The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. Arturia went the extra mile and added new creative features that weren’t possible back in the day.

With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Arturia's faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. Added improvements include an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V.

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation. Arturia's enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. Arturia also spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The CMI V has everything you need to explore the intersection of sampling and digital synthesis.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. You can even turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.