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Taylor PS14ce V-Class Grand Auditorium Acoustic-Electric Guitar
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Each set of cocobolo deemed worthy of Taylor's Presentation Series, like what they've used to create this PS14ce V-Class Grand Auditorium acoustic-el...Click To Read More About This Product
Exquisite tonewood pairing with performance-enhancing Taylor bracing, high-quality electronics and delicious appointments.
Each set of cocobolo deemed worthy of Taylor's Presentation Series, like what they've used to create this PS14ce V-Class Grand Auditorium acoustic-electric guitar, is a unique work of art, as showcased by the hardwood’s fiery hues and dramatic stripes and swirls of variegation. Exquisite craftsmanship follows every line of the guitar, as thin ribbons of sparkling paua trace the top, back, sides and fretboard. One of the most striking design features on the PS14ce V-Class Grand Auditorium acoustic-electric guitar is a sleek ebony armrest, which supplies a harmonious marriage of form and function, offering players a beautiful and ergonomic contour that paves the way to effortless picking and prevents unintended damping of the vibrant sinker redwood soundboard. In every way, a masterful attention to detail sets these guitars apart from all others in the Taylor line.
The PS14ce V-Class Grand Auditorium acoustic-electric guitar comes with a hardshell case.
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
A player favorite for its origins, sinker redwood soundboards are sliced from huge old-growth redwood logs reclaimed from the depths of Northern California rivers, where they’ve rested in many cases for more than a century. The tops typically display a rich spectrum of variegation, the result of colors uniquely imparted from silt and the mineral-rich water. The age and size of these trees translate into a tight grain with nice cross-grain stiffness, so it will tend to have a fairly bold response, with a brilliance complemented by warm overtones similar to cedar. In fact, it’s often characterized around the Taylor factory as "cedar on steroids." It's great for players who like the warm overtones of cedar with a little extra brightness and headroom. A Mexican rosewood, cocobolo is a dense, stiff tropical hardwood that produces a fairly bright overall tone emphasized by sparkling treble notes. Sonically it resembles koa but resonates a little deeper on the low end, although not quite as deep as Indian rosewood. Fast and responsive, cocobolo’s note distinction gives it an articulate voice that responds well to a variety of playing styles, depending on the body shape.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class™ bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable, playable and serviceable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Solid cocobolo body (2- or 3-piece hand-matched by Taylor
- V-Class bracing for improved intonation, sustain, volume
- Radius armrest
- West African ebony binding and backstrap
- Paua accents on top back, sides, fretboard
Order this solid Taylor guitar today.
- Body type: Grand Auditorium
- Cutaway: Venetian
- Top wood: Solid sinker redwood
- Back and sides: Solid cocobolo
- Bracing pattern: V-Class
- Body finish: Gloss
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Gotoh 21:1 gold tuners with gold buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Black graphite Micarta "Wave" Saddle
- Number of strings: 6
- Special features:
- Case: Deluxe hardshell case
- Accessories: None
- Country of origin: United States
Musician's Friend Gold Coverage
Gold Coverage goes above and beyond the manufacturer's warranty to protect your gear from unexpected breakdowns, accidental damage from handling and failures. This plan covers your product for one, two, three or up to five years from your date of purchase, costs just pennies per day and gives you a complete "no-worry" solution for protecting your investment.
Gold Coverage Includes:
- Unexpected and unintentional spills, drops and cracks
- Normal wear and tear
- Power surges
- Dust, internal heat and humidity
Other plan features include:
- For products over $200, No Lemon Policy applies. If it fails for the same defect 3 times, it is replaced on the 4th breakdown. (Does not apply to failures due to drops, spills, and cracks)
- For products under $200 experiencing the above failures, a Musician's Friend gift card will be issued for the full price of the product + tax.
- Shipping fees covered if required for repair or replacement
- Plans are transferable in the event merchandise is sold
- Plans are renewable on new gear
*Limitations and exclusions apply. See terms and conditions (Opens in new window) for program details
Term for New Gear begins on date of purchase but does not replace the store return policy or manufacturer coverage.