Shure 55SH Series II Mic
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Vintage look and feel . . . state-of-the-art sound.
An unmistakable stage icon for 70 years, the Shure 55SH Series II Unidyne Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.
The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.
The 55SH Series II has a low-impedance balanced output designed for connection to microphone inputs rated at 75 to 300 ohms. The microphone features a cartridge shockmount to reduce stand noise, an On/Off switch, and an attached, self-tensioning, 5/8"-27 thread swivel mount. This microphone is ideal for public address or theater-stage sound systems, as well as for broadcasting, recording, and other sound applications where a stand-mounted microphone with a classic look is desirable.
Features
- Classic appearance, modern performance
- Frequency response tailored for speech, vocals and instrumental music
- Cardioid directional pattern for optimum performance in adverse acoustic environments
- Shock-mounted cartridge minimizes stand-transmitted noise, ensures quiet operation
- Rugged chrome-plated die-cast casing and mechanical design for reliability under rigorous conditions
A great vocal stage mic that delivers old-timey looks that are just right for jazz, swing, rockabilly, and blues acts.
55SH Series II Mic Specifications:
- Type: Dynamic
- Frequency response: 50 to 15,000Hz
- Polar Pattern: Cardioid (unidirectional), uniform with frequency, symmetrical about axis
- Impedance: Microphone rating impedance is 150Ωs (270Ωs actual) for connection to microphone inputs rated at 75 to 300Ωs
- Sensitivity (at 1,000Hz): Open Circuit Voltage: -58.0dBV/Pa (1.3 mV); 1 Pascal=94dB SPL
- Polarity: Positive pressure on the diaphragm produces positive voltage on pin 2 relative to pin 3 of the output connector
- Switch: Built-in On/Off switch, integral part of swivel mount, connector Three pin professional type, designed to mate with Cannon XL series, Switchcraft A3 (Q.G.) series, or equivalent
- Net Weight: 22 oz. (624g)
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Heil Microphones Winter NAMM 2007
Review Snapshot®
by PowerReviews(based on 53 reviews)
Ratings Distribution
100%
of respondents would recommend this to a friend.
Pros
- Durable (3)
- Good audio (3)
Cons
Best Uses
Most Liked Positive Review
I abused this mic
Sure this thing is a tank, I've dropped it a few times yes. The foam screen behind the front metal cover is very thin, and erodes over time from your nasty alcohol breath. ...Read complete review
Sure this thing is a tank, I've dropped it a few times yes. The foam screen behind the front metal cover is very thin, and erodes over time from your nasty alcohol breath. I replaced it with thicker foam, which took out alot of the pop. Just 4 screws to remove the front cover. I've had someone step on the on/off switch smashing it in, and my drummer and I doctored it back to health no problem. The final straw was the input would get stuck in the mic chord and stretch out the wires, ultimately ruining the ground. This was due to a stripped out screw on the side of the handle, and plugging, and uplugging repeatidly after practice, and gigs.. So I've retired this mic after 2 years of giging, house parties, and hours of band practice. Loved it, got tons of complements, it was a signature piece for the band, but this mic is ultimately meant to mount on a stand, and not rocked out in your hand.
VS
Most Liked Negative Review
Don't Make The Same Mistake
As a blues/jazz musician, I got this mic for the retro looks. Well, trust me. It might not look as cool, but get a SM58 instead. The 55SH might have the ...Read complete review
As a blues/jazz musician, I got this mic for the retro looks. Well, trust me. It might not look as cool, but get a SM58 instead. The 55SH might have the looks, but after a gig or 2 with it, you'll go back to the sm58.This mic just can't handle a live gig. It might do OK for a bossa nova set at a smallish coffee venue, but that's about it. Your vocals will have no definition, depth or punch with this mic. Feedback becomes a little more of an issue, too.Because I own one, whenever I see one of these on the bandstand, I instantly see through the good looks and instead notice the pretentiousness of the singer. This mic costs more than an SM58, isn't as versatile, and sounds worse. Don't waste your money on accentuating your vanity.
Reviews
Reviewed by 53 customers
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Displaying reviews 1-10
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Pros
- Looks Great
- Sounds Real
Cons
- Needs a case
Best Uses
- Live Performing
Comments about Shure 55SH Series II Mic:
Don't know why I didn't buy it sooner
Pros
- beautiful
- Clear Sound
- Durable
- Lightweight
- Versatile
Cons
Best Uses
- Amateur Recording
- Events
- Home Studio
- Performances
- Professional Recording
Comments about Shure 55SH Series II Mic:
Purchased this as a Christmas gift for my boyfriend and he is estatic! Not only does it look terrific but it sounds fantastic!!
