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The appearance of the MIDI standard in the mid-1980s was definitely the sort of advancement that changes the face of an industry. Having access to MIDI's amazing versatility allows live performers and studio recording artists to control thousands of sounds digitally, with the ability to program them in advance or cue them up on the fly. Whether you use MIDI as a virtual primary instrument, accompaniment-in-a-box or simply to layer in sound FX over your traditional musical style, it's a good idea to give yourself as many options as you can to control it. This is where MIDI pedalboards really shine.
We're all familiar with MIDI controllers, from the standard keyboard to more exotic ones such as wind controllers. There's one thing that those have in common, though, which is that you have to use them with your hands. Imagine if you had to drive a car with just your hands - it'd be a lot tougher to multi-task all the different things you do while driving. With that in mind, you can think of MIDI pedalboards as being the performing equivalent of gas, brake and clutch pedals: they let you control aspects of the music with your feet, so your hands are free to take on other things like playing an instrument or scratching a DJ controller.
Choosing the right MIDI pedalboard for your needs will depend on what sort of control you're looking for. Take the Roland Dynamic MIDI Pedal, for instance: this board is laid-out like the foot controls of an organ, so it's a great complement for a keyboard controller when you want a natural instrument feel. On the other hand, if you're planning to use your pedalboard onstage for toggling backing tracks on and off, the best option may be the Rocktron MIDI Raider MIDI Footcontroller Pedal.
Something that's common to all MIDI Pedalboards is versatility, so making a decision between the various choices here really is a matter of preference. Think about the sort of control you're looking to get out of the foot controller, and you'll find that the perfect model will start to stand out to you soon enough.