- Product 271414
Neumann BCM 104 Broadcast and Studio Condenser Microphone
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The large-diaphragm condenser capsule used in the BCM 104 has a cardioid pattern with internally switchable proximity effect compensation. A second s...Click To Read More About This Product
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The large-diaphragm condenser capsule used in the BCM 104 has a cardioid pattern with internally switchable proximity effect compensation. A second switch allows the sensitivity to be reduced by 14dB. The BCM 104 features an exceptionally low self-noise of 7 dB(A) and an overload capability extending to 138dB SPL and a dynamic range of 131dB (DIN/IEC 651). Smooth, full response is ideal for vocals. The grille twists off easily for quick cleaning. Optional, color-coded head grilles. Built-in popscreen. The elastic mount handles structure-borne noise and is compatible with standard broadcast-segment microphone arms.
Requires phantom power.
- Designed using 3D simulations
- Large-diaphragm condenser capsule
- Cardioid pattern with internally switchable proximity effect compensation
- Sensitivity switchable to -14dB
- Head grille twists off easily for quick cleaning Optional, color-coded head grilles
- Built-in pop screen
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BCM 104 Broadcast and Studio Condenser Microphone
- Acoustic operating principle: Pressure gradient transducer
Directional pattern : Cardioid
Frequency range: 20Hz-20kHz
Sensitivity at 1 kHz into 1k: 24 mV/Pa
-14 dB attenuation: 4.8 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000ohms
Equivalent SPL CCIR 468-3: 18dB
Equivalent SPL DIN/IEC 651: 7dB-A
S/N ratio CCIR 468-3: 76dB
S/N ratio DIN/IEC 651: 87dB
Maximum SPL for THD 0.5%: 138dB
Maximum SPL for THD 0.5% with pre-attenuation: 152dB
Maximum output voltage: 10dBu
Dynamic range of the mic amplifier DIN/IEC 651: 131dB
Supply voltage: 48V ± 4V
Current consumption: 3.2mA
Matching connector: XLR 3 F
Reviewed by 1 customer
Displaying review 1
- Clear Sound
- Very Airy And Detailed
- Professional Recording
Comments about Neumann BCM 104 Broadcast and Studio Condenser Microphone:
very close between the 705 and the 104 for my situation. think i would lean torwards the 104 for more versatile recording but for host voice i might actually favor the 705 haven't experimented enough to be definite about it though. any way i chose it over entry level or similar priced neuman models because i think it sounds better and is more versatile then the other others. these models are very overlooked because of the broadcast stigma attached to them. the 705 has a nice presence in favor of the airiness that the 104 offers.