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Wolff Audio W1 500 Series Microphone Preamplifier

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Overview

A single-channel 500 Series mic preamp with Wolff console architecture.

The Wolff Audio W1 500 Series microphone preamplifier brings the company’s large-format console mic preamp design into a single-channel 500 Series module for tracking rooms, overdub rigs and hybrid studios. Designed by Paul Wolff, the W1 uses custom Cinemag input and output transformers, fully relay-controlled signal switching, socketed op-amp architecture and dual-stage gain control to deliver true console topology in a compact modular format. With relay-controlled gain, pad, phantom power and line switching, the W1 is built for engineers who need transformer depth, high headroom and precise gain-stage control from any 500 Series rack.

Console Mic Preamp Design in 500 Series Format

The W1 is not a simplified version of a console circuit; it is Wolff Audio’s console microphone preamp architecture adapted for a single 500 Series slot. Custom Cinemag transformers provide input and output character, while the socketed op-amp design gives engineers room for customization. Moreover, the relay-controlled signal path supports long-term reliability and consistent switching behavior during professional tracking work.

High Headroom and Dual-Stage Gain Control

The W1 operates with a lower baseline gain structure than many conventional mic preamps, increasing usable headroom while preserving transformer loading and impedance relationships. Gain is selectable in 10dB steps up to 50dB, with additional ±6dB trim and a dedicated output fader positioned between gain stages for a maximum gain of approximately 56dB. This lets engineers drive the input transformers and preamp circuitry for tone while controlling output level to converters.

Front-Panel Control and Console-Derived Metering

The W1's front panel includes a Neutrik combo XLR/1/4" mic and instrument input, relay-controlled 20dB pad, relay-controlled 48V phantom power, polarity reverse, gain trim, dedicated output fader and console-grade LED metering. The metering includes dual reference display at -20dB and +4dB, intelligent release behavior, clip indication and output dimming during phantom power switching. Designed around classic console principles, the Wolff Audio W1 500 Series microphone preamplifier combines transformer-based tone with flexible single-channel operation.

Features

  • Single-channel 500 Series microphone preamplifier
  • Based on Wolff Audio large-format console mic preamp architecture
  • Custom Cinemag input and output transformers shape analog tone
  • Fully relay-controlled gain, pad, phantom power and line switching
  • Dual-stage gain architecture supports precise gain staging
  • Gain selectable in 10 dB steps up to 50 dB
  • ±6 dB trim and dedicated output fader provide output control
  • Socketed op-amp design allows customization
  • Neutrik combo XLR/1/4" mic and instrument input
  • Console-grade LED metering shows -20 dB, +4 dB and clip status

Bring home the Wolff Audio W1 500 Series microphone preamplifier for console-derived transformer tone, high headroom and precise single-channel gain control.

Specs

W1 500 Series Microphone Preamplifier Specifications:

General
  • Product type: 500 Series microphone preamplifier
  • Model: WLF-W1
  • Format: 500 Series module
Preamp
  • Channels: 1
  • Circuit basis: Wolff Audio large-format console microphone preamp
  • Input transformer: Custom Cinemag
  • Output transformer: Custom Cinemag
  • Op-amp design: Socketed
  • Gain architecture: Dual-stage
  • Gain range: 10 dB steps up to 50 dB
  • Trim: ±6 dB
  • Maximum gain: Approximately 56 dB
  • Output control: Dedicated output fader between gain stages
Controls
  • Pad: Relay-controlled 20 dB
  • Phantom power: Relay-controlled 48V
  • Polarity reverse: Yes
  • Gain trim: Yes
  • Output fader: Yes
Metering
  • Metering: Console-grade LED metering
  • Reference display: -20 dB and +4 dB
  • Clip indication: Yes
  • Intelligent release behavior: Yes
  • Output dimming during phantom power switching: Yes
Connectivity
  • Front input: Neutrik combo XLR/1/4" mic and instrument input
Use Case
  • Applications: Tracking, overdubbing, re-amping, precision source capture, hybrid studio production
Q&A

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