outputs) and works at 12Mb/s
Reviewed by 1 customer
Displaying review 1
- Great Midi Control
- Nice Modulation Abilities
- Unique Sounding
- Very Flexible
- Buggy And Unstable
- Buggy Unstable
- Weak Documentation
Comments about Access Virus TI2 Desktop:
Being a bit limited on space I opted for the desktop version; I would've gotten the TI Snow, but had concerns with polyphony and the limited panel layout (I'd rather program from the panel than use a computer editor).
First impressions as far as sound goes were really good. This thing makes some *massive* and out-of-this-world sounds! From your run of the mill filtered sawtooth pads to freaky sound effects, the TI is really flexible, mostly due to the crazy amount of modulation possibilities. Each voice has 3 osc's, a sub-osc and a noise osc, with variable Unison that's usable because of the high polyphony: this leads to some *fat*, thick sounding patches. Tons of waveforms/wavetables to choose from, very nice filtering options, several OSC types. Cool possibilities such as modulating the wavetable index with an LFO or envelope leads to some very unique sounding patches.
As far as the VST functionality goes, I did not have any issues using it, but to be honest, I'm not interested in that functionality very much. My limited testing using the VST (AU actually) in Logic 9 and X showed it to be quite usable. The OS updater works well, and patch editor/librarian seems nicely laid out and functional, and actually looks really good (a rarity).
Now the down sides: first off, for the asking price I feel the TI is not such a good value; had it been priced at 50%-75% of the current asking price, I would have a different opinion but, for what you get, it's really expensive considering the competition.
Another downside is the software/OS stability of the unit itself: it is very buggy and unstable. You will need to know where the Panic/all-notes-off key is at, because you'll be using it A LOT. Just programming it from the front panel, I repeatedly got a bunch of stuck notes, sometimes so bad that I had to power-cycle the unit. On average during programming a patch, I'll get a stuck note once every 5 minutes, and have to power cycle about once an hour. Save your work early and often!
The effects leave a bit to be desired as well. I would rate the reverb as average at best, with high marks for the many options available. The Phaser is very good, but the Chorus is below par. The delay is excellent, as are the distortions and the EQ. I was expecting to hear top-notch effects across the board seeing as this thing has serious DSP power and digital effects have been around for literally decades, yet I was really not impressed at all. Overall, I'd rate the effects as a solid average and therefore disappointing.
The documentation is average-to-poor as well, and glosses over a lot of important information. While the included "how-to" synthesis PDF manual was a really nice inclusion for beginners and those unfamiliar w/the Virus, it is somewhat outdated and refers to patches not even loaded on the unit. Very hit-or-miss. No, the docs are not as atrocious as Roland documentation, but they're nowhere near the level of what Korg typically provides.
In conclusion, the great sound and flexibility of the Virus TI desktop unit is seriously marred by it's buggyness, unstable OS, average effects, and pricing. I buy hardware synths because I want to turn a unit on and just play or program the thing. Crashing keyboards/sound modules are unacceptable at any price, and I would never recommend this to be used in a live performance because of the stability issues.
I love the sound, but because of all the flaws (at this price point, no less), I'm going to send it back and get something else.
As far as Musician's Friend service goes, the order was packed extremely well, and I received it very quickly. High marks there!