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Taylor 312ce 12-Fret V-Class Grand Concert Acoustic-Electric Guitar Naturaltrue true
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Taylor 312ce 12-Fret V-Class Grand Concert Acoustic-Electric Guitar Natural$1,999.00
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Gold Coverage Protection
Gold Coverage goes above and beyond the manufacturer's warranty to protect your gear from unexpected breakdowns, accidental damage from handling and failures. This plan covers your product for one, two, three or up to five years from your date of purchase, costs just pennies per day and gives you a complete "no-worry" solution for protecting your investment.
Gold Coverage Includes:
- Unexpected and unintentional spills, drops and cracks
- Normal wear and tear
- Power surges
- Dust, internal heat and humidity
Other plan features include:
- For products over $200, No Lemon Policy applies. If it fails for the same defect 3 times, it is replaced on the 4th breakdown. (Does not apply to failures due to drops, spills, and cracks)
- For products under $200 experiencing the above failures, a Musician's Friend gift card will be issued for the full price of the product + tax.
- Shipping fees covered if required for repair or replacement
- Plans are transferable in the event merchandise is sold
- Plans are renewable on new gear
*Limitations and exclusions apply. See terms and conditions (Opens in new window) for program details
Term for New Gear begins on date of purchase but does not replace the store return policy or manufacturer coverage.
Solid tonewood pairing with special bracing for impressive performance from a guitar at an accessible price point.
Taylor's Grand Concert is slightly smaller than its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flat-pickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. As a tonewood, solid Sapele back and sides complement the top with sonic characteristics that live comfortably between the dry, clear, woody sound of mahogany and the complex, overtone-rich character of rosewood. Sapele responds well to a variety of playing styles and fits nicely into an instrument mix.
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly GC body with the slightly condensed fret spacing of the 24-7/8" scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12-fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes. As to the slotted headstock, the angle of the strings as they bend over the nut is a little more acute, which puts a little more downward pressure on the nut. To your fretting hand, it'll feel a little more precise and better behaved as you fret near the nut; notes don't want to bend as easily closer to the nut.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Equipped with Taylor ES2 electronics with onboard phase filter
- V-Class bracing for better volume, sustain and intonation
- 12-fret neck with cutaway for better accessibility to higher notes
- Hardshell case
Like what you see? Order today.
312ce 12-Fret V-Class Grand Concert Acoustic-Electric Guitar Specifications:Body
- Body type: Grand Concert/OO
- Cutaway: Venetian
- Top wood: Solid Sitka spruce
- Back and sides: Solid Sapele
- Bracing pattern: V-Class Grand Concert with relief rout
- Body finish: Gloss top, satin back and sides
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 24.84"
- Number of frets: 18
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band Explained above
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Taylor slotted head with synthetic ivory buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "wave"/Graphite nut
- Number of strings: 6
- Special features:
- Case: Deluxe hardshell case
- Accessories: None
- Country of origin: United States
- Orders placed before 5 p.m. ET usually ship the same business day.