Korg MS20 Mini Analog Monophonic Synth
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History repeats itself, and that's a good thing.
The sound of the inimitable MS-20 is now available to all with the new MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit it into a body 86% of the original size. The MS-20 mini will amaze with its absolutely authentic, analog synth sound.
The MS-20 distinguished itself at its debut through its gripping lead tones, its fat and juicy basses, and its its warm strings and pads. It was a two oscillator synth with two VCFs. two VCAs. sample and hold, a noise generator and many other tweakable components. The entire array has been designed by the fussiest design team imaginable--the same people who made the MS-20 in the first place. If you are a fan of analog synthesis in general and of the MS-20 in particular, this is a synth you need to check out.
Features
- Overseen by the engineers of the original MS-20
- Self-oscillating high-pass/low-pass filters with distinctive distortion
- External signal processor (ESP)
- Extremely flexible patching system
Order today for a glimpse into the still relevant past.
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Interview with Richard Barbieri who plays a Roland...
Review Snapshot®
by PowerReviews(based on 1 review)
Ratings Distribution
Reviews
Reviewed by 1 customer
Displaying review 1
Pros
- Portable
- Realistic Sound
- Responsive / Good Action
- Touch Sensitive Keys
Cons
- A Lot Of Line Noise
- Vco1 Won't Tune
Best Uses
Comments about Korg MS20 Mini Analog Monophonic Synth:
I was very excited about this synth. I've finally received it today and unfortunately am already thinking about returning it. Right out of the box, after powering it on and running the signal out to my speakers, even with both VCOs down all the way and no patching done, there is a good deal of line noise while pressing keys. This seems common as many other users are complaining of this as well. To me, it isn't bad enough to return it based on that alone but...
I also possibly have a defective unit as I cannot get VCO1 in tune. VCO2 tunes fine and sounds fantastic but VCO1's scale/intonation is inconsistent (octaves are off, gets really drastic 2 octaves apart). Basically, anything above note A2 is immediately almost off by a half step and gets slightly more off going up. Anything below note A2 drastically gets off by almost over a whole step. This is with the master tune and pitch for VCO2 set to 12 o'clock (0) and referencing a tuner with VCO2. Any advice?
Displaying review 1
