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AKG D5 Supercardioid Handheld Dynamic Microphone (2-Pack) 

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The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency-independ...Click To Read More About This Product

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Two professional microphones, great for lead and background vocalists.

The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency-independent supercardioid polar pattern ensures maximum gain before feedback.

The D5 stands for a crisp sound that cuts through every mix. The dual shockmount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear the pristine sound of your voice!

  • Patented laminated Varimotion diaphragm
  • High feedback suppression with supercardioid polar pattern
  • Dual shockmount of microphone capsule
  • Integrated pop filter
  • Spring-steel wire-mesh grille and rugged die-cast housing

Twice the performance for one price, order this double mic set today!


D5 Supercardioid Handheld Dynamic Microphone (2-Pack)

  • General
    Polar Pattern: supercardioid
    Audio Frequency bandwidth: 70 to 20000 Hz
    Sensitivity: 2.6 mV/Pa
    Electrical Impedance: 600 Ohms
    Recommended Load Impedance: 2000 Ohms
    Audio Output
    Type: Balanced XLR
    Gender: Male
    Contacts: 3-pin
    Body: Metal
    Finish: dark stage blue
    Dimensions / Weight
    Length: 185 mm
    Diameter: 51 mm
    Net Weight: 320 g

Review Snapshot

by PowerReviews
AKGD5 Supercardioid Handheld Dynamic Microphone (2-Pack)

(based on 1 review)

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Reviewed by 1 customer

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a quality mic

By GG in CC

from Corpus Christi, TX


  • Crisp Yet Warm
  • Near Condenser Quality
  • Solid feel
  • Sturdy


  • Not For Instruments

Best Uses

  • Recording
  • Speech
  • Vocals

Comments about AKG D5 Supercardioid Handheld Dynamic Microphone (2-Pack):

I have a couple of these mics and found they're best used for vocals. I'd rate it between the SM57/58 and a Beta 87. Actually I'd compare it to a BETA 57. It has more depth in bass and crisper highs like a condenser but the ease of use (i.e. no phantom power needed) and solid feel of a dynamic. Its not feedback free, but its crisper and warmer than a 57/58. I tried it with horns but I didnt' like it. It peaked too much. Maybe a tenor sax or acoustic guitar in a low-mid level "Jazz" or recording setting. Its a great vocal mic and I keep it as a back up to my Beta-87

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