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Built from a block of precision-machined aluminum, it featured advanced analog and digital circuitry with innovative power-saving technology for clean performance with no compromise in level, noise or distortion.<br><br> <h3>Upgraded Features in the Babyface Pro FS</h3> The Babyface Pro FS brings major improvements, including a +19/+4dBu switch for better SNR with active monitors, the full SteadyClock FS circuit from the ADI-2 Pro FS, and enhanced headphone output performance. Mic input SNR has been improved, THD reduced and latency cut even further—while maintaining the same low power consumption. A built-in K-slot adds theft protection for added peace of mind.<br><br> <h3>ADI-2 Series Headphone Output Power</h3> The dual headphone outputs—TRS and mini jack—each use independent driver stages, offering optimal matching for low- and high-impedance headphones. 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Whether converting digital formats or monitoring high-res playback, SteadyClock FS guarantees clean, accurate signal transmission.<br><br> <h3>Mixing and Routing With TotalMix FX and TotalMix Remote</h3> With TotalMix FX, Babyface Pro FS offers complete routing and submix control across all inputs and outputs, plus a Control Room section for advanced monitoring setups. Built-in DSP includes EQ, reverb and delay. Use the iOS app or TotalMix Remote to wirelessly control sessions via Mac, PC or tablet—ideal for studio or live workflows.<br><br> <h3>Easy to Use and Perfectly Stable</h3> The Babyface Pro FS offers intuitive access to all functions through its clean interface. Every circuit has been tuned for optimal audio integrity, delivering accurate signal transfer with nothing added or taken away. It’s ready to meet professional demands in a highly portable, bus-powered design.<br><br> <h3>RME USB With Industry-Leading Latency and Stability</h3> RME pioneered pro-grade multichannel USB 2.0 performance and continues to lead with stable, up-to-date driver support. 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RME

RME Babyface Pro FS Audio Interface

Name: RME Babyface Pro FS Audio Interface
Brand: RME
SKU: L75075000000000
Price: 999.00 USD
Availability: InStock

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$99900

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Overview

24-channel 192kHz bus-powered professional USB 2.0 audio interface.

Precision Design and Performance for Portable Recording

When the original Babyface Pro was released, it reinforced RME’s commitment to superior craftsmanship—not only in audio circuit and driver development, but also in mechanical design. Built from a block of precision-machined aluminum, it featured advanced analog and digital circuitry with innovative power-saving technology for clean performance with no compromise in level, noise or distortion.

Upgraded Features in the Babyface Pro FS

The Babyface Pro FS brings major improvements, including a +19/+4dBu switch for better SNR with active monitors, the full SteadyClock FS circuit from the ADI-2 Pro FS, and enhanced headphone output performance. Mic input SNR has been improved, THD reduced and latency cut even further—while maintaining the same low power consumption. A built-in K-slot adds theft protection for added peace of mind.

ADI-2 Series Headphone Output Power

The dual headphone outputs—TRS and mini jack—each use independent driver stages, offering optimal matching for low- and high-impedance headphones. The 3.5 mm TRS output now delivers 90 mW of power, with THD reduced by up to 10 dB and output impedance lowered from 2 ohms to just 0.1 ohms.

Full-Range Capture With Pro-Level I/O

RME’s integrated XLR sockets save space while preserving full connectivity. Digitally controlled mic preamps offer 48V phantom power and a 76 dB gain range in 1 dB steps, plus a relay-driven PAD and excellent EIN specs. A TOSLINK I/O port supports ADAT and SPDIF up to 192kHz, and the unit supports up to 12 analog inputs and outputs when expanded via ADAT.

More Pro-Level Performance With SteadyClock FS

The Babyface Pro FS features RME’s SteadyClock FS technology for ultra-low jitter and high clock stability. This ensures digital signal integrity and enhanced soundstage depth and clarity. Whether converting digital formats or monitoring high-res playback, SteadyClock FS guarantees clean, accurate signal transmission.

