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Taylor 326ce Grand Symphony Acoustic-Electric Guitar Shaded Edge Burst

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SKU 
L28951 000001000
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Product Price $2,199.00
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Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA...Click To Read More About This Product

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OVERVIEW

Meaty bass, impressive projection and solid articulation at a very reasonable price point.

Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line. Players who step up to a 300 Series instrument, like the 326ce Grand Symphony acoustic-electric, will be rewarded with a guitar-for-a-lifetime that will only sound better with age. It doesn't take but a few strums to learn how the mix of tone woods, construction and appointments combine to make Taylor's famous playability, intonation and tone. The 300 Series has everything you need and nothing you don't need in a fantastic sounding and playing instrument. The 326ce Grand Symphony ships in a deluxe hardshell case made by Taylor for optimal fit and protection.

Body Shape
Compared to the Taylor Grand Auditorium, the Grand Symphony has a bigger, rounder lower bout and slightely wider "waist" area, and the bigger soundboard (top) means more tonal output. Expect a meaty lower midrange and strong treble shimmer. A GS is best if you want a guitar with a robust low end, strong volume when strumming or flatpicking, and clear articulation in response to light fingerpicking attack.

Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Tropical mahogany is known for a meaty midrange featuring a strong fundamental without adding a lot of ringing overtones. It responds well to players with a strong attack who like dry, earthy, lo-fi sounds. It has a natural compression that smooths out strumming and picking technique. Mahogany's clear and direct tonal character makes it a great option for playing and standing out among other instruments. Tonally, blackwood behaves somewhere in the middle of rosewood and mahogany, with a little extra shimmer and chime that shows its family resemblance to koa. Pairing blackwood with the mahogany top not only gives you that roll-in effect associated with a mahogany top - really smooth attack and balance - but extra complexity as the note decays. It's a great combination.

Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.

FEATURES
  • Tropical mahogany top with Tasmanian blackwood body
  • Tropical mahogany neck topped with Genuine West African ebony fingerboard
  • Taylor ES2 electronics with volume, treble and bass control
  • Satin Shaded Edge Burst finish on top, medium brown stain on back and sides
  • Black binding
  • Black pickguard
  • Italian acrylic small diamond fingerboard inlays
  • Three-ring plastic rosette
  • Nickel buttons

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SPECIFICATIONS
Body
  • Body type: Grand Symphony
  • Cutaway: Venetian
  • Top wood: Solid Tropical Mahogany
  • Back and sides: Solid Tasmanian Blackwood
  • Bracing pattern: Taylor Standard III with relief rout with Relief Rout
  • Body finish: Satin top, back and sides
  • Orientation: Right handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1.75" (44.45 mm)
  • Fingerboard: Genuine West African ebony
  • Neck wood: Tropical mahogany
  • Scale length: 25.5"
  • Number of frets: 20
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Yes
  • Brand: Taylor
  • Configuration: Behind-the-saddle transducer with Adjustable Sensors
  • Preamp EQ: 2-band
  • Feedback filter: Phase
  • Tuner: No
Other
  • Headstock overlay: Genuine West African ebony
  • Tuning machines: Taylor nickel with nickel buttons
  • Bridge: Genuine West African ebony
  • Saddle and nut: Micarta "Wave"/TUSQ
  • Number of strings: 6
  • Special features:
  • Case: Deluxe hardshell case
  • Accessories: None
  • Country of origin: United States

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