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Mbox 2 with Pro Tools 9 Crossgrade

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The latest version of this popular production platform with a compact USB audio interface.

This special crossgrade pairs two great products in one”the Mbox 2 USB Audio Interface with Pro Tools 9”at one great price. Since the Mbox 2 comes with Pro Tools LE, it automatically qualifies you to save money on the latest version of Pro Tools. The savings is significant, and gives you the benefits of the full Pro Tools production platform with Digidesign's popular audio interface for less than the cost of Pro Tools on its own!

Mbox 2 USB Audio Interface
Mbox 2 is a next-generation USB-powered audio/MIDI production system that builds on the performance and simplicity of the original Mbox”Digidesign's most popular personal studio system ever. Featuring a wide range of connection options, including analog, digital, and MIDI I/O, Mbox 2 delivers professional performance in an incredibly compact package. Mbox 2 also includes award-winning, easy-to-use Pro Tools LE software, which offers many of the same features that top studios rely on to produce Grammy-winning albums and Academy Award”winning film sound. Projects created with Mbox 2 and Pro Tools LE software also open on Pro Tools|HD and Pro Tools M-Powered systems”providing instant compatibility with countless Pro Tools”equipped project and professional studio around the globe.

The Mbox 2 hardware interface is both powerful and easy to use, featuring a distinctive industrial design, impressive sound quality, and extensive input and output options.

Pro Tools software is used in countless professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results”every time.

Pro Tools 9
Pro Tools 9 redefines one of the world's most popular, most advanced music and audio production platform with a completely re-architected, open version of Pro Tools software, giving you what many users of past versions have asked for”and so much more.

Work with an audio interface”or without. Create bigger, better-sounding mixes with more tracks, Automatic Delay Compensation, and other pro features”all included as standard. Open your workflow to projects created in other audio and video software”and to the entire Avid Artist Series and Pro Series (formerly Euphonix) console/controller line. With Pro Tools 9, you can compose, record, sequence, edit, and mix the way you want in more ways than ever.

Capture Your Creativity
Work the way you want
With Pro Tools 9, you get more recording flexibility than ever. Connect mics and instruments and get multitrack audio recording capabilities when you pair Pro Tools software with your favorite Avid audio interface or third-party Core Audio- or ASIO-compatible interface. Record virtual instrument performances through a MIDI keyboard or controller, or record and create music and audio with just your computer and the software alone for ultimate portability.

Capture high-quality sound
Whether you're tracking vocals, guitars, voiceovers, sound effects, or an orchestra, or recording virtual instrument performances, enjoy great-sounding audio without compromise. Capture high-resolution audio”up to 24-bit/192kHz”when you use an Avid or third-party audio interface with Pro Tools software. And get best-in-class sound with the included groundbreaking virtual instruments.

Nail the right performance
Let your spontaneity shine. Use Loop recording to record multiple takes of a performance on the same track, one after the other, to keep things flowing when you're in the zone”great for guitar solos or voiceovers. You can also create complex drum tracks using it with MIDI Merge, enabling you to build up tracks by merging new beats into the same region with each recording pass.

Punch your way to perfection
Nobodys perfect, but with Pro Tools 9 you can create seamless performances with nondestructive QuickPunch or TrackPunch. Quickly fix mistakes in audio tracks as Pro Tools punches in and out of record mode, replacing the questionable section as you perform with the playback. For easier file management (and the truly confident) use DestructivePunch to maintain a single audio file”no matter how many punches you do.

Slow down and record comfortably
Having trouble keeping up? With Pro Tools, you can pull off technically challenging parts by slowing down the session tempo, recording the performance at a more comfortable pace, and playing it back at normal speed”Elastic Time and Pitch will keep things in tune. You can also create interesting effects recording at normal speed and then playing back at different speeds.

Stretch your creativity with Elastic Time and Pitch

Freely experiment without the time or effort investment. With Elastic Time, you can change the tempo or timing of any music or sound file”or an entire composition”on the fly, without cutting up a single sample of audio. With Elastic Pitch, you can fix wrong notes, create harmonies, and transpose regions”in real time”without altering the tempo.

Make changes on-the-fly
Forget having to manually stop and restart playback to make changes to your mix or configuration”instead, you can make many common changes on the fly in Pro Tools 9 during playback. Create and edit regions, add or remove tracks, copy inserts and sends, change I/O routing, and more”all changes will dynamically update in real time.

