Heil Sound PR 35 Dynamic Microphone
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A cardioid that thinks it's an omni.
The Heil Sound PR 35 is an incredibly versatile vocal mic. It has an amazing amount of rear rejection but exhibits no off-axis coloration, so it is like having a supercardioid and omni mic in one! It works well for commercial broadcast, recording, and live sound reinforcement applications. When you need a smooth, flat response over a wide frequency range the Heil PR 35 is your mic. The PR 35 was designed around the acclaimed PR 30 element and incorporates a sorbothane shock mount to give you the best possible results.
The PR 35 mic achieves its exceptional performance by using a special magnet structure and a large aluminum 1-1/2" low-mass voice coil assembly. A carefully wound and placed hum bucking coil allows the Heil PR 35 to be placed near video monitors without unwanted hum or buzz. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind the source. It then enters them out of phase, thus producing a very linear cardioid pattern. This reduces the proximity effect while achieving the extreme articulation across its smooth 40 Hz - 18 kHz frequency response. The Heil element can be used in extreme high sound pressure levels and is immune to overload conditions. It produces a beautifully smooth audio response without the inconvenience of phantom or outside DC powering.
The PR 35 microphone is equipped with a low-cut roll-off switch to prevent low-end feedback loops from ever getting started.
The Heil PR 35 mic's cardioid pattern offers the greatest rejection of unwanted audio at 180° off axis, which is directly behind the microphone; there is virtually no off-axis coloration.
Supplied with a microphone clip that mounts to any 5/8" 27-thread mic stand. It also comes with a leatherette carrying case and wind screen.
For amateur radio, a CC-1 XLR cable is required to interface with a transceiver.
Features
- 7-2/3" long x 2" wide at mic vocal end and 1" wide at XLR-input end Largest dynamic element in a hand held microphone
- Wide frequency response
- Articulate natural mid range
- 2-position roll-off switch
Call or click now to own this unique mic!
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Heil Microphones Winter NAMM 2007
Review Snapshot®
by PowerReviews(based on 16 reviews)
Ratings Distribution
100%
of respondents would recommend this to a friend.
Pros
- Good audio (3)
Cons
Best Uses
- Performances (3)
Reviews
Reviewed by 16 customers
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Displaying reviews 1-10
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Pros
- Clear Sound
- Durable
- Easy To Use
- Versatile
Cons
- Nothing At This Time
Best Uses
- Performances
Comments about Heil Sound PR 35 Dynamic Microphone:
Have recommended this to the other band memebers and we are buying a couple more
Pros
- Clear Sound
- Easy To Use
- Versatile
Cons
Best Uses
- Events
- Performances
- Professional Recording
Comments about Heil Sound PR 35 Dynamic Microphone:
We always used Shure 58's for years. When my wife sat in at a friends gig the vocal mic was a Heil PR35. Her voice sounded so good! She came off the stage and said that she had to have that mic. We bought one the next day. What a difference! Don't believe me? Use the PR35 for a week and then during your gig unplug it and plug in a 58. Sorry to be brutal, but the 58 lacks so much tone-wise when compared to the PR35. So what if the 58's slightly AM radio-tone cuts through a loud band; the PR35 cuts through and sounds great, too. We've been taught to use 58's in most pro situations, but even I got a PR35 for myself because when singing with my wife her PR35 was making me and my trusty 58 sound bad compared to her. Our 58's are now in the garage.
Pros
- Clear Sound
- Lightweight
Cons
- Requires LearningEQ
Best Uses
- Performances
- Professional Recording
Comments about Heil Sound PR 35 Dynamic Microphone:
The PR 35 is very unique mic. The low frequency and output level are greater than most mics. I would suggest that you may need a mixer or preamp that has an adjustable gain sensitivity to avoid overdriving the input. I initially planned to use the PR 35 for live vocal performances, but now that I have some experience with it, I may also find applications in the studio on specific instruments.
The abundance of gain caused my small venue live mixer to distort, so for live performances I will use this mic when I also need to carry a mic preamp to send to the board. Congruently, louder venues is where this mic comes into its own. I usually use a vocal condenser in more intimate settings, but on larger stages I was switching to a dynamic (the popular one) to remedy feedback and HF bleed problems. In comparison, the PR 35 is an even better solution once you get the EQ correct. For me, even at its most attenuated position, the LF roll off switch needs assistance for further LF attenuation. The PR 35 LF is THAT huge. After the LF EQ is nailed down the responsiveness of the mic seems to be near perfection. This includes in my experience, minimal proximity problems, very comfortable distance response, and dymamic response, exceptional off-axis balance, as well as excellent feedback rejection. Lastly, there is something interesting about this mic in the mid-range that make it a unique choice for live vocals.
Pros
Cons
Best Uses
Comments about Heil Sound PR 35 Dynamic Microphone:
takes some of the strain out of bringing your voice up or beyond the music while preserving subtle nuances of individual voice. a really nice mic.
Comments about Heil Sound PR 35 Dynamic Microphone:
Takes a very average voice with a few rough edges and elevates to a softer place...........your audience will sense the difference...........money well spent
Comments about Heil Sound PR 35 Dynamic Microphone:
Great mic!
I bought this mic about six months ago. I had been having difficulty with several vocalists. One female in particular who sings well, but all the mics I tried, Shure beta 58a, and others produced a pinched slightly edgy quality which was not audible at all when she sang without a mic. I tried a Blue Encore 200 and the pinched-edgy quality was gone, but there was a slight tonal shift which i didn't want. The Heil PR35 was the solution. Tonal balance correct, smooth, clean, powerful and no feedback. I have also used the mic on acoustic guitar and harmonica with excellent results.
Comments about Heil Sound PR 35 Dynamic Microphone:
As above . Gives the voice a bigness ,clarity, no backwash
Gives a voice depth
too early
The best vocal mic I have used amazing value
Comments about Heil Sound PR 35 Dynamic Microphone:
I have very seldom submitted a review on anything, but this mic deserves the best. I have a lower voice and sing alot of ballads. If the words don't make it to the crowd, it is no longer a ballad. I have used shure and peavey mics but never had the ablity to cut through the noise of the bar to do a low ballad. This mic changed my singing career! I have pulled countless songs back out of the drawer that I had givin up on ever singing in a crowded room ever again. It is great for the high tones as well. Very few feed back issues and very gig durable. GREAT MIC!
Comments about Heil Sound PR 35 Dynamic Microphone:
All i can say is WOW! I am a small live sound co. and have all the standards and to be fair the standards are a lot less money than the PR-35. I have some friends with large sound companies and they were bragging about them so i bought one. Its not just the clear precise sound that blew me away, what i was not expecting was the feedback rejection in the wedges!! WAY better than by Beta's and others! Just did a 7 band hard rock festival with it and all i can say is i am buying more!
Comments about Heil Sound PR 35 Dynamic Microphone:
this is a great sounding mic. It has the top end of a condensor with the added bottom end of a good dynamic.
I produce a small concert series and we have one of these, a few other heils, an AKG 535, a few Shures, and a couple of other assorted mics. This is my go to mic for someone with a little thinness to their voice or anyone who wants a bit of added low end authority. Every performer who has used the PR35 has loved it. It sounds very similar to the AKG with a bit more bottom end. The down sides are that it is a bit more susceptible to handling noise and plosives than many of the better mics out there. For performers who hold the mic or who eat it I usually lean towards the AKG.