Pros
- Clear Sound
- Durable
Cons
Best Uses
- Events
- Performances
Comments about Shure 55SH Series II Mic:
I like the looks of this mic for retro uses. I bought this one for a 40's-50's community theater event. I looks great and sounds good when used with a pre-amp. It does need a pre-amp to have clear sound and enough head room and will have a fuzzy sound without a some pre-amplification.
Pros
- Clear Sound
- Durable
- Lightweight
Cons
- Limited Functions
Best Uses
- Home Studio
Comments about Shure 55SH Series II Mic:
We displayed the Shure 55SH Mic and a chrome Mic stand in our Home Theater. Its Elvis former Mic and it looks terrific in the room.
Comments about Shure 55SH Series II Mic:
I have had mine for a year. I was drawn in by the iconic look, it was a fetish for me. As it turns out, it is an ideal mic for my purposes. My band practices in a SMALL space, and this mic excels at NOT picking up background noise. It has a small, focused sweet spot you have to hit but the sound is great and there are no microphonics to deal with. It is what it is, fantastic for dealing with loud, small spaces. Not made for use as a condenser or instrument mic but if you need a great mic that won't raise hell in your practice space, this is it.
Comments about Shure 55SH Series II Mic:
I love this microphone like a child!It is so faithful when it comes to recordings and gigs. I lead worship in a cockpit hanger. The acoustics in the hanger are so vast, that the mic makes the place sound like another world. On recordings, you MUST have a decent preamp to be able to give this baby enough juice, if not, the quality will be very fuzzy and it won't pick up your backup vocals or guitar like it is suppose to. Nevertheless, the mic is amazing, looks awesome and is faithful to give it'smax preformance whether I'm on stage or in the studio. I highly recomend this microphone to the serious musician! :)
Comments about Shure 55SH Series II Mic:
Sure this thing is a tank, I've dropped it a few times yes. The foam screen behind the front metal cover is very thin, and erodes over time from your nasty alcohol breath. I replaced it with thicker foam, which took out alot of the pop. Just 4 screws to remove the front cover. I've had someone step on the on/off switch smashing it in, and my drummer and I doctored it back to health no problem. The final straw was the input would get stuck in the mic chord and stretch out the wires, ultimately ruining the ground. This was due to a stripped out screw on the side of the handle, and plugging, and uplugging repeatidly after practice, and gigs.. So I've retired this mic after 2 years of giging, house parties, and hours of band practice. Loved it, got tons of complements, it was a signature piece for the band, but this mic is ultimately meant to mount on a stand, and not rocked out in your hand.
Comments about Shure 55SH Series II Mic:
Never heard of this mic until I was playing at a private party and one of the other guys brought this for me to use. I didn't like it at first until I realized how directional it is. You have to stay right in front of it. After I figured that out I loved the way it made me sound, it has a very smooth sound. Plus no feedback from the PA. I also played 5 string banjo on a couple songs and really liked the way it picked up the banjo's sound, turned it up at the PA and still no feedback, picked up the banjo and my vocals no problem. Bought one the next day.
Comments about Shure 55SH Series II Mic:
First off, this thing is a tank. I dropped it out of a moving Van on the highway on the way to a gig and used it there. This mic has definitely made a number of people bleed. The look of it is obviously a huge selling point. I have not played a show that someone hasn't commented on how much they love my mic. The sound is alright, it's nothing extraordinary but let's face it, you're not looking at this mic for it's sound.
Comments about Shure 55SH Series II Mic:
I've gotten compliments on this mic at just about every show I've played. I play country/folk that sometimes gets a little rockabilly and this is the perfect mic for that style. I've used it on a straight stand as well as a tripod, and it was great on both (but it is heavy, so careful on the tripod). There's a lot of surface area, and you can get different sound depending on how you have it tipped and where you're singing into it. It doesn't feed back very readily, and I used to use it for recording. It picks up guitar and vocals pretty well, but I've since upgraded to a condenser for that (also a Shure). This mic is solid, really heavy and sturdy, and looks supercool. I tend to stick with brands I like, and I've never been disappointed with anything from Shure.