Craft sound with precision
Shape and fine-tune your audio, instrument, and MIDI tracks with professional, sample-accurate audio editing tools. Create a flawless performance by comping together tracks from multiple takes. Get more flexibility when importing tracks with the full Import Session Data dialog. Speed up editing with the Smart Tool. Place sounds perfectly in sync with picture. Smooth transitions with crossfades. Everything you need to perfect your tracks is available right from within a single Edit window.

Get where you need to go fast
Instantly navigate to one or more sections within your session to speed up your editing and mixing workflow. Simply set location markers at specific points in the timeline, edit selections, or even a set of track display settings, and you can quickly recall each specific location at any time with a simple keyboard shortcut, ensuring Pro Tools keeps up with your pace.

Join groups for easy editing and rearranging
Easily rearrange songs, edit loops, and make global changes across multiple tracks in one fell swoop by grouping audio and/or MIDI regions together as a Region Group. For more complex sessions with lots of automation, create VCA groups in Pro Tools HD software or Pro Tools 9 with the Complete Production Toolkit 2 option, giving you another level of gain control over groups that already have automation.

Snoop out grooves with multitrack Beat Detective
Start things off on the right beat with Beat Detective, a powerful tool that enables you to analyze and adjust timing across multiple tracks. Quickly tighten up uneven drum performances. Change up the feel or groove of a beat, and keep your rhythm section "in the pocket" by extracting the timing and groove from a drumbeat and applying that groove template to the bass part.

Unrivaled Audio Mixing
Achieve the best mixes possible automatically
Get great-sounding, phase-accurate mixes with Automatic Delay Compensation (ADC). Mix in stereo or up to 7.1 surround (with Pro Tools HD 9 or Pro Tools 9 and the Complete Production Toolkit 2 option). And automate every element in the Pro Tools environment (rather than "riding the faders" in real time) to add life and ensure the best mix”from track volumes, mute, and panning, to every plug-in parameter.

Get the sounds you want with Pro Tools plug-ins
Create better sounding mixes using the collection of included sound-processing, effects, and instrument plug-ins”you can insert up to 10 plug-ins per track. And expand your creative palette with plug-ins from Avid and our Pro Tools Development Partners for almost anything you can imagine”from instruments to EQs, compressors, reverbs, amp emulators, noise reducers, surround encoding, and more.

Grab control of your mix
You can use a mouse to make changes one at a time, or mix faster and easier using a hardware control surface. Get unrivaled, fully integrated, hands-on Pro Tools control with a choice of Avid control surfaces to fit your needs and budget, including ICON consoles and C|24; full EUCON integration with MC Mix, MC Control, MC Pro, System 5-MC, System 5, and more; and third-party control surfaces.

Make Music
No instrument? No problem
Easily create parts for practically any musical instrument using great-sounding virtual instruments, a MIDI keyboard/controller or your mouse, and the built-in Pro Tools MIDI Editor. Get started with the included virtual instruments and audio loops, and expand your arsenal with virtual instruments from Avid and third-party audio designers.

Get inspired with full MIDI and compositional tools
Take your songwriting from sketchpad to final production. Assign key signatures, create and move notes, transpose pitches, build dynamics, rearrange sections, and sculpt every note to perfection in the MIDI Editor. You can also view all MIDI parameters simultaneously for easier editing. and make your mixes shine by adding effects and automation.

Notate music with the Sibelius Score Editor
Compose and print professional music scores using the Sibelius Score Editor, which offers a wide range of standard notation tools. Generate ideas quickly with realtime note placement and editing, and change the meter, key signature, and more on-the-fly. Add chord symbols and diagrams. Transcribe MIDI parts in real time. Even export sessions as Sibelius (.sib) files for further finessing in Sibelius.

Work and collaborate on music from other audio apps
Collaboration has never been easier. With Pro Tools, you can exchange sessions with any Pro Tools user or studio. But you can also edit, remix, or even revisit projects created in other audio software”such as Logic, Cubase, Digital Performer, Sonar, Live, Reason, and other third-party apps”right in Pro Tools using built-in OMF/AAF/MXF interchange support, ReWire compatibility, or MP3 export.

