Selmer Paris Soloist Alto Saxophone Mouthpiece E Facing
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The classic returns.
Reminiscent of the vintage Selmer soloist mouthpieces of the middle century, the contemporary version also produces an amazingly full and sweet tone. An ideal mouthpiece for the classical player.
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Pros
- Good Quality
Cons
- Inconsistant Facings
Best Uses
Comments about Selmer Paris Soloist Alto Saxophone Mouthpiece:
The one thing you have to do when buying any Selmer mouthpiece is make sure you really love it. A lot of people at my school buy this piece and don't honestly take time to review. Some are very bad but some are amazing. I bought a C** and it didn't have the tone I was expecting. I have played some very nice Soloists but remember that they are very inconstant. Be sure to utilize the return Policy! One thing about them is the rubber they use for these pieces is very very good.
Comments about Selmer Paris Soloist Alto Saxophone Mouthpiece:
Honestly, I own the 70's version of this which is apparently either exactly the same or has infinitesemal differences. This mouthpiece does 2 things:
it sings in the upper octave through altissimo with a richly sweet tone
pulsates with an amazingly full and round, cello-like tone in the lower octave, especially low Bb to D.
Some people may think that this distinction isn't appropriate for symphonic work but when this mpc is the industry standard, you'll fit in with everyone else. regardless though, this mouthpiece plays incredibely well and sounds fantastic. it is very responsive and has an easily acheived wide dynamic range. also, the this mpc seems to really like Vandoren Traditional reeds. some players use 3.5s but i personally use 3's.
The reason i rate it less than 10 in the quality and value is that the 70's version can cost less and is higher quality rubber than that of today's standards. the problem is finding one in really good condition. luckily i found mine brand new from new old stock.
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