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Product H82135

Phonic AM 442D USB Mixer with USB Interface

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The ability to make fast, good quality recordings of performances, rehearsals and practice sessions has become more and more important. Whether it's ...Click To Read More About This Product

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OVERVIEW

Capable live analog mixing console with USB output for digital recording.

The ability to make fast, good quality recordings of performances, rehearsals and practice sessions has become more and more important. Whether it's a live demo for soliciting work (many club owners and booking managers are suspicious of studio demos), or a live recording intended for eventual release, or just some quick licks you've come up with on the fly, recording is easy with a Phonic AM442D USB mixing console. A stereo USB recording interface makes the unit perfect for recording live events, practice sessions, studio jams and so on, without the headache that comes with complex recording setups. In addition to this, a versatile compressor function has also been built right into mono channels for smoothing out vocals and drums. With just an AM USB mixer, a modern computer and a tiny bit of talent, you'll be making quality recordings in no time.

FEATURES
4 Mic/Line channels with inserts and phantom power
Stereo USB audio interface for PC and Mac computers
4 stereo channels with 4-band EQ
3-band EQ with swept mid-range plus low cut on each mono channel
2 aux sends, aux 1 with Pre/Post switch
32/40-bit digital effect processor with 100 programs + tap delay
2 true subgroups with Main L and R routing switches
2 stereo aux returns with effect to monitor level control
Solo feature on each input and output
XLR connectors available on main L / R output
Convenient stereo RCA I/O 2T input with level control
Built-in switching power supply with universal connector, 100-240VAC, 50/60Hz
Rack-mounting kit included

Order today for quality live sound and the added benefit of quality recording.

SPECIFICATIONS
Channels: 8
Mic/Line Inputs: 5
Stereo Line Inputs: 3
Connector Type: USB Type B
Bit Rate: 16-bit
Sample Rates: 48kHz
Processor: 100 effects with tap delay control and test tones
USB: USB audio: stereo in/out
Footswitch Input: EFX on/off
AUX Returns: 3 stereo
Filter: Low cut filter: 75Hz (-18 dB/oct)
Outputs:
Main L/R stereo: 2 x 1/4" (6.4mm) TRS, Bal. & 2 x XLR
and Rec out: mini stereo and stereo RCA
CTRL RM L/R: 2 x 1/4" (6.4mm) TS
Phones: 1
EFX send: 2
Pan Pan/balance control: yes
2 Trk Master I/O Mini stereo and stereo RCA
Volume Control 60mm (2.4") fader
Inserts: 5
Control: Phones level control: yes
Main L/R level control: 60mm (2.4") fader
Level Meters: 13-segment
Crosstalk: (1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs)
Channel fader down, other channels at unity<-90 dB
Noise (20Hz-20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu)
Master @ unity, channel fader down: -86.5 dBu
Master @ unity, channel fader @ unity: -84 dBu
Signal to Noise Ratio Ref to +4 >90 dB
Panel Microphone Preamp Microphone Preamp E.I.N. (150 ohms terminated, max gain)<-129.5 dBm
CMRR CMRR (1 KHz @ -60dBu, Gain at maximum): 80dB
Maximum Input/Output Level Mic preamp input: +10dBu
All other input: +22dBu
Balanced output: +28dBu
Phantom Power: +48V DC
Impedance: Mic preamp input: 2 kohms
All other inputs (except insert): 10 kohms
RCA 2T output: 1.1 kohms
Frequency Response: 20Hz-60KHz: +0/-1 dB
20Hz-100KHz: +0/-3 dB
EQ Section: Equalization: 3-band, +/-15dB
Low EQ: 80Hz
Mid EQ: 100-8kHz, sweepable
L-Mid EQ: 800Hz
H-Mid EQ: 3kHz
Hi EQ 1:2kHz
Total Harmonic Distortion: (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs)<0.005%
Power Requirements: 100-240 VAC, 50/60Hz
Dimensions: 11.8 x 4.1 x 13.6" (300 x 104.5 x 346mm)
Weight: 8.4 lb. (3.8kg)
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