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Royer R-101 Ribbon Mic
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The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built...Click To Read More About This Product
6-Month* financing available.
A handcrafted ribbon mic that delivers superior sound quality and exceptional performance.
The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications.
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile.
The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications.
Patented Offset Ribbon Technology
The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation.
The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones.
The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.
Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.
High SPL capabilities for electric guitar and percussion
Multi-layered windscreen provides superior protection to ribbon element
No internal electronics to overload or produce distortion up to
maximum SPL rating
Extremely low residual noise
Ribbon element not affected by heat or humidity
Absence of high-frequency peaks, "ringing" and phase shifts
Equal sensitivity from front or back of element
Lifetime warranty, 1st re-ribbon is free
Polar Pattern: Figure-8
Generating Element: 2.5 micron aluminum ribbon
Frequency Range: 30HZ - 15,000HZ ±3dB
Sensitivity: -48 dBv Ref 1 v/pa
Output Impedance: 300" (nominal) balanced
Rated Load Impedance: 1500" or greater
Maximum SPL: > 135dB
Output Connector: male XLR 3-pin (Pin 2 Hot)
Dimensions: 7.9" L X 1.4" W (200mm L X 36mm W)
Weight: 483g (17 oz)
Finish: matte black
Accessories: shock mount, carrying case, mic sock
Optional Accessories: Pop screen
Microphone Warranty: lifetime to original owner (repair or replace
at Royer's option)
Ribbon Element Warranty: One Year
Musician's Friend Gold Coverage
Gold Coverage goes above and beyond the manufacturer's warranty to protect your gear from unexpected breakdowns, accidental damage from handling and failures. This plan covers your product for one, two, three or up to five years from your date of purchase, costs just pennies per day and gives you a complete "no-worry" solution for protecting your investment.
Gold Coverage Includes:
- Unexpected and unintentional spills, drops and cracks
- Normal wear and tear
- Power surges
- Dust, internal heat and humidity
Other plan features include:
- For products over $200, No Lemon Policy applies. If it fails for the same defect 3 times, it is replaced on the 4th breakdown. (Does not apply to failures due to drops, spills, and cracks)
- For products under $200 experiencing the above failures, a Musician's Friend gift card will be issued for the full price of the product + tax.
- Shipping fees covered if required for repair or replacement
- Plans are transferable in the event merchandise is sold
- Plans are renewable on new gear
*Limitations and exclusions apply. See terms and conditions (Opens in new window) for program details
Term for New Gear begins on date of purchase but does not replace the store return policy or manufacturer coverage.
Reviewed by 2 customers
Displaying reviews 1-2
Comments about Royer R-101 Ribbon Mic:
Great mic and I use it on all electric guitar cabs along with the Heil PR30 and Audix i5. The 101 has been used by itself, but I like to add a little flavor with the dynamic mics.
Ribbon Microphone, Shock Mount and Case. Very Professional.
Very natural tones. What you hear is what you get.
For a Royer the price is a great deal. They still make it in the USA except the body, shock mount and case is made in China. Oh well, still the inards are made in California.
- Easy To Use
- Home Studio
- Professional Recording
Comments about Royer R-101 Ribbon Mic:
The Royer R-101 is a modern sounding ribbon mic that works great on electric guitars, but also on other instruments. I actually like it better than the R-121, which is a bit more expensive than this one (go figure). The R-121 had an overwhelming amount of low mids, which are not as pronounced on the R-101. The latter sounds more natural to my ears, YMMV.
For best results, combine this with a dynamic microphone (such as the Shure SM57 or the Sennheiser MD421) and then EQ the sound using the faders on your mixer/DAW. Experiment with distance to dial in the sound you want, but keep in mind phasing issues though.