Create, Edit, and Mix Audio for Post
Streamline the audio/video workflow
Work faster and easier with video using professional tools”now included as standard. Easily import and export projects to and from Pro Tools through built-in OMF/AAF/MXF interchange support. Keep track of all project assets and create and share custom catalogs with the robust DigiBase Pro file management. You can seamlessly move and share projects between the editorial and mix stage, with full compatibility, using a single automation system.

Create and cut sound to picture
With Pro Tools, you can create, edit, and mix audio to picture, with sample-accurate precision, using the built-in Time Code Ruler and support for one or up to 64 video tracks. Clean up production sound, and create sound effects and elements that define (or defy) reality. Record voiceovers, Foley, and ADR with perfect-frame accuracy. Easily execute and play back edits nondestructively using single-key edit commands.

Mix stereo and surround
Easily create larger-than-life mixes that move across the stereo field using advanced automation and variable stereo pan depths.

Integrate directly into the Avid video workflow
Speed up workflow efficiency and eliminate the need for rendering effects, transcoding video, or copying Avid video files for audio post. With the Video Satellite option, you can instantly open and play Avid HD or SD video sequences in sync with your Pro Tools session (Pro Tools HD only). And because all video playback is offloaded onto a separate but synced computer, you maintain full Pro Tools audio track counts and processing power.


MBox 2/strong>
    Hardware100% USB powered for maximum portability2 analog inputs, 2 analog outputs2 channels of S/PDIF digital I/O1 MIDI input and 1 MIDI output (16 channels in/16 channels out)Zero-latency monitoringSuperior sonic performance48V phantom power for condenser microphonesSeparate source selection and gain control per channelHeadphone output with dedicated volume controlDedicated studio monitor volume control
      SoftwareAward-winning Pro Tools recording, editing, and mixing48 simultaneous stereo audio tracks (expandable with Toolkit options)Includes dozens of pro effects processing plug-ins and virtual instrumentsProfessional MIDI sequencing with dedicated MIDI Editor windowIntegrated Score Editor based on award-winning Sibelius notation softwareFull Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracksUnique Beat Detective LE automatic groove analysis and correction toolReWire support for streaming you favorite applications right into Pro ToolsSupport for the Digidesign C|24 and Command|8 control surfacesHuge selection of compatible third-party plug-ins and software optionsWorks on Windows and Mac computers
        Virtual InstrumentsBoom drum machine and sequencerDB-33 tonewheel organ emulator with rotating speaker simulationMini Grand acoustic grand pianoVacuum monophonic vacuum tube synthesizerXpand!2 multitimbral synth and sample workstationStructure Free sample playerFXpansion BFD Lite acoustic drum module
          New Features in Pro Tools 9.0Pro Tools 9.0 provides a single, unified installer for Pro Tools and Pro Tools HDNew Pro Tools 9.0 PACE copy protection with iLok USB key (iLok key required to work, sold separately)
            Pro Tools Audio EngineSupport for Core Audio hardware (including Mac built-in audio) with supported Core Au- dio drivers installedSupport for ASIO hardware with supported ASIO drivers installed

            New Pro Tools Playback Engine settings:Current Engine setting for selecting which audio engine to usePro Tools Aggregate I/O option for usingthe built in audio on MacDelay Compensation settings for all versions of Pro Tools

            New Pro Tools Hardware settings:Ability to select Core Audio and ASIO interfacesLaunch Setup Application command for Core Audio and ASIO audio interfaces
              Mixing and RecordingIncreased number of audio and MIDI tracksIncreased number of internal mix bussesNew Track and Send Output selector commands for faster, simplified signal routing and mixer configuration Multiple Stereo Pan Depth options7.1 and 7.0 standard HD surround formats (Pro Tools HD and Pro Tools with Complete Production Toolkit 2 only)Support for EUCON for controlling Pro Tools with EUCON-aware control surfaces
                Import and Export Options for All Pro Tools SystemsAdvanced Import Session Data (formerly Pro Tools HD only, or Pro Tools LE with DV Toolkit 2 or Complete Production Toolkit only)Import AAF and OMF sequences (formerly with the DigiTranslator 2.0 option only)New AAF import features and enhancements:Ability to import stereo AAF audio tracksAbility to import RTAS plug-in data from AAF sequencesNew Locators To Import setting for importing locators from Media Composer“generated AAF sequencesExport AAF and OMF sequences (formerly with the DigiTranslator 2.0 option only)Avid Interplay Support with MacAbility to check data into and out of Avid Interplay directly with the Interplay Access browserExport MP3 (formerly with the MP3 Export option only)Export Session as Text (formerly Pro Tools HD only)
                  I/O Setup ImprovementsSession and System settingsOutput and internal mix bussesAbility to Import I/O Settings by pageOverlapping PathsImproved session interchange
                    Advanced DigiBase FeaturesAdvanced search featuresDigiBase Catalogs
                      Editing FeaturesAuto-Scrolling tracks in the Mix and Edit windowsAdvanced Beat Detective features:Separate multiple tracksCollection mode
                        Delay CompensationDelay Compensation optionDelay Compensation EngineDelay Compensation viewLow Latency Monitoring During RecordingDelay Compensation on Auxiliary Input tracksDelay Compensation for MIDIH/W Insert Delay (Compensation)
                          Time Code and Synchronization FeaturesTimebase Rulers:Time Code RulerSecondary Time Code RulerFeet+FramesAbility to set Time Code and Feet+Frame ratesAbility to redefine Time Code PositionAbility to redefine Current Feet+Frames PositionUse Subframes option for Go To commandPull Up and Pull Down commands:Audio Rate Pull Up/DownVideo Rate Pull Up/Down
                            PRE SupportMic Pre PeripheralsMic Pre I/O SetupMic PRE viewMic Preamp window
                              Plug-in and Software OptionsComplete Production Toolkit 2
                                Supported Tracks96 voices (simultaneous audio playback)32 audio record (simultaneous)64 instruments512 MIDI160 Aux tracks256 Busses1 Video
                                  Audio ProductionAutomatic Delay Compensation (ADC)Beat Detective (multitrack)AAF/OMF/MXF file interchangeCore Audio/ASIO support (up to 32 channels)MP3 exportPlug-in support: RTAS/AudioSuiteDestructive RecordQuickPunch
                                    Audio PostTime Code RulerVariable stereo pan depthsSurround mixing (stereo only)
                                      Virtual Instruments and audio contentBig Fish Audio 8GB sound libraryBoom drum machine and sequencerDB-33 tonewheel organ emulator with rotating speaker simulationMini Grand acoustic grand pianoVacuum monophonic vacuum tube synthesizerXpand!2 multitimbral synth and sample workstation
                                        Sound-processing, effects, and utility plug-ins1-Band EQ III4-Band EQ III7-Band EQ IIIAIR ChorusAIR DistortionAIR Dynamic DelayAIR EnhancerAIR EnsembleAIR Filter GateAIR FlangerAIR Frequency ShifterAIR FuzzWahAIR KillEQAIR Lo-FiAIR MultiChorusAIR Multi-DelayAIR Nonlinear ReverbAIR PhaserAIR ReverbAIR Spring ReverbAIR StereoWidthAIR TalkboxAIR Vintage FilterBF76 Compressor 1176 emulatorBF Essential Clip RemoverBF Essential Correlation Meter phase fixerBF Essential Meter Bridge VU meteringBF Essential Noise MeterChorusClickCompressor/LimiterD-Verb reverb and ambienceDC Offset RemovalDe-EsserDelayDigiReWireDitherDuplicateEleven Free (guitar amp emulator based on Eleven)Expander/GateExtra Long Delay IIFlangerGainInvertLo-Fi retro processingLong Delay IIMaxim sound maximizerMedium Delay IIMulti-Tap DelayNormalizePing-Pong DelayPitchPitch ShiftPOWr DitherRecti-Fi harmonic synthesisReverseSansAmp tube amp simulatorSci-Fi ring modulatorSignal GeneratorShort Delay IISlap Delay IITime Compression ExpansionTime Shift time/pitch stretchingTL AutoPan panning effectsTL InTune digital tunerTL MasterMeter oversampling meterTL Metro versatile metronomeTrimVari-Fi speed shifter
                                          Hardware Interface Support
                                            Pro Tools MboxMbox (3rd gen.) / Mbox 2Mbox Mini (3rd gen.) / Mbox 2 MiniMbox Pro (3rd gen.) / Mbox 2 Pro
                                              003/Digi 002003 / Digi 002003003 Rack003 Rack+Digi 002Digi 002 RackEleven RackAny 3rd-party Core Audio- or ASIO-compatible interface

                                                Mbox 2 with Pro Tools 9 Crossgrade Specifications:

                                                Mbox 2 System Requirements
                                                  System Requirements
                                                  • Digidesign-qualified Windows Vista- (32-bit Business or Ultimate), Windows XP- or Mac OS X 10.5-based computer
                                                  • Minimum 1GB of RAM
                                                  • DVD-ROM or equivalent optical drive for software installation
                                                  • Available USB port for for Mbox 2 system (USB hubs not supported)
                                                  • Available USB port for iLok USB Smart Key
                                                  Analog Inputs”2
                                                  • Separate source selection and gain control per channel
                                                  • Mic: XLR with 48V phantom power
                                                  • Mic preamp: >120dB EIN @ > 50dB gain
                                                  • Line: ¼"
                                                  • DI: ¼"
                                                  • Maximum Input: 8.7 V RMS (balanced), or +21dBu
                                                  • 24-bit clean to/from the computer
                                                  • USB type B socket (v. 1.1); cable included (does not support passive USB hubs)
                                                  Analog Line Outputs”2
                                                  • Maximum Output: +4dBV into 1 kÎ
                                                  • Unbalanced output connectors
                                                  Dimensions” measured with Mbox 2 in horizontal (handle-down) configuration
                                                  • Height, box: 4.9cm; with handle: 7.7cm; with handle cover: 5.6cm
                                                  • Width: 22.4cm
                                                  • Depth: 18.4cm (includes knobs)
                                                  • Weight: 1.23kg
                                                  Headphone Output
                                                  • Separate volume control;
                                                  • ¼" output
                                                  • > 6 mW into 50Î
                                                  • Sample Rate: 44.1, 48kHz
                                                  • Dynamic Range: 106dB (A-weighted), 103dB (unweighted)1,2
                                                  • THD+N (line input): 0.00079% (-102dB) @ 1kHz1,3
                                                  • THD+N @ 40dB gain (mic input): 0.006% (-84dB) @ 1kHz1
                                                  • Mic EIN (unweighted): -120dB @ 40dB gain, 150Î source
                                                  • Frequency response: +0/-0.5dB, 20Hz ” 20kHz3
                                                  • Maximum Input: +21dBu
                                                  • Input Impedance (pad off): Mic=3.5 kOhm; Line=10 kOhm; DI= >1 MOhm
                                                  Digital I/O
                                                  • S/PDIF I/O (24-bit)
                                                  • RCA jacks
                                                  • Sample Rate: 44.1, 48kHz
                                                  • Dynamic Range: 106dB (A-weighted), 103dB (unweighted)1,4
                                                  • THD+N: 0.003% (-90.4dB); -1dBFS @ 1kHz1,3
                                                  • Frequency response: ±0.5dB, 20Hz ” 20kHz3
                                                  • 1 Measurement made using balanced connectors
                                                  • 2 ADC measured -60dBFS method with minimum gain setting
                                                  • 3 Measured relative to level at 1kHz
                                                  • 4 Measured with digital input at -60dBFS @ 1kHz
                                                  Pro Tools 9 System Requirements
                                                    Mac Systems
                                                    • Computer: Avid-qualified Apple computer
                                                    • System Software: Snow Leopard: Mac OS X 10.6.2, 10.6.3, or 10.6.4 (32 or 64-bit)*
                                                    • Total System RAM: 2GB minimum, 4GB or more recommended
                                                    • *Pro Tools 9 has not been qualified with Mac OS X 10.6.5 (released November 10, 2010)
                                                    Windows Systems
                                                    • Computer: Avid-qualified Windows-based computer
                                                    • System Software: Windows 7 Home Premium, Professional, or Ultimate (32 or 64-bit)
                                                    • Total System RAM: 2GB minimum, 4GB or more recommended
                                                    Additional Requirements
                                                    • Avid Audio Interfaces and Peripherals
                                                    • Audio Drive Requirements: One or More Hard Disk Drives Dedicated for Audio Record and Playback
                                                    • System Hard Drive: Minimum 15GB free space on startup drive required for Pro Tools installation
                                                    • Graphics Card: Dedicated Graphics Card highly recommended
                                                    • Video Peripherals
                                                    • Third Party Audio Interfaces
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