Mixing and Routing With TotalMix FX and TotalMix Remote

With TotalMix FX, Babyface Pro FS offers complete routing and submix control across all inputs and outputs, plus a Control Room section for advanced monitoring setups. Built-in DSP includes EQ, reverb and delay. Use the iOS app or TotalMix Remote to wirelessly control sessions via Mac, PC or tablet—ideal for studio or live workflows.

Easy to Use and Perfectly Stable

The Babyface Pro FS offers intuitive access to all functions through its clean interface. Every circuit has been tuned for optimal audio integrity, delivering accurate signal transfer with nothing added or taken away. It’s ready to meet professional demands in a highly portable, bus-powered design.

RME USB With Industry-Leading Latency and Stability

RME pioneered pro-grade multichannel USB 2.0 performance and continues to lead with stable, up-to-date driver support. Because RME develops its own interface core, updates and compatibility with modern OS platforms are fast and reliable—no third-party delays or interruptions.

Included Software Bundle for Production and Performance

The Babyface Pro FS includes a powerful software bundle to get you creating right away:
• Ozone 10 Elements – Full license, all-in-one mastering tool
• True Sound Drum Pack Sampler – Premium drum sound collection (ZIP file)
• S Gear Amp Simulation Software – Full license, amp simulation plugin for guitar
• Brainworx BX Opto Compressor – Full license, optical compressor plugin
• Brainworx BX Master Desk – Full license, mastering software plugin
• Gig Performer – Trial version, live performance plugin for set lists, backing tracks and more
• Modartt Pianoteq 6 – Trial version, virtual piano instrument
• GG Audio Blue 3 – Trial version, virtual organ plugin
• Tape It – Full license, record and share music from your iOS device
• Auto-Tune – 3-month trial, industry-standard pitch correction plugin

Built to RME Standards for Unmatched Reliability

As with every RME interface, the Babyface Pro FS is engineered in Germany for long-term reliability, ultra-low latency and consistent professional performance. From mobile tracking to full studio production, it’s a trusted tool for artists and engineers who demand clean signal paths and rock-solid driver support.

Give your projects the quality they deserve. order today.

Specs

Babyface Pro FS Audio Interface Specifications:

ANALOG

AD, Microphone/Line 1-2
Input: XLR, electronically balanced
Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD
Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD
Signal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz
With PAD active : -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
THD: < -112 dB, < 0.00024 %
THD+N: < -108 dB, < 0.00035 %
THD @ 30 dB Gain: < -115 dB, < 0.00016 %
THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
Channel separation: > 110 dB
Gain range: -11 dB up to +65 dB
Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu

AD, LINE/INSTRUMENT IN 3-4

As Microphone/Line 1-2, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: < 3 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB: < 2 Hz – 92 kHz
Maximum input level @+4 dBu, Gain 0 dB: +13 dBu
Maximum input level @-10 dBV, Gain 9 dB: -5 dBu

DA, Line Out 1-2

Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD: - 106 dB, 0.0005 %
THD+N: -102 dB, 0.0008 %
Channel separation: > 110 dB
Output: XLR balanced
Output impedance: 300 Ohm balanced, 150 Ohm unbalanced
Output level @ 0 dBFS: Balanced +19 / +4 dBu, unbalanced +13 / +7 dBu
DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V

DA, PHONES 3/4

AS DA Line Out, but:
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 10 Ohm
Output level at 0 dBFS, 1 kOhm load: +13 dBu
Max power @ 0.1% THD: 60 mW
Signal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA
Noise level: -101.8 dBu
Output: 3.5 mm TRS jack, unbalanced
Output impedance: 0.1 Ohm
Output level at 0 dBFS, 1 kOhm load: +7 dBu
Max power @ 0.1% THD: 90 mW
Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA
Noise level: -107 dBu

MIDI

1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output 25.3

DIGITAL

Clocks: Internal, ADAT In, SPDIF In Jitter suppression of external clocks: > 50 dB (2.4 kHz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz

DIGITAL INPUTS

ADAT Optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock Range: 31.5 kHz – 50 kHz
Jitter suppression: > 50 dB (2.4 kHz)

SPDIF optical

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock Range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (2.4 kHz

) DIGITAL OUTPUTS

ADAT optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz

SPDIF optical

1 x optical, according to IEC 60958
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz

GENERAL

Power supply: USB bus power or external power supply
Idle power consumption: 2.8 Watts
Typical power consumption: 3.7 Watts
Max. power consumption: 5.4 Watts
Current at 5 V bus power operation: 700 mA (3.7 Watts)
Current at 12 V external power: 313 mA (3.7 Watts)
Dimensions (WxHxD): 108 x 35 x 181 mm (4.25"" x 1.4"" x 7.1"")
Weight: 680 g ( 1.5 lbs)
Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity: 75%, non condensingFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz
With PAD active : -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
THD: < -112 dB, < 0.00024 %
THD+N: < -108 dB, < 0.00035 %
THD @ 30 dB Gain: < -115 dB, < 0.00016 %
THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
Channel separation: > 110 dB
Gain range: -11 dB up to +65 dB
Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu

AD, LINE/INSTRUMENT IN 3-4

As Microphone/Line 1-2, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: < 3 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB: < 2 Hz – 92 kHz
Maximum input level @+4 dBu, Gain 0 dB: +13 dBu
Maximum input level @-10 dBV, Gain 9 dB: -5 dBu

DA, Line Out 1-2

Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD: - 106 dB, 0.0005 %
THD+N: -102 dB, 0.0008 %
Channel separation: > 110 dB
Output: XLR balanced
Output impedance: 300 Ohm balanced, 150 Ohm unbalanced
Output level @ 0 dBFS: Balanced +19 / +4 dBu, unbalanced +13 / +7 dBu
DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V

DA, PHONES 3/4

AS DA Line Out, but:
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 10 Ohm
Output level at 0 dBFS, 1 kOhm load: +13 dBu
Max power @ 0.1% THD: 60 mW
Signal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA
Noise level: -101.8 dBu
Output: 3.5 mm TRS jack, unbalanced
Output impedance: 0.1 Ohm
Output level at 0 dBFS, 1 kOhm load: +7 dBu
Max power @ 0.1% THD: 90 mW
Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA
Noise level: -107 dBu

MIDI

1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output 25.3

DIGITAL

Clocks: Internal, ADAT In, SPDIF In Jitter suppression of external clocks: > 50 dB (2.4 kHz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz

DIGITAL INPUTS

ADAT Optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock Range: 31.5 kHz – 50 kHz
Jitter suppression: > 50 dB (2.4 kHz)

SPDIF optical

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock Range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (2.4 kHz

) DIGITAL OUTPUTS

ADAT optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz

SPDIF optical

1 x optical, according to IEC 60958
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz

GENERAL

Power supply: USB bus power or external power supply
Idle power consumption: 2.8 Watts
Typical power consumption: 3.7 Watts
Max. power consumption: 5.4 Watts
Current at 5 V bus power operation: 700 mA (3.7 Watts)
Current at 12 V external power: 313 mA (3.7 Watts)
Dimensions (WxHxD): 108 x 35 x 181 mm (4.25" x 1.4" x 7.1")
Weight: 680 g ( 1.5 lbs)
Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity: 75%, non condensing

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RME Babyface Pro FS Audio Interface

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Gold Coverage Protection

24-channel 192kHz bus-powered professional USB 2.0 audio interface.

Precision Design and Performance for Portable Recording

Upgraded Features in the Babyface Pro FS

ADI-2 Series Headphone Output Power

Full-Range Capture With Pro-Level I/O

More Pro-Level Performance With SteadyClock FS

Mixing and Routing With TotalMix FX and TotalMix Remote

Easy to Use and Perfectly Stable

RME USB With Industry-Leading Latency and Stability

Included Software Bundle for Production and Performance

Built to RME Standards for Unmatched Reliability

Babyface Pro FS Audio Interface Specifications:

Questions & Answers